mardi 31 décembre 2019

The Witcher Season 1 Episode 6 Recap

The Witcher Season 1 Episode 6 Recap

The Witcher season 1 episode 6 recap

Some time has passed following the Yennefer of Vengerberg (Anya Chalorta) and Geralt of Rivia (Henry Cavill)’s meeting and the two now find themselves at odds with another, while Princess Cirilla (Freya Allan) learns she can’t always trust a familiar face in the sixth episode of Netflix’s The Witcher.

RELATED: CS Soapbox: Is The Witcher Really the New Game of Thrones?

An Epic Hunt

While on a separate job hunting a creature, where the men who hired him try to rob the supplies off Roach while Jaskier does nothing to help, Geralt meets a man named Borch Three Jackdaws, whose travel companions Téa and Véa kill one of the two men while the other flees. Borch beckons Geralt to join him at a local tavern, where plentiful food and ales are ordered, and asks the witcher to help join him on a hunt for a green dragon currently hiding somewhere in the mountains of King Neidamir’s kingdom. The dragon was recently spotted by locals who believed they could acquire the treasure it has amassed, but after wounding it, the creature laid waste to nearby farms, burning crops and sheep. The king has offered a reward to any that kill the dragon, including allowing the victor to keep whatever treasure they find, and four teams have been assembled, one of dwarves, one of reavers and one with Yennefer in tow as companion to Sir Eyck of Denesle. While initially refusing the job, Geralt accepts given the opportunity to connect back with Yennefer, while Jaskier continues to try and woo Borch’s companions.

Be Careful Who You Trust

While Ciri and Dara follow the doppler Mousesack out of Brokilon, he answers her question regarding her connection to Geralt, revealing he is owed to her as a reward for law of surprise after he saved her father. As they return to the snow-covered woods, Dara begins to question Mousesack’s motives, claiming much of what he said and is doing aren’t adding up, but the doppler presents Ciri with her grandmother’s sash, appeasing her for the time being. After coming across an open field, Ciri’s conversations with Mousesack begin to take a suspicious turn and she accuses him of lying, to which he reveals he is not Mousesack and Dara attacks him with a silver knife, revealing his true monstrous form. After knocking out Dara, the doppler chases Ciri through the woods, where she is eventually captured by what appears to be a Nilfgaardian soldier and drugged into unconsciousness.

Somebody’s Jealous

As the four groups trek up the mountains on foot, with the path being too narrow for horses, the dwarves and Borch’s team seem to be getting along friendly as they both dislike the reavers and Eyck, who appears a little too uppity for their taste. While heading up a hillside path, Jaskier comes across a hirikka, with Geralt telling everyone to sheath their weapons as it doesn’t intend any harm, but the overzealous Eyck kills it quickly and proceeds to slash away at its dead body for a while before feasting on its corpse, which gives him digestion problems. While they sit around the fire, Borch and Geralt discuss the history of dragons, including the mythical gold dragon, which the witcher claims to have died out while Borch believes they are still alive. After awakening the next day, a dwarf finds Eyck dead in some nearby brush, his throat slit while handling the digestion issues from feeding o the hirikka, leaving Yennefer to begrudgingly join Geralt’s team.

Old Wounds Mended

As they team up with the dwarves team to take a shortcut alongside the mountain to get ahead of the reavers, Borch and his companions step poorly on some old planks and fall to their death after asking Geralt to continue on and protect those still able to live. Geralt questions Yennefer on why she came along in the journey in the first place and she reveals she is trying to create a mythical potion using a fresh dragon’s heart that will restore her fertility. Geralt and Yennefer step away into a tent at the top of the mountain and discuss the pain they each caused each other following their initial meeting, with the witcher slipping away while she slept following their sexual encounter in Rinde while Yennefer later repeated the same act on Geralt. The two apologize to each other and spend the night together, waking up to find one another still laying in bed next to each other before heading outside and realizing the dwarves have left.

The Mighty Dragon Couple

Yennefer and Geralt catch up to the dwarves racing up the hill to where the dragon is staying and she uses her powers to freeze them in place. Upon arriving in the cave, she finds the green dragon has already perished and is laying near a dragon egg, and as Geralt attempts to stop her from approaching, Téa and Véa reveal themselves to be alive and a golden dragon flies in from a hole in the roof of the cave and speaks, revealing Borch was a golden dragon all along and hired Geralt to help protect his dead wife and her egg from the hunting parties. The reavers arrive and engage in a length sword fight with both Geralt and Yennefer, both using their powers to kill the entire group, while one seemingly dead is burned alive by Borch while trying to crawl towards the egg.

A Change of Heart

Ciri awakens to find Cahir has captured her and is discussing the fact he is the true key to her destiny, but as he looks away to get her some food, it’s revealed he actually captured the doppler disguised as Ciri. The two engage in a fight, in which the doppler mostly has the upper hand and even wounds Cahir, before it takes off and eludes Cahir’s capture. The real Ciri is tied up to a tree in the woods and is found by Dara, who frees her but then laments her for having them leave Brokilon and claims she is going to get him killed and leaves her for good.

Forcing the Hand of Destiny

In the aftermath of the battle, the dwarves finally arrive at the cave and Borch offers them dragon’s teeth to bring to the king in exchange for no questions asked, which they readily accept and leave. Borch has a talk with Geralt and Yennefer after, in which Geralt reveals his final wish to the djinn was to keep their destinies intertwined, further angering Yennefer after Borch declares she won’t be able to reverse the loss of her fertility. Geralt and Yennefer part ways and he scolds Jaskier for everything he has come to experience thus far, blaming it on the bard, who then sadly leaves as well.

The post The Witcher Season 1 Episode 6 Recap appeared first on ComingSoon.net.

The Witcher Season 1 Episode 5 Recap

The Witcher Season 1 Episode 5 Recap

The Witcher season 1 episode 5 recap

The walls are closing in on Princess Cirilla (Freya Allan) as the evil Nilgaardian commander Cahir is hot on her tail, while Geralt of Rivia (Henry Cavill) and Yennefer of Vengerberg (Anya Chalorta)’s paths are finally crossing as the sorceress is currently on a new path in life.

RELATED: The Witcher Season 1 Episode 3 Recap

A Secret Weapon

Knowing that the Brokilon Forest is too dangerous to venture in given the Dryads inhabitation, Cahir enlists a doppler to infiltrate the area. He brings out Mousesack, who Fringilla has locked up in a cage made out of dimeritium, which has essentially neutered the mage’s powers. The doppler takes Mousesack’s form and proceeds to kill him, revealing that every person he imitates he gains their entire knowledge and feelings in the process.

The New Temporary Path

Following her departure from the Brotherhood of Sorcerers, Yennefer is now living in the small kingdom of Rinde helping the locals out with minor spells to make their lives better, much to the dismay of the mayor, who despises mages and requests payment from any who wish to perform magic in his town.

Saving the Bard Yet Again

As Jaskier travels through the forest, he comes across Geralt, who appears to be fishing in a nearby lake but is actually in search of a djinn in order to wish for a chance to sleep. After fishing out the jar in which the entity is contained, he and Jaskier fight over it and cause it to break, with the latter believing he is its master and asking for two wishes before being attacked by the djinn that leaves him on the verge of death. Geralt brings him to the nearest elf doctor, Chireadan, who offers a potion that will prevent death for a few hours until they find a mage. He reluctantly sends them to Rinde to head into the mayor’s castle where he has Yennefer locked up, and after knocking out the guard and walking through the halls and finding the mayor in a naked trance, they stumble upon a party room in which an orgy is underway with Yennefer watching. She reveals everyone there is under her spell, including Jaskier, who sits next to a few naked women despite his impending doom, and she agrees to help save his life in return for something she doesn’t yet specify.

True Intentions Revealed

Yennefer invites the witcher to share a bath with her, while not letting him see her in the nude, and the two reveal they know things about the other’s kind, with Geralt pointing out signs that she originally came from Aretuza and questions what her deformity was before the transformation, to which she doesn’t answer. While looking in on Jaskier, Geralt notices the seal to the jar laying on a nearby dresser and a version of it drawn on the floor with candles surrounding it and surmises that she is planning to capture the djinn for her own means after the final wish is spoken, which they both believe is from Jaskier. She uses a combination of herbal scents to paralyze Geralt, who seemingly falls asleep and awakens in a dungeon cell, only to learn from Chireadan that he was actually entranced by her and attacked two city councilman brutally, both of whom were trying to usurp the mayor and evict Yennefer from town. Chireadan also reveals he is in love with Yennefer and didn’t want to send Geralt and Jaskier her way for fear of them falling under her spell.

Who’s Your Master?

The guard from the gate Geralt knocks out upon arrival enters the cell and begins beating up the witcher, using his shackles to keep it an easy fight for him. In the meantime, Jaskier awakens in the room to find Yennefer waiting mostly nude with symbols on her chest that will help her become the vessel for the djinn and tries to get him to make his final wish. As he tries and seemingly nothing happens, Geralt wishes for the guard to burst, which he does quite instantaneously, realizing the cuts on his arm from the broken pot have made him the master of the djinn. He rushes upstairs to try and stop Yennefer from her attempts at harnessing the djinn’s powers, and after making a new wish that sees the djinn fly away and the seals on the dresser and her body fly away, the roof seemingly collapses on them, leaving both Chireadan and Jaskier heartbroken. However, we then see that Yennefer portalled them to the party room from earlier, and she reveals she was going to use the djinn to restore her fertility, which was taken away during her transformation at Aretuza. The two take action on their attraction together and begin to have sex, with Jaskier initially lamenting at their deaths until Chireadan brings him to the window to show they are having sex before pulling him away to leave them in private. Yennefer asks what was Geralt’s wish, but he’s fast asleep before he can answer her question.

The Illusion Succeeds

The doppler version of Mousesack heads into Brolikan and is guided by the Dryad locals to find Ciri, claiming he previously served her family, and while Dara is initially hesitant to follow her, he joins her as they leave the forest in search of Geralt.

The post The Witcher Season 1 Episode 5 Recap appeared first on ComingSoon.net.

The Witcher Season 1 Episode 4 Recap

The Witcher Season 1 Episode 4 Recap

The Witcher season 1 episode 4 recap

Paths are beginning to cross and revelations are coming to light in the fourth episode of Netflix’s series adaptation of The Witcher, which sees Geralt of Rivia (Henry Cavill) head to a ball alongside bard Jaskier as his bodyguard, while Cirilla (Freya Allan) meets a dangerous new ally and Yennefer (Anya Chalorta) chooses to forge her own path.

RELATED: CS Soapbox: Is The Witcher Really the New Game of Thrones?

The Beckoning Voice

After heading off in an unknown path through the woods in a trance, Ciri walks from the snow-covered trees into the oasis-like Brokilon Forest, where she is surrounded by tribal-looking people known as Dryads. The rest of the tribe hold a meeting protesting Ciri staying in the forest, as there’s a power deep inside her that she doesn’t even know about that could threaten them all, but the leader says they will have her and Dara drink the waters from the area and if they’re ill of heart, they will die, otherwise they will forget their troubles and stay.

The Wedding Celebration

After being swallowed by a selkiemore and cutting his way out of it, Geralt returns to the tavern to collect his reward and finds Jaskier in a nearby tavern collecting details of the story and the bard hires the witcher to act as his bodyguard at a royal ball, as he has slept with a few too many royal wives. While dressing him down and asking him to remain silent to avoid the spotlight, Jaskier is disconcerted that Geralt is immediately recognized and reunited with an old friend, the mage Mousesack, with the ball taking place in Cintra. Queen Calanthe arrives back from a battle to reveal that the ball is a wedding celebration for lords from other kingdoms to vie for the hand of Princess Pavetta, despite her not wanting marriage, and invites Geralt to sit by her side during the festivities.

Burning Bridges Early

Various lords vie for the hand of Pavetta, including that of Lord Peregrine from Nilfgaard, whom the rest of the crowd treats as a joke and Calanthe likens his nation to that of “shit wipe,” causing him to storm out in a rage.

Bored of Political Nonsense

Yennefer is escorting Queen Kalis and her baby daughter with a group of knights, expressing her desire to move on from cleaning up political messes after three decades. The convoy is attacked by an unknown bug-like creature that is being controlled by a mage. She portals them both to a desert area, surmising the attacker is an assassin who was sent by the king to kill Kalis as he has grown tired of her not giving him a male heir. They are followed by the assassin and its creature and continue to portal through multiple areas before arriving in a mountain-top area, where Yennefer portals away herself. As Kalis tries to bargain for her life by offering her baby as sacrifice, she is killed by the assassin and Yennefer portals back in time to save the baby from the creature, but is hit by a knife from the assassin while fleeing through another portal, emerging to find the baby killed by the knife and choosing to now forge her own path away from the Brotherhood.

An Unlikely Suitor

While seeming indifferent to the multiple lords vying for her hand, a knight named Urcheon of Erlenwald fights his way into the hall to offer his hand in marriage, keeping his face covered as it is part of his code. King Eist pulls his helmet off, revealing a face that of a porcupine, which Urcheon says stems from a curse put upon him as a young boy and that when the twelfth bell rings he will be cured. He reveals that he previously saved Eist in battle and was offered the law of surprise as a reward, with which he will be granted with something Eist has that he does not yet know. Upon returning from that battle, Eist found Calanthe was pregnant with Pavetta, hence Urcheon is owed her hand in marriage, and while Eist agrees with him and it’s revealed destiny has already brought the star-crossed lovers together prior to the ceremony, Calanthe vehemently protests and orders Urcheon killed. Geralt steps in to prevent him from being killed and a battle ensues between the two and Cintran soldiers, as well as an all-out brawl with everyone else.

A New Power Emerges

Calanthe calls a hold to the battle and approaches her daughter’s love in a seemingly peaceful manner to accept his proposal, having given her sword to Eist. However, it is revealed she is concealing a dagger at her waist and attempts to kill Urcheon, but before she can Pavetta reveals she has powers and uses them to send everyone flying and pressed against the walls, with a whirlwind guarding her and her love. Mousesack and Geralt use their combined magic to burst the whirlwind and temporarily disable Pavetta. Calanthe embraces her daughter, remarking at the fact she has received her grandmother’s powers, which skipped over the queen, and reverses her decision, choosing not to mess with destiny and allow the two to be married. During the marriage ceremony held right there in the damaged hall, Pavetta and Duny, as she calls him, kiss, turning him back into human form and breaking the curse. While initially refusing payment from Duny for his help, Geralt decides to ask for a Law of Surprise as his reward and before he can protest to it regarding a child yet again, Pavetta throws up, revealing she is in fact pregnant and leaving her child and Geralt’s destinies intertwined.

The Mysteries of Brokilon

Cirilla is awoken from a nightmarish vision of the horrors her people are suffering at the hands of Nilfgaard to find Dara drinking the waters of Brokilon, which have helped him forget the dreadful past in which Calanthe ordered the slaughtering of his people and wishes to stay with the Dryads. Ciri chooses to also drink from the water, however it seemingly has no effect on her. The leader of the Dryads takes her to a mystical tree in which she says is the root of the powerful water and Ciri drinks from it, which transports her to a magical place with a mystical tree beckoning to her.

The Walls Are Closing In

Back in Cintra, a group of Nilfgaardian mages led by Fringilla come upon Calanthe’s dead body and one of them cuts off a chunk of skin from her arm and eats it, beginning to convulse and leading one of the others to stab him to death and rip out his internal organs. They then read his stomach, which reveals that Ciri is hiding in the Brokilon Forest, and helping Cahir to formulate a plan for how to finally capture her.

The post The Witcher Season 1 Episode 4 Recap appeared first on ComingSoon.net.

ComingSoon’s 10 Best Movies of the Decade

ComingSoon's 10 Best Movies of the Decade

ComingSoon’s 10 Best Movies of the Decade

The 2010s were a decade of mindblowing films that took us through turbulent times with style and substance. It was the decade when superhero flicks came into their own, and horror became a dominant force in the industry. This decade also saw a downturn in the mid-budget studio picture (comedies, star-led dramas), yet still a few managed to rise above. Overall it has been an impressive ten years, and ComingSoon.net is counting down the best of the best with six lists of the 10 Best Movies of the Decade featuring managing editor Max Evry, associate editor Kylie Hemmert, and staff writers Grant Hermanns, Maggie Dela Paz, Jeff Ames and Josh Plainse. Check out our lists below!

RELATED: ComingSoon’s Top 10 Films of 2019!

Max Evry

1) Mad Max: Fury Road – George Miller crafted a singular action masterpiece using bravura storytelling and incisive political subtext. A crowning achievement. Anyone who says I chose this as #1 out of narcissism because it has my name in the title is mostly wrong.

2) The Nice Guys – Shane Black leveraged the success of Iron Man 3 to create the Shane Black-iest movie ever made, full of great noir mechanics, an amazing double act with Ryan Gosling and Russell Crowe and, of course, Christmas! Surely this decade’s Big Lebowski, a movie whose pleasures only grow on each viewing.

3) Scott Pilgrim vs. the World – The great 6-volume graphic novel by Bryan Lee O’Malley was turned into a singular work of pop brilliance by Edgar Wright, who uses every trick in the book to tell a stylized love story.

4) Looper – While Rian Johnson’s The Last Jedi would turn out to be a superlative Star Wars movie, his film prior showed an incredible knack for creating sparkling characters and dialogue within an original sci-fi framework.

5) It Follows – The idea of supernatural monster as sexual chain letter is such a great conceit the mind boggles how it wasn’t done before. If it had, it probably would not have been as amazingly executed as David Robert Mitchell made it. Between this, The Myth of the American Sleepover and Under the Silver Lake, Mitchell is absolutely a filmmaker to watch in the coming decade.

6) Green Room – Another brilliant young mind is Jeremy Saulnier, who crafted this killer claustrophobic thriller that became even more relevant with the surge in White Nationalism since 2016.

7) BlacKkKlansman – Speaking of White Nationalism, Spike Lee confronted the dark heart of America with guts and gusto using the incredible story of black officer Ron Stallworth infiltrating the KKK in late 1970’s Colorado. John David Washington announces himself brilliantly as a movie star with this role.

8) John Dies at the End – With a micro budget, underrated director Don Coscaelli crafted a movie of unrelenting eccentric genius. Based on the book by David Wong, the film unravels as a reality-bending narrative about Dave and John’s journey to an alternate dimension after taking the mysterious drug Soy Sauce.

9) Beyond the Black Rainbow – Before he made the killer fever dream Mandy, Panos Cosmatos made this horror experiment that is equal parts arthouse and grindhouse. Made using residuals from his father’s film Tombstone, Cosmatos made a movie that only a dedicated filmmaker with real vision could pull off.

10) Blue Valentine – This drama tracks a relationship that is forged in and ends in chaos. A rare romantic film that alternates between the sweet and the tragic, Derek Cianfrance makes sure every unflinching scene always feels raw.

Honorable Mentions: The Adventures of Tintin, Colossal, Paterson, The Raid, Frances Ha, Moonrise Kingdom, Cloud Atlas, Hobo with a Shotgun, The Tree of Life, A Dangerous Method, Young Adult, The Illusionist, The Duke of Burgundy, Elle, The Lobster, Mandy, Good Time, Captain America: The Winter Soldier, Logan

Kylie Hemmert

1) The Conjuring – The first installment of James Wan’s masterful Conjuring universe introduced horror fans to a favorite new demon-fighting couple, Ed and Lorraine Warren (Patrick Wilson, Vera Farmiga), in a fresh, effective, terrifying scary movie full of heart and fun clapping games.

2) Nightcrawler – Screenwriter Dan Gilroy’s directorial debut stars Jake Gyllenhaal in a powerful performance in the thought-provoking and disturbing neo-noir psychological thriller that explores a darker side of humanity in the name of rising to the top.

3) Mad Max: Fury Road – George Miller’s award-winning film features Tom Hardy and Charlize Theron at their best in a visually stunning and exhilarating achievement full of adrenaline and high stakes. It really doesn’t get any better than this.

4) IT – Andy Muschietti’s 2017 take on the Stephen King story, complete with a perfect Pennywise in the form of Bill Skarsgård and an excellent Losers Club cast, is as much a moving coming-of-age tale as it is a horror movie in a special blend of genre essential to effective King adaptations.

5) Gone Girl – Based on the novel by Gillian Flynn, David Fincher’s adaptation of the drama thriller features spectacular performances by Rosamund Pike and Ben Affleck and takes viewers on a darkly disturbing journey into a destructive marriage (to put it lightly).

6) Hereditary – Ari Aster’s directorial feature debut combines ingredients essential to a perfect horror movie: Originality, Toni Collette at her best, beheadings, creepy repetitive noises, unexpected beheadings, unraveling dysfunctional families, and escalating tension that builds into a horrifying and fittingly bizarre end to this one-of-a-kind film.

7) A Quiet Place – John Krasinski showcased his vast acting range and how skilled behind a camera he is in his original horror feature directorial debut. Married couple Krasinski and Emily Blunt star alongside a couple of super talented kids in a very effective scary movie that will make you jump and then make you cry as the Abbott family desperately fights for survival.

8) Prisoners – One of the best crime dramas of the decade that dives into desperation, vigilantism, and how far we go for our family within a gripping mystery. Jake Gyllenhaal and Hugh Jackman’s raw performances coupled with Denis Villeneuve’s signature directing makes for a heavy, visceral drama.

9) Split – M. Night Shyamalan gave one of his biggest twists yet when it was revealed via a shocking cameo by Bruce Willis at the end of the film that this thriller was actually the sequel to his groundbreaking movie Unbreakable that came out 16 years before Split was released. James McAvoy and Anya Taylor-Joy both shine in the horror film that is a success even before establishing itself as a sequel in a secretly planned trilogy.

10) Shutter Island – Martin Scorsese’s Leonardo Dicaprio-led thriller was a master in psychological storytelling, with a mystery as solid and satisfying as its cast, atmosphere, and multiple twists and turns.

Grant Hermanns

1) Spider-Man: Into the Spider-Verse – The Marvel webslinger has seen numerous iterations hit the big screen over nearly 20 years but one of the most original, exhilarating, hilarious and powerful outings was the animated Spider-Man: Into the Spider-Verse. With a comic book animation style, an amazing voice cast and an emotionally-rich story, this is one of the greatest animated films of all time.

2) Blade Runner 2049 – Pulling off a sequel to a perceived genre classic is already a tough enough feat, let alone with a 35-year gap, and yet Blade Runner 2049 proves some sequels can even outshine its predecessor thanks to its mesmerizing direction, intriguing story and great performances from Ryan Gosling and Harrison Ford.

3) Deadpool – The comic book movie genre has enjoyed a real wave of success since 2008’s Iron Man, but one of the most refreshing and hilarious for the genre is 2016’s Deadpool. Breathing new life into superhero tales with an R-rated sense of humor and violence and featuring great action and a performance from lead Ryan Reynolds, who was born for the role, the superhero action comedy is an absolute delight to watch from start to finish and arguably one of the most important in the genre in the past decade.

4) Inside Llewyn Davis – The Coen brothers have delivered everything from kidnapping mystery to prison break mayhem, but 2013 found them in truly fascinating form with the black comedy period drama Inside Llewyn Davis. Its exploration of the 1960s folk music scene in New York City is rich, its blues-filled soundtrack is incredible for revisiting on any odd day and the performances from its ensemble are superb, namely lead Oscar Isaac, who also lends his very talented singing voice to the titular character.

5) The Conjuring – After terrifying audiences in 2011’s Insidious, James Wan found his most horrifying and chilling project yet in the form of the first installment in the Conjuring franchise. Based around the case files of paranormal investigators Ed and Lorraine Warren, the first Conjuring remains as the most effective and shocking horror film of the past decade.

6) Get Out – While many modern audiences know Jordan Peele for his work on Key & Peele and co-starring role in the well-received Keanu, they were treated to an absolute twist in 2017 with his directorial debut in the form of horror hit Get Out. Featuring aa fascinating script, captivating direction and stellar performances from its cast, the film is one of the most original and endlessly rewatchable thrillers in recent years.

7) The Nice Guys – Shane Black found his first rise to stardom after debuting the script to the first Lethal Weapon movie and after nailing his directorial debut in the neo-noire black comedy Kiss Kiss Bang Bang, he returned to both genres for the Ryan Gosling/Russell Crowe-starring The Nice Guys. The film is endlessly funny thanks to the brilliant chemistry from its leads, features a compelling mystery and some exciting action scenes.

8) The Hateful Eight – While Quentin Tarantino’s first western genre Django Unchained outing was loads of shoot-em-up fun, he found his true form with his second venture The Hateful Eight. Featuring a script full of fascinating characters, compelling dialogue blending outright humor with pulse-racing thrills and twists, the film is a high-tension stand-off that never lets go and never lets audiences in on the secret until the moment’s right.

9) What We Do in the Shadows – The vampire genre saw some resurgence throughout the 2000s thanks to the Twilight series, but Taika Waititi and Jemaine Clement sought to deliver their own take on the bloodsuckers with the wildly hilarious, endlessly quotable What We Do in the Shadows.

10) John Dies at the End – David Wong’s bizarro sci-fi horror comedy novel was one of absolute hilarity, genre-blending genius and a seemingly unfilmable story and yet cult classic director Don Coscarelli sought to bring the story to life with the 2012 adaptation and to this day remains one of the best novel-to-film translations in cinema. Though seeing a change in story for practicality purposes, the film remains true to its source material in visuals, tone and features perfect performances from leads Chase Williamson and Rob Mayes at the titular John and Wong, respectively.

Honorable Mentions: Sorry to Bother You, Hereditary, Star Wars: The Last Jedi, The Disaster Artist, IT, Baby Driver, Logan, BlacKkKlansman, Spotlight, Mad Max: Fury Road, Furious 7, Dear White People, The Babadook, Birdman, Scott Pilgrim vs. The World, Guardians of the Galaxy, The Lego Movie, Snowpiercer, Skyfall, Seven Psychopaths

Maggie Dela Paz

1) Scott Pilgrim vs. The World (2010)

2) Perks of Being a Wallflower (2012) – I’ve read Stephen Chbosky’s novel when I was still in high school and now more than five years later, it is still my most favorite book ever. As a reader, I was very satisfied and happy with Chbosky’s heartfelt film adaptation of his novel. The feelings and connection that I’ve felt towards the story and the characters when I was reading the book were also present in the film. The main cast led by Logan Lerman, Emma Watson and Ezra Miller did a wonderful job in giving a sincere portrayal of their characters and their incredible chemistry with each other made us believe more in their friendship.

3) Sunny (South Korean Film – 2011) – Written and Directed by Kang Hyeong-Cheol, the film first begins with Im Na-mi, a middle-aged woman who tries to fulfill her dying friend’s wish of reuniting their group of high school friends after 25 years of being apart. I’ve always been a fan of 1980s films and movies that deals with friendship. This comedy-drama has all the elements of those two, combining them into its non-linear storyline that is filled with humor and nostalgia. Sunny is set on two different timelines and has two sets of main actors, who equally delivered great performances that would make you immediately care for their characters.

4) Parasite (2019)

5) Lady Bird (2017)

6) The Croods (2013)

7) The Help (2011)

8) Bad Genius (2017) – Directed by Nattawut Poonpiriya, the film follows a group of high school seniors, who makes money off by helping other students cheat on their exams. The stakes will get higher when they will try to pull off a big-scale cheating operation in the STIC, which is an international test for university admissions. Overall, this film offers a new look at the heist thriller genre and combining it with a coming-of-age story that deals the realities of life and how far you will go just to make your dreams come true. What I like about Bad Genius is that the main characters were all flawed in a way that the film didn’t portrayed them as typical film protagonists in teen dramas, who are always redeemed at the end of the film. I also have a favorite line from the film that I can’t seem to forget since the first time I’ve seen it because it was an unfortunately true statement about life. “Even If you don’t cheat, life cheats you anyways.”

9) John Wick (2014)

10) Spider-Man: Into the Spider-Verse (2018)

Jeff Ames

1) Inception – Christopher Nolan’s Inception remains a benchmark in blockbuster cinema. A rollicking, action packed drama that is as intelligent as it is visceral. From the practical stunt work, to the layered and twisted storytelling, Inception represents everything I love about film. It’s weird to say just seven years later, but they really don’t make ‘em quite like this anymore.

2) The Grand Budapest Hotel – Ralph Fiennes shines in this terrific comedy caper from Wes Anderson that is as funny as it is deeply sentimental.

3)  Mad Max: Fury Road – Raw. Emotional. Action packed. Amazing. Fury Road is the Dark Knight of Mad Max films.

4)  Manchester by the Sea – Kenneth Lonergan finds humor in the darkest of places in this powerful drama. Casey Affleck delivers a career best performance, whilst Michelle Williams and Lucas Hedges offer incredible supporting turns.

5) The Social Network – David Fincher and Aaron Sorkin went full-on God mode with this exhilarating true-life drama that stands as the perfect time capsule of the last decade.

6) Star Wars: The Last Jedi – Not since The Empire Strikes Back has Star Wars dared to challenge its audience quite like The Last Jedi. Rian Johnson paints an operatic masterpiece that (while admittedly clunky at times) circumvents The Force Awakens’ nostalgic thrills for something far more meaningful and deeper, which is weird to say of a film featuring space wizards and laser swords. Blockbuster filmmaking done right.

7) Skyfall – The best James Bond film, bar none. Sam Mendes (doing his best Christopher Nolan impersonation) burrows deep into Bond’s character and in so doing crafts a film that is both exhilarating and personal.

8) The Descendants – Alexander Payne’s heartbreaking, powerful, and profoundly humorous look at marriage, fatherhood, life, and death. George Clooney has never been better.

9) Inside Out – Pixar’s most accomplished, creative work to date — and that’s saying something. Inside Out, with its gorgeous animation and lively voice work, digs deep into the often-painful world of adolescence to deliver a thoughtful work that truly stirs the soul. Truly, an underappreciated gem.

10) Creed/The Fighter/Moneyball – I’m a sports nut, so I just had to feature the three best sports films of the last decade. Yeah, I’m cheating here, but Ryan Coogler’s Creed, David O. Russell’s The Fighter, and Bennett Miller’s Moneyball represent everything I love (and hate) about professional sports. These are films that go beyond formula to dissect the true heart of a champion, whilst gauging the seedy side of our beloved past times. And they’re absolutely brilliant.

Honorable Mention: Sicario, Mission: Impossible — Rogue Nation, The Irishman, Once Upon a Time in Hollywood, I, Tonya, The Dark Knight Rises, Edge of Tomorrow, Django Unchained, True Grit, John Wick

Josh Plainse

1) Inception – Inception is the movie that truly established Christopher Nolan as a legendary filmmaker. Everyone knew what he could do thanks to films like Memento, The Prestige, and the Dark Knight trilogy; however, once Nolan broke through into mainstream cinema and was given the freedom to embrace his originality (fully supported by a hefty budget), everything opened up for this guy.

2) Wind River – The decade’s breakthrough screenwriter has to be Taylor Sheridan (AKA that cop from Sons of Anarchy). His screenwriting debut came with Sicario in 2015, then he wrote Hell or High Water (which almost made this list, and then Wind River (which was also his directorial debut). The movie tackles an uncomfortable subject a the perfect amount of heart-wrenching badassery.

3) The Social Network – David Fincher masterfully depicting one of the most pivotal cultural/technological/societal shifts in human history (maybe). Also featuring some of this decade’s top-tier breakthrough talent.

4) The Town – Back when Ben Affleck was well on his way to becoming one of the best writer/directors in Hollywood. The Town took everything Affleck was good at and put it into a movie.

5) Arrival – Sci-Fi with Amy Adams and emotion.

6)The Martian – Sci-Fi with Matt Damon and humor.

7) Avengers: Infinity War – Yeah. The best Marvel movie—come at me.

8) Skyfall – Arguably the greatest Daniel Craig James Bond outing. Skyfall is vividly aware of its own franchise fatigue and combats that by giving us what feels like a love letter to the entire saga.

9) Star Wars: The Force Awakens – It was a promising start for Disney…

10) Creed – Ryan Coogler took the Rocky franchise, which was essentially dead, and made it relevant again (all in honor of his father). Next level performances by Stallone and Jordan. Creed honors the Rocky legacy while embracing potential no one knew the franchise even had—this is probably why Marvel hired Coogler for Black Panther.

 

What are YOUR 10 favorite movies of the decade? Which ComingSoon.net writer’s list did you align with the most? Let us know in the comments below!

The post ComingSoon’s 10 Best Movies of the Decade appeared first on ComingSoon.net.

Disney+ Titles for Jan. 13-26 Revealed!

Disney+ Movies and TV Titles for Jan. 13-26 Revealed!

Disney+ titles for Jan. 13-26 revealed!

Disney+ has unveiled its full list of titles that are set to debut between January 13-26, all ow which will be various shows including new episodes of One Day at DisneyEncore!The World According to Jeff Goldblum and Marvel’s Hero Project, as well as the premiere of a new live-action series Diary of a Future President. Check out the full list below!

RELATED: The Mandalorian Season 1 Episode 8 Recap

Available January 15

America’s National Parks (Season 1)

Continent 7: Antarctica (Season 1)

Dog: Impossible (Season 1)

Marvel Super Hero Adventures (Shorts) (Season 2-3)

Muppet Babies Show and Tell (Shorts) (Season 1)

Randy Cunningham: 9th Grade Ninja (Season 1-2)

The Lodge (Season 2)

Wild Russia (Season 1)

Available January 17 

Diary of a Future President (Episode 101 – “Hello World”)

Encore! (Episode 111 – “Ragtime”)

Marvel’s Hero Project (Episode 111 – “Thrilling Tokata”)

The World According to Jeff Goldblum (Episode 111 – “Pools”)

One Day at Disney (Episode 107 – “Jose Zelaya: Character Designer”)

Pick of the Litter (Episode 105 – “Meet Your Match”)

Available January 22

Bluey (Season 1)

Available January 24

Diary of a Future President (Episode 102 – “The New Deal”)

Encore! (Finale– Episode 112 – “Anything Goes”)

Marvel’s Hero Project (Episode 112 – “High Kickin’ Izzy”)

The World According to Jeff Goldblum (Finale– Episode 112 – “Jewelry”)

One Day at Disney (Episode 108 – “Este Meza: Lucasfilm Events”)

Pick of the Litter (Finale– Episode 106 – “Together at Last”)

Short Circuit (Full Collection Available Episode 101 to 114)

The post Disney+ Titles for Jan. 13-26 Revealed! appeared first on ComingSoon.net.

Exclusive Black and Blue Home Video Clip Has Relentless Action

Exclusive Black and Blue Home Video Clip Has Relentless Action

Exclusive Black and Blue home video clip has relentless action

Sony Pictures Home Entertainment provided ComingSoon.net with an exclusive clip from the home video release of Black and Blue, starring Naomie Harris, Tyrese Gibson, Frank Grillo, Mike Colter and Nafessa Williams. You can check out the clip in the player below! Black and Blue is available on Digital today and on Blu-ray and DVD January 21.

Click here to purchase Black and Blue on Digital HD!

RELATED: CS Video: Tyrese Gibson & the Black and Blue Cast

Black and Blue is a fast-paced action thriller about a rookie cop (Naomie Harris) who inadvertently captures the murder of a young drug dealer on her body cam. After realizing that the murder was committed by corrupt cops, she teams up with the one person from her community who is willing to help her (Tyrese Gibson) as she tries to escape both the criminals out for revenge and the police who are desperate to destroy the incriminating footage.

The movie also stars Mike Colter, Frank Grillo, Reid Scott, Beau Knapp, and Nafessa Williams. The movie is directed by Deon Taylor from a screenplay by Peter A. Dowling.

Sean Sorensen serves as producer for Royal Viking Entertainment alongside Hidden Empire Film Group, Taylor’s own production company with partners Roxanne Avent and Robert F. Smith. Avent serves as executive producer while Eric Paquette overseeing the project for Screen Gems.

The post Exclusive Black and Blue Home Video Clip Has Relentless Action appeared first on ComingSoon.net.

CS Soapbox: Is The Witcher Really the New Game of Thrones?

CS Soapbox: Is The Witcher Really the New Game of Thrones?

CS Soapbox: Is The Witcher Really the New Game of Thrones?

When it was announced that Netflix would be adapting Polish author, Andrzej Saplowski’s The Witcher series, immediate parallels were drawn with HBO’s Game of Thrones. Having swords, dragons, magic, kingdoms and silver-haired protagonists, The Witcher made every GoT bereavement list the internet had to offer. Most fantasy-related shows in development — which are based on books/short stories — made that list. However, people have been, and still are, ranting and raving about Geralt of Rivia.

It’s no secret that The Witcher’s overwhelming popularity is in part thanks to the world-renowned video game franchise of the same name. A lot of fans already know and love this story, and in the same vein as George R.R. Martin’s A Song of Ice and Fire having a following before the HBO series, The Witcher saga saw the same before its premiere on Netflix. In the wake of what many consider to be a deplorable final season of GoT, another beloved franchise is now available to binge. Which brings us to the 12 million dollars an episode question: is The Witcher our new GoT? Well, let’s compare the two.

RELATED: 10 Upcoming Game of Thrones-like Fantasy Shows

The Continent v Westeros

The Witcher takes place on an unnamed Earth, the majority of the story occurring on a landmass known as the Continent. The Continent was originally conquered by the elves, who themselves took it from dwarves, but then humanity showed up and did what they usually do. When the show begins, the most notable settlements are that of the four Nothern Kingdoms and the Nilfgaardian Empire. There are places everywhere from the Blue Mountains to the Skellife Isles but season one of The Witcher is condensed.

As you know, the bulk of the action in GoT occurs on the continent of Westeros; there’s also the continent of Essos (on the other side of the Narrow Sea) and then beyond — which isn’t a continent or anything but is very much another world. The global-trotting action of GoT makes that series feel much bigger than The Witcher. The amount of kingdoms, places and people in play in Westeros is one of that series’ defining characteristics. The Witcher strives to be a much more focused tale that still takes place in a fully-realized world.

Politics

In Netflix’s The Witcher, Nilfgaard is dead set on conquering all of the other kingdoms; Daenerys Targaryen is the physical embodiment of Nilfgaard. At the beginning of GoT, the Seven Kingdoms are very much intact but things kick off between the Lannisters and the Starks and war ensues. This sounds similar, however, The Witcher isn’t as concerned with feuding houses or throne politics of its world as GoT—Dany’s just a side character that no one cares about.

While the politics — discrimination and permeating war — of the Continent affect the characters in The Witcher, they mostly operate on the outskirts of it all. GoT characters like Jon Snow and Tyrion actively participated in Westeros’ political landscape. The Witcher’s primary characters are more equatable to Ayra or Hound, those who know of the politics but are above them.

RELATED: The Witcher Featurettes Introduce the Netflix Series’ Main Characters

Characters

The main character in The Witcher is Geralt of Rivia (Henry Cavill), a “Witcher” or mutated monster hunter with supernatural abilities. In addition to Geralt, we primarily follow the ex-princess Ciri (Freya Allen) and the mage Yennefer (Anya Chalotra). The Witcher is a much more intimate story than GoT, focusing on three core characters as their decisions influence the world around them. GoT’s plethora of subplots and side characters didn’t nearly affect the world as much as the people in power, albeit short-term, with the pacing of the two shows being completely different.

In GoT, the characters are separated by space and in The Witcher’s first season, they are separated by time. The Witcher jumps back and forth through time to different characters and stories set decades apart but it rarely lets you know when it is doing this. The easiest way to approach it is to think of Yennefer’s story as the past, Geralt’s story as the present, and Ciri’s as the future; all of these timelines converge by the end of the season.

This narrative technique is unique to the series; Andrzej Saplowski’s stories almost exclusively followed Geralt’s perspective. The Witcher‘s showrunners sought to put Ciri and Yennefer on a level playing field with Geralt, not unlike what the GoT showrunners had to do when adapting A Song of Ice and Fire’s first-person POV chapters.

Tone

Both the world of GoT and The Witcher are grimmer and grittier than your traditional fantasy. No hobbits are skipping around singing, although there is singing in The Witcher — “Toss a Coin to Your Witcher,” which is sung by the Bard Jaskier (Joey Batey), will get stuck in your head for all of eternity. That song is just one example of how the show is often unexpectedly funny and quirky even when it’s being dark. More than GoT, it’s a world painted in shades of gray.

RELATED: The Witcher Season 1 Episode 1 Recap

The Witcher novels and short stories are much more philosophical than A Song of Ice and Fire. The first season has yet to explore this but a foundation has been set. At this point, there might even be more good on the Continent than in Westeros. Regardless, it’s a very mature show—Geralt says fuck a lot and it’s ripe with sex and nudity, to the delight of nerds across the globe.

An argument can be made that The Witcher tackles even heavier themes than GoT, aiming to be more morally ambiguous. If you’ve read the stories or played the game, then you know that on the Continent, there’s not always a right or wrong answer to a problem. To be fair, GoT presented its world as mostly cruel, but it was cruel and we were made aware of that—when someone did the wrong thing we knew it and when they did the right thing we knew that too, mostly because they often died soon after. Both worlds are adamant in saying that everything has a price.

Magic

The very first scene of The Witcher shows Geralt wrestling and killing a spider monster. That introduction tells us one thing: magic and monsters are very much a thing on the Continent. Folklore, myth, and destiny—it’s all real. Unlike the citizens of Kings Landing, the inhabitants of The Continent wouldn’t need to be convinced that the White Walkers exist. They’re a God-fearing bunch, aside from Geralt, who would have properly manned the castles on the Wall.

Magic, in general, is meant to scare people. This is why the world created Witchers and even that comes at a cost. Geralt’s path to becoming a Witcher is shown to have been a tortuous one, asmany don’t survive the process. He also drinks toxic potions to enhance his body, while spells can be cast by a mage in battle or a Witcher can use a sign, which are simple magic spells used by his kind. However, magic is never without a price and it often takes a toll on the user, which can be seen later in the first season. The mystical nature of the world is constantly battering the characters.

RELATED: Mandatory Streamers: Cavill Makes His Geralt Debut in The Witcher

GoT’s final season abandoned prophecy, mystery, cause and effect. Destiny and consequence is still very much a thing in The Witcher. If the show can fix its pacing issues in season two then it will begin to benefit from this grounded approach to magic.

So, Is The Witcher The New GoT?

No.

GoT was, and is, a huge and epic tale where everything is on the line. The Witcher hints at a greater evil but for the most part, it’s about its characters and destiny with any overarching threat yet to be introduced. If we’re comparing premiere seasons, GoT is infinitely better in its actors, writing, foreshadowing — that ultimately went nowhere — and the world-building. In retrospect, that may sound futile because its brilliance was diluted over eight seasons but critics hate The Witcher.

The Witcher has been deemed convoluted and weirdly paced, with the world needing to be fleshed out and plot more focused. The one thing everyone agrees on is the faithfully astute performance given by Cavill as Geralt. The titular character looks and sounds just like his video game counterpart and fans couldn’t be happier. The dude rides into the frame on Roach like everyone always envisioned, which is why fans love the series.

Maybe GoT lowered expectations by being the most anticlimactic finale in the history of fantasy or maybe The Witcher isn’t as bad as critics say. It has its issues but it’s fun and it’s here. No, it’s not the new GoT, it’s The Witcher—existing within the same genre but on another side of the spectrum. As it continues to establish its story, its fan base will look much different than GoT’s. Regardless, that fan base is already strong and will continue to toss their coin to Netflix, and in turn, our Witcher.

The post CS Soapbox: Is The Witcher Really the New Game of Thrones? appeared first on ComingSoon.net.

His Dark Materials Season 1 Recap

His Dark Materials Season 1 Episode 4 Recap

His Dark Materials Season 1 Recap

HBO’s His Dark Materials explored the world that author Phillip Pullman created, where humans have physical manifestations of their souls in daemons and the Church as the Magisterium reigned supreme. To close out our recaps of His Dark Materials, we’re looking back at the defining moments of the season.

The Comeback of Iorek Byrnison

An armored bear is nothing without his armor. While Lee Scoresby searched for him, it was Lyra that helped Iorek Byrnison reclaim his armor. After Lyra skillfully manipulated Iofur, Iorek fought Iofur to the death and won his rightful seat on the throne in Svalbard. Iorek renamed her “Lyra Silvertongue” and raced to help her save Roger from Asriel.

The Lost Children

His Dark Materials Season 1 Episode 6 Recap

The Magisterium’s General Oblation Board thought no one would notice if a bunch of Gyptian children and orphans were taken. However, Lyra and the Gyptians never stopped looking for them. Under the Magisterium, Mrs. Coulter’s main purpose was to experiment with ways to safely separate humans from their daemons. They believed that doing so would save humanity from Original Sin, but the process left the children as hollow shells of their former selves, or dead.

The alethiometer led Lyra to Billy Costa, but she was too late. She brought him back to the Gyptians long enough for them to say goodbye before he passed. After storming Bolvangar and freeing the children, everyone thought Roger was safe. Unfortunately, Asriel intercised Roger to use the resulting energy to open a portal to another world. The process left Roger dead in Lyra’s arms.

Another World

His Dark Materials Season 1 Episode 2 Recap

Asriel introduced the other worlds early, but when Boreal stepped through the tear into a world without daemons, we saw the two worlds mix for the first time. He searched for Col. John Parry and found the wife and son he left behind. As Lyra walked through the portal that Asriel opened, Will walked through the tear.

If you’ve missed a recap or want to revisit the entire Season 1 of His Dark Materials, check out our full list of recaps below.

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Exclusive The Corrupted Clip Featuring Sam Claflin & Timothy Spall

Exclusive The Corrupted Clip Featuring Sam Claflin & Timothy Spall

Exclusive The Corrupted clip featuring Sam Claflin & Timothy Spall

Saban Films has provided ComingSoon.net with an exclusive clip from The Corrupted, featuring Sam Claflin and Timothy Spall. Check out the clip in the player below!

The Corrupted stars Sam Claflin (The Hunger Games: Catching Fire, Me Before You), Hugh Bonneville (Notting Hill, Paddington), Timothy Spall (Sweeney Todd: The Demon Barber of Fleet Street, Vanilla Sky), and Charlie Murphy (Peaky Blinders, Happy Valley). The film is directed by Ron Scalpello (My Name is Lenny, Pressure) and written by Nick Moorcroft (Blithe Spirit, Fisherman’s Friends).

Ex-con Liam McDonagh (Sam Claflin) wants nothing more than to live a peaceful life and to re-connect with his young son. After being released from prison, he learns his brother is caught up in a dark and dangerous web of corruption with property developer Clifford Cullen (Timothy Spall). In a drive for redemption, Liam must risk everything to save his brother and win back the trust of his family in this action-packed crime thriller.

Saban Films will release the action thriller The Corrupted in theaters, on VOD and Digital HD on Friday, January 10, 2020.

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The Witcher Season 1 Episode 3 Recap

The Witcher Season 1 Episode 3 Recap

The Witcher season 1 episode 3 recap

With our three main characters all officially introduced to viewers, the journey for Geralt of Rivia (Henry Cavill), Yennefer of Vengerberg (Anya Chalorta) and Princess Cirilla (Freya Allan) have begun to slowly intertwine in the third episode of the Netflix fantasy series.

RELATED: 

Another One Bites the Dust

While Geralt seems to believe he is the last of his kind, the episode opens with the miners of Temeria paying another witcher to find and exterminate a creature killing multiple townsfolk, but as he is drawn into a meat locker with shrieks and trails of blood, the witcher is killed by the unseen entity. While laying in bed next to a prostitute, who attaches his scars to the songs she’s heard from a traveling bard (see The Witcher episode 2 recap), the woman tells of a witcher spending time with her the previous month on his way to Temeria to kill a creature, but that he took the miner’s money and left. After paying the prostitute, Geralt leaves Roach with the hotel’s owner, to whom he owes three nights’ rent, and heads to Temeria to kill the creature and collect the reward to get Roach back.

A Kingdom in Despair

Geralt arrives in the mines as a revolt from the lower-class citizens is nearly about to get underway, as they blame their king, Foltest, for the creature attacking and want to see him dead instead, accusing him of treason. Despite initial pushback from the group, the witcher offers to conduct the hunt on what he believes is a vukudlak for a third of the price of his predecessor and to receive payment after as an apology from his guild, only to be interrupted by the king’s knights sensing a rebellion. The knights are instructed by the courtier Ostrita to escort Geralt to the borders of the town, as they have no desire for a witcher to be in their city, only to be met in the woods by Foltest’s sorceress Triss Merigold, who wants him to save the creature. Triss reveals that she was brought to the kingdom under the belief it was a vukudlak stemming from Foltest’s sister Adda having an affair with a man in town that gave birth to a child, the only heir to the throne as Foltest has never married, and to cure it, only to learn it was not what was killing people. Upon investigating the body of his fallen brethren, Geralt determines the town is being plagued by a shtriga, which is only conjured up through a curse and that since it is a female, it’s the kingdom’s princess.

A Magical Future

Yennefer and Istredd have become lovers as they both near the end of their respective lessons, and the former plans to return to her homeland of Aedirn as a mage to its king. However, the leaders of the Brotherhood of Sorcerers have other plans, as Stregobor reveals her elven ancestry to the chapter and the leader, Artorius Vigo, elects to have his niece go to Aedirn while Yennefer heads to Nilfgaard to keep their king in check, despite the Aedirn kings of the past preferring to have a native as their mages. Yennifer confront Tissaia about the matter, who reveals that Stregobor found out about her elven bloodline, so therefore Istredd has revealed her secret and derailed her plans for the future. Yennifer purposely misses initiation to try and draft a birth certificate for her stepfather to sign claiming to be her blood father so that she may avoid going to Nilfgaard, as the kings are known for molesting their mages rather than listening to their advice. Istredd reveals he has been chosen for a seat on the research chapter of the Brotherhood, which he can use to bring her along on journeys around the world. Yennefer refuses, criticizing him for trying to be heroic by putting her in a demeaning role as housewife while he ventures out on journeys around the world, and the two part ways after he belittles her for her desire to be beautiful and powerful.

A Disgusting Affair

Despite Foltest’s initial distaste for the idea of having Geralt investigate the matter, he’s willing to hear the witcher’s thoughts out as he locks the guards out of the throne room, during which Geralt accuses the king of having had an affair with his sister, who died years ago and whose crypt lies in a castle he abandoned following a Nilfgaardian invasion. Foltest is repulsed by his accusations and demands he leaves his kingdom, only for Geralt to instead investigate the abandoned castle with Triss tagging along. While investigating Adda’s room, they find letters from the two’s mother Queen Sancia cursing the two for having an affair and that Adda refused to have their child aborted. They bring the letters to Ostrita, who claims he knew of no such affair between the two, but Geralt reveals he recognizes Ostrita’s scent from a scent he noticed on Adda’s bed earlier, to which the courtier breaks down and claims that Foltest seduced Adda and that he’s her true love. He also confesses to putting the shtriga curse, albeit on Foltest, not Adda, but given the baby’s bloodline the curse befell it and it eventually ate away at Adda’s insides and came out as a hungry creature.

An Incredible Transformation

Following her breakup with Istredd, Yennefer undergoes the transformation to rid herself of her deformed features, choosing to stay awake during the process and to forgo her fertility in favor of her looks. After the painful process, Yennefer emerges at the graduation ball with her stunning new appearance and steals the king of Aedirn from Fringilla, having a dance with him as the two quickly strike up a bond and he offers her the position as mage for his kingdom, as he prefers having a native for his sorceress.

From Dusk Till Dawn

Geralt returns to confront Foltest over the revelation, but instead promises to try and cure the shtriga, his daughter, and leaves Renfri’s brooch with the king to give his daughter after the hunter succeeds. He brings Ostrita to the abandoned castle to use as bait for the shtriga, which kills him quickly. Geralt engages in battle with it, trying to bind it in chains unsuccessfully and then putting up a good fight using his powers and fists before it begins pinning him down, with which he uses his powers to bring out the floor beneath them and using a spell to keep it trapped in the crypt chamber. After taking refuge in Adda’s crypt to keep the shtriga in the sunlight, Geralt emerges to find it cured and now a young woman, who still attacks the hunter and creates a nasty slice in his shoulder that mortally wounds him while he takes a bite out of her shoulder that also proves to injure her badly. When he awakens, Geralt finds himself in Triss’ room, with the sorceress having nursed him to health and revealing that the princess has been sent to another kingdom to try and be fully cured. She also returns Renfri’s brooch to Geralt, telling him he uttered her name over and over again in his sleep. He receives his payment for the job from Triss and heads out to get Roach back from the hotel owner.

A New Danger

Ciri is awakened in the forest by a mysterious voice that beckons her, heading off in a trance. Dara wakes up to find her walking in no clear direction and takes off after her, finding she’s walking through a no man’s land without any issue, but as he chases after her, he is hit by an arrow, leaving him calling after her as she is drawn into a dark part of the woods.

The post The Witcher Season 1 Episode 3 Recap appeared first on ComingSoon.net.

Cats Will Likely Lose $100 Million at the Box Office



Cats Will Likely Lose $100 Million at the Box Office

Yikes! Variety is reporting that Tom Hooper’s ambitious big screen adaptation of Cats will likely lose $100 million at the box office when all is said and done. This, despite recent updates to the visual FX after its $6.5 million opening weekend. As it turns out, the marketing and overall design of the film just didn’t score well with audiences, who flocked to see The Rise of Skywalker instead.

The trade notes that Universal was banking on the feline extravaganza following in the steps of Fox’s 2017 sleeper hit The Greatest Showman, which opened with $19 million over the Christmas holiday (against The Last Jedi) and legged it out to $434 million worldwide. Cats, which cost a cool $100 million to produce and roughly the same amount in global marketing and distribution fees, has collected just $38 million worldwide (and $17.8 million stateside) since opening on December 20.

Cats was doomed from its first trailer, which was more memorable for its wonky CGI that overshadowed a talented cast featuring the likes of Judi Dench, Jennifer Hudson, Taylor Swift, and Idris Elba … dressed as cats. The film earned a dismal 20% on Rotten Tomatoes, and flopped out of the gate.

Will this be one of those flicks that develops a so-bad-it’s-good reputation? And, perhaps, a cult following?

RELATED: CS Sings: Our Singing Cats Movie Review!

The film stars Tony- and Emmy-winning actor and host James Corden (One ManTwo Guvnors, The Late Late Show with James Corden), Academy Award-winning actress Judi Dench (Shakespeare in Love), multi-platinum-selling singer-songwriter Jason Derulo, Emmy- and Golden Globe-winning actor Idris Elba (HBO’s The Wire, BBC One’s Luther), Academy Award, Golden Globe and Grammy Award-winning artist Jennifer Hudson (Dreamgirls), Academy Award-nominated actor Ian McKellen (Gods and Monsters), Emmy and ten-time Grammy-winning global music icon Taylor Swift, comedy superstar Rebel Wilson (the Pitch Perfect franchise) and introduces Francesca Hayward, principal dancer with The Royal Ballet.

Adapted for the screen by Hooper and Lee Hall (Billy Elliot), Cats is produced by Hooper and Working Title’s Tim Bevan and Eric Fellner, as well as Debra Hayward (Les Misérables), who brought the idea to Working Title. The film will be produced by Working Title Films in association with Monumental Pictures and The Really Useful Group and executive produced by three-time Oscar winner Steven Spielberg, musical theater legend Lloyd Webber, Angela Morrison (Les Misérables) and Jo Burn (Annihilation).

One of the longest-running shows in West End and Broadway history, the London stage production of Cats received its world premiere at the New London Theatre in 1981—where it played for 21 record-breaking years and almost 9,000 performances. Based on T.S. Eliot’s Old Possum’s Book of Practical Cats, the show won the Olivier and Evening Standard Awards for Best Musical. In 1983 the Broadway production became the recipient of seven Tony Awards, including Best Musical, and ran for an extraordinary 18 years.

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