vendredi 31 janvier 2020

CS Interview: Timmy Failure Cast From the Red Carpet Premiere!

CS Interview: The Cast and Crew of Timmy Failure From the Red Carpet Premiere!

CS Interview: The cast and crew of Timmy Failure from the red carpet premiere!

Disney held the world premiere of the upcoming film adaptation of the children’s book series Timmy Failure: Mistakes Were Made, and ComingSoon.net got the opportunity to attend the premiere and chat with some of the cast and crew of the project, including author and co-writer Stephan Pastis!

RELATED: Timmy Failure: Mistakes Were Made Review

The film is set in Portland, Oregon, which production designer Phillip Messina found a lot of love in as he found himself coming across numerous locations from a certain Fred Armisen-Carrie Brownstein series.

“I remember a couple of times we were out scouting and I’d be like, ‘Oh my god, that’s the cafe from Portlandia,’ and we kept running into Portlanida locations” Messina said. “It was about not trying to make a caricature or make fun of the city, it was about embracing the weirdness of it — with a small w — but not mocking it. We really tried to play a lot with scale of seeing things through Timmy’s eyes, like what does he see? It’s all from Timmy’s point of view, and we had to make a stuffed animal of Total at the beginning. We needed something to visualize what this thing is, seeing this giant stuffed polar bear and this little child together. I had been to Portland years ago and fell in love with the city, I told my wife, ‘Let’s just move to Portland, enjoy the lifestyle, all of it,’ it was fantastic.”

When describing the novel’s journey from the paperback pages to the big screen, Pastis credits much of the smooth transition to his cast “effecting” his vision in live-action and the struggles in bringing “what you call an unreliable narrator” to life in the form of the titular child detective.

“When you write a line in the book, hopefully it’s funny, but when Wally [Shawn] says the line, it gets that much funnier,” Pastis said. “It’s sort of an enhancement on what you can do and then you see what actors can do and you write to that. There were days we’d change dialogue and we’d change it based on their senses, they were all great. In the book, I can get away with an unreliable narrator because he’s talking to you the entire time and you realize quickly he’s not seeing what other people see. In the movie, it can be a little harder because you have to establish that point of view, so when you go to the flashaways, it has to be clear it’s only in Timmy’s head, which we generally achieved by coming in tight on Timmy with the music and you realize it’s all in his head, but that’s a big leap. ”

Stepping into the shoes of an unreliable narrator is already tough enough for an adult performer, but for star Winslow Fegley, it was a “very fun” way to make his feature acting debut, including getting to explore the “very hot” but “really awesome” city of Portland.

“Timmy has such a big imagination, it was very fun exploring what the boundaries were and how far I could stretch them,” Fegley said. “It was very fun playing Timmy, he’s a little different than me, but then again we have our similarities, but it was so fun portraying him and getting to be a part of this film. Portland was just so different than everything else, it’s such a unique city. There’s a lot of hipsters and things, but it was so great and it was so great being there.”

RELATED: Timmy Failure: Mistakes Were Made Trailer Previews New Disney+ Movie

Fegley’s younger co-stars all found a lot of joy getting to know one another on set and getting to be a part of a project form the House of Mouse, with Kei, who portrays Timmy’s best friend Rollo, saying “that a couple of cups in my house broke” as he jumped around with anticipation upon finding out the film would stream on Disney+.

“I was very excited, because I binge-watched the whole Mandalorian series, so I was very excited that you could watch this movie anywhere,” Kei said. “I grew up with Disney and watching Disney almost every day.”

“The crew and cast were one of the best crew and cast I could’ve ever asked for,” Ruby Matenko said. “The kids were so nice, it was so awesome going to play in the pool with them after we filmed. Tom McCarthy and Stephan Pastis were so guiding and awesome to work with and get to know. It was fun to play the antagonist because my character is weird and quirky and it was fun to play the question in the movie of ‘Did she kill the class hamster or not?’ I think I’ll just leave it up to interpretation.”

“Everybody on Timmy Failure was really sweet and every time I go to a new movie, I’ll always remember the family I made in this,” Chloe Coleman said. “Timmy Failure was the very first movie I’ve ever done and I was really nervous, but they really made me feel at home. This is also the first Disney project that I’ve been in and I grew up watching Disney, so to be able to be in it and be on Disney+, I’m so honored and so grateful, it’s exciting.”

In addition to starring a group of sure to be young up-and-comers, the film features an adult ensemble cast led by Ophelia Lovibond (Guardians of the GalaxyRocketman) and Kyle Bornheimer (Marriage StoryBrooklyn Nine-Nine), the former who found herself drawn to the script for its themes of imagination and creative freedom, along with adding further to her variety of genre roles from the past few years.

“I was moved by the script, as soon as I read it, I thought that this was a beautiful film,” Lovibond said. “The imagination in it and the creativity, the messages of ‘Never contain someone’s imagination,’ it’s the kindest thing you can do for a child. I hope audiences get the message that there’s not such thing as normal and that if everyone tried to be “normal,” they’d be in such a tedious spin. Variety is really fun to play, I’ve done a lot of theater recently and people think, ‘Oh no, that’s not worth it,’ but the more diversity I have the more I find it to be satisfying.”

Bornheimer, who has found a hot streak with major roles on the acclaimed sitcom Brooklyn Nine-Nine, Netflix’s Oscar-nominated Marriage Story and HBO’s new Avenue 5, enjoys seeing all his projects come out at once and noticing billboards for work as it “makes you feel sort of good and honored” and that his biggest draw for Timmy Failure came a lot in its Oscar-winning co-writer/director.

“Tom McCarthy was a big draw, I really wanted to work with him and I was really excited with what he was going to do with this,” Bornheimer said. “He’s worked in a lot of different genres, and this was something he had not stepped into, but I was very confident that the fact he was doing it I was going to have a lot of fun. With the character of Crispin, I love playing sweet doofuses who mean well don’t often execute their plan well, it’s a really fun thing to play. I knew it was going to be done in a way that was going to surprise me just as much as anyone else, because that’s what Tom does. He has a very unique and expert touch on how to handle character and tone, so it was very fun to step into that and trust him and go where I was told.”

RELATED: Amazon’s Troop Zero Trailer: Show the Universe Who You Truly Are

Timmy Failure: Mistakes Were Made follows the hilarious exploits of our quirky, deadpan hero, Timmy Failure, who, along with his 1,500-pound polar bear partner Total, operates Total Failure Inc., a Portland detective agency. An elementary school oddball, the clueless but confident Timmy must navigate the world of adults around him, including his overburdened mother, her well-meaning boyfriend, his teacher/nemesis and a school-mandated guidance counselor, all in his quest to become the best detective in the world.

Joining Fegley in his feature acting debut and first lead role are Lovibond (Guardians of the Galaxy) as Patty Failure, Craig Robinson (Hot Tub Time Machine, Dolittle), Bornheimer (Marriage Story), Coleman (Big Little Lies) and Wallace Shawn (Toy Story, Young Sheldon).

The film is directed by Oscar winner Tom McCarthy (Up, Spotlight) from a screenplay co-written by Pastis and McCarthy. The producers are Jim Whitaker, p.g.a., and Tom McCarthy, p.g.a., with Michael Bederman and Kate Churchill serving as executive producers.

The novel was first published in 2013 by Candlewick Press. Since then, it was followed by six book installments titled Now Look What You’ve Done (2014), We Meet Again (2014), Sanitized For Your Protection (2015), The Book You’re Not Supposed to Have (2016), The Cat Stole My Pants (2017) and It’s The End When I Say It’s The End (2018).

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POLL RESULTS: What is the Best Scene in Star Wars: A New Hope?

POLL RESULTS: What is the Best Scene in Star Wars: A New Hope?

POLL RESULTS: What is the best scene in Star Wars: A New Hope?

Earlier this week, ComingSoon.net asked audiences to vote on their favorite scene from Star Wars: A New Hope, the iconic first installment in the long-running sci-fi adventure franchise, and the responses came flooding in fast, closing out with over 8200 votes! Check out the results below!

RELATED: POLL RESULTS: Who Should Direct Doctor Strange in the Multiverse of Madness?

Top Five

  1. Luke and the Twin Suns (22%, 1830 votes)
  2. Battle of Yavin (15%, 1275 votes)

  3. Obi-Wan/Darth Vader Duel (10%, 830 votes)

  4. Darth Vader Force Choke: “I find your lack of faith disturbing” (10%, 829 votes)

  5. Leia Rescue/Trash Compactor (7%, 602 votes)

Unsurprisingly, the iconic shot of protagonist Luke Skywalker looking longingly in the distance at Tattooine’s twin suns setting has taken the number one spot with a very large margin of over 1800 votes from our readers, followed by the exhilarating and climactic Battle of Yavin, which received nearly 1300 votes. The two were followed by the classic sequence in which Ben, aka Obi-Wan, Kenobi duels Darth Vader aboard the Death Star, Vader using the Force choke power on one of his soldiers and the rescue of Princess Leia, in which the heroes find themselves trapped in a trash compactor. The rest of the results are as follows:

  • Rebel Blockade Runner Opening (7%, 569 votes)
  • Cantina Scene/Han Solo Intro (7%, 552 votes)
  • Millennium Falcon vs Tie Fighters Escape (5%, 396 votes)
  • Han Shoots Greedo (5%, 392 votes)
  • Obi-Wan Explains The Force to Luke (4%, 310 votes)
  • R2 Plays “Help me, Obi-Wan Kenobi” Message (3%, 240 votes)
  • Rebel Medal Ceremony/Ending (2%, 172 votes)
  • Luke & Leia Kiss/Swing on a Rope (2%, 130 votes)
  • Alderaan is Destroyed by the Death Star (1%, 83 votes)
  • Chewie and the Bots Play Holochess (Dejarik) (1%, 59 votes)
  • Jabba Confronts Han (Special Edition) (0%, 21 votes)

RELATED: POLL RESULTS: Which Rise of Skywalker Character Needed More Development?

The Star Wars franchise has been running for 43 years, going all the way back to the debut installment A New Hope in 1977, which was followed by two very successful sequels The Empire Strikes Back and Return of the Jedi before remaining dormant for just over fifteen years. It would then spark back to life with George Lucas’s mixed-reviewed prequel trilogy, beginning with 1999’s The Phantom Menace and followed by 2002’s Attack of the Clones and ending with Revenge of the Sith.

After being bought out from Lucas by Disney in 2012, Lucasfilm brought the franchise back to life in 2015 with the first of its sequel trilogy The Force Awakens, which earned very positive reviews from critics and audiences alike and scored over $2 billion at the box office, becoming the highest-grossing installment in the franchise. It was followed by the controversial The Last Jedi in 2017 from Rian Johnson, then the concluding installment in the nine-film Skywalker Saga The Rise of Skywalker last month, which also saw polarized reviews from critics and audiences alike.

Following its revival in the last decade, the franchise also tried its hand at standalone spin-offs with the acclaimed hit 2016 Rogue One and the Han Solo origin story Solo. The latter received generally positive reviews from critics, but more mixed reception from audiences and was a box office bomb, putting any other spin-offs on hold or cancelled while Lucasfilm retools how the series will move forward.

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CS Exclusive: TV Becomes Target of Parody in MAD #12!

CS Exclusive: TV Becomes Target of Parody in MAD #12!

CS Exclusive: TV becomes target of parody in MAD #12!

DC and MAD Magazine have provided ComingSoon.net with an exclusive first look at their upcoming twelfth issue, which will target the television industry. This includes a look at the cover for the magazine as well as pages from the hilarious section “Boob Tube Mash-Ups We Can’t Wait to See,” which can both be viewed in the gallery below!

RELATED: Exclusive Game of Thrones Parody From Mad #11!

Featuring artwork from Kerry Callen and graphs from Brockton McKinney, the “Boob Tube Mash-Ups” piece includes hilarious crossovers such as Black-ish Mirror, a cross between ABC’s acclaimed sitcom and Netflix’s beloved sci-fi anthology, and BoJack Mindhunter, a blend of two of the streaming service’s well-loved series.

The new issue will also include:

  • New Spy vs. Spy by Peter Kuper
  • “That’s Advertainment” – Giving platforms like Uber, Postmates and others a streaming service
  • “Deadliest Carts” – a shopping cart spoof of Deadliest Catch
  • More RuPaul Drag shows on VH-1
  • A MAD look at TV, by Sergio Aragones
  • “Meanwhile,” by Ian Boothby and Pia Guerra

RELATED: Exclusive It’s Pony Clip From the New Nickelodeon Series

MAD Issue #12 is set to hit shelves at comic book retailers and for subscribers on February 19!

The post CS Exclusive: TV Becomes Target of Parody in MAD #12! appeared first on ComingSoon.net.

Supernatural 15.12 Promo: Galaxy Brain

Supernatural 15.12 Promo: Galaxy Brain

Supernatural 15.12 promo: Galaxy Brain

The CW has released the promo for Supernatural 15.12 titled “Galaxy Brain.” You can check out the promo in the player below and catch the new episode on the show’s new night, Monday, March 16!

RELATED: CS Soapbox: Supernatural Will Do What GOT & Star Wars Could Not–End Well

The epic journey of the Winchester brothers comes to a close as Supernatural enters its final season. Sam (Jared Padalecki) and Dean (Jensen Ackles) and the angel Castiel (Misha Collins) have conquered monsters, demons, Heaven and Hell, and in the show’s 14th season, the Winchesters grappled with the Archangel Michael possessing Dean. In a valiant act, Sam and Dean’s surrogate son Jack (Alexander Calvert) destroyed his soul to redeem his adoptive father. But this proved to be a fatal error, leading to the accidental death of Mary Winchester (Samantha Smith). The 14th season also featured the return of John Winchester (Jeffrey Dean Morgan) for the show’s historic 300th episode.

Now, heading into their 15th season, Sam and Dean find themselves facing a threat beyond anything they’ve ever grappled with… anything they’ve ever imagined: God himself.

Purchase Seasons 1-12 of Supernatural here.

The long-running series is created by Eric Kripke (The BoysTimelessThe House with a Clock in Its Walls) with Andrew Dabb and Robert Singer serving as co-showrunners and executive producers. Season 15 will be consisting of 20 episodes.

We are a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means to earn fees by linking to Amazon.com and affiliated sites. 

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The Fast & Furious 9 Trailer Is Here!

The Fast & Furious 9 Trailer Is Here!

The Fast & Furious 9 Trailer is Here!

During The Road to F9 trailer drop and concert event, Universal Pictures released the first trailer for Fast & Furious 9, bringing back a few familiar franchise faces (and some new ones). You can check out the trailer now below!

RELATED: F9: New Character Posters Released for Universal’s Fast & Furious 9

Fast & Furious 9 was originally set to hit theaters on April 19 but was pushed back a year to make room for the first spin-off in the series, Hobbs & Shaw, which had premiered last August. As a result, Fast & Furious 9 will be getting a May 22, 2020 release with Justin Lin returning to directing in the franchise, after helming Fast & Furious parts 3 through 6. Dan Casey will pen the screenplay based on Lin’s story alongside series mastermind Chris Morgan.

RELATED: Fast & Furious 9 Concert & Trailer Drop Event Teaser Released

The film will feature the return of Vin Diesel as Dominic Toretto, Michelle Rodriguez as Letty Ortiz, Jordana Brewster as Mia Toretto, Tyrese Gibson as Roman Pierce, Ludacris as Tej Parker, Enrique Guzman as Simon Toretto, Nathalie Emmanuel as Ramsey, Helen Mirren as Magdalene Shaw and Charlize Theron as Cipher. John Cena, Finn Cole, Anna Sawai, Vinnie Bennett, and Michael Rooker have also been cast for the latest installment.

You can buy the Fast & Furious films here.

We are a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means to earn fees by linking to Amazon.com and affiliated sites.

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Exclusive: Yvette Nicole Brown on Community Revival & Rick and Morty!

Yvette Nicole Brown Gives Updates on Community Revival and Rick & Morty Hopes!

Exclusive: Yvette Nicole Brown gives updates on Community revival and Rick & Morty!

Yvette Nicole Brown has been the woman about town since her breakthrough mainstream role on the cult favorite NBC sitcom Community, landing various key roles in acclaimed hits such as The MayorElena of Avalor and CBS’ Mom. Like the rest of her cast, she is definitely ready for a reunion with Community‘s creator Dan Harmon!

While attending the premiere for Disney+’s upcoming family adventure Timmy Failure: Mistakes Were Made, Brown took a moment to chat with ComingSoon.net, where she gave an update on Harmon’s work on the long-in-development Community revival film, as well as her hopes to work with him in other capacities.

“I hit up Dan Harmon more often to get a role on Rick and Morty,” Brown said. “That’s where the money is, Rick and Morty is going to last forever. I don’t even care who I play, I could be the black woman in the corner saying, ‘Hi, hi.’ I don’t care what it is, I just want to do a voice on there. I know that Dan’s going to write the Community movie someday and when he does, we’re all going to show up, whenever it is, we’re ready to do it just like you guys are ready for it.”

RELATED: Community Reunion Endorsed by Cast, But Dan Harmon is Uncertain

Brown played the lovable single mother Shirley Bennet in a main role capacity for the first five seasons, as well as a recurring role on the Yahoo-revived sixth season, but despite her frequency of working in the voice-over world, she has yet to make her debut on Harmon’s acclaimed Adult Swim series. The sci-fi comedy hit has so far seen guest appearances from Joel McHale as Hemorrhage in the second episode of the third season “Rickmancing the Stone,” Gillian Jacobs as Supernova in the fourth episode of Season 3 “Vindicators 3: The Return of Worldender” and Jim Rash in the seventh episode of Season 2 “Big Trouble in Little Sanchez.”

A film revival of the NBC hit sitcom has been discussed for nearly six years since its original conclusion on the primetime network, with a recent update coming at Vulture Festival in November where Harmon stated that he’s been trying to work on it but is uncertain about the project, as he’s unsure whether he can live up to the expectations of fans and even his stars, who are all very ready and excited to return for more.

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Watch The Road to F9 Concert & Trailer Drop Live Stream!

Watch The Road to F9 Concert & Trailer Drop Live Stream!

Watch The Road to F9 concert & trailer drop live stream!

Universal Pictures’ The Road to F9 concert and trailer drop event for Fast & Furious 9 will begin live streaming at 12:00 p.m. PT / 3:00 p.m. ET. You can watch the live stream in the player below!

RELATED: F9: New Character Posters Released for Universal’s Fast & Furious 9

Fast & Furious 9 was originally set to hit theaters on April 19 but was pushed back a year to make room for the first spin-off in the series, Hobbs & Shaw, which had premiered last August. As a result, Fast & Furious 9 will be getting a May 22, 2020 release with Justin Lin returning to directing in the franchise, after helming Fast & Furious parts 3 through 6. Dan Casey will pen the screenplay based on Lin’s story alongside series mastermind Chris Morgan.

RELATED: Fast & Furious 9 Teaser Released Ahead of Trailer Drop Event this Friday

The film will feature the return of Vin Diesel as Dominic Toretto, Michelle Rodriguez as Letty Ortiz, Jordana Brewster as Mia Toretto, Tyrese Gibson as Roman Pierce, Ludacris as Tej Parker, Enrique Guzman as Simon Toretto, Nathalie Emmanuel as Ramsey, Helen Mirren as Magdalene Shaw and Charlize Theron as Cipher. John Cena, Finn Cole, Anna Sawai, Vinnie Bennett, and Michael Rooker have also been cast for the latest installment.

You can buy the Fast & Furious films here.

We are a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means to earn fees by linking to Amazon.com and affiliated sites.

The post Watch The Road to F9 Concert & Trailer Drop Live Stream! appeared first on ComingSoon.net.

CS Interview: Lynne Sachs on Personal Journey in Film About a Father Who

CS Interview: Lynne Sachs on Personal Journey in Film About a Father Who

CS Interview: Lynne Sachs on personal journey in Film About a Father Who

One of the most compelling and buzzed-about features to debut at this year’s Slamdance film festival in Park City, Utah is Lynne Sachs’ documentary Film About a Father Who and ComingSoon.net got the opportunity to talk with the filmmaker to explore the very personal project that focuses on the connection a child has to their parents and how it shapes them into who they will become.

RELATED: CS Interview: Richard Stanley on His Passion Project Color Out of Space

Over a period of 35 years between 1984 and 2019, filmmaker Lynne Sachs shot 8 and 16mm film, videotape and digital images of her father, Ira Sachs Sr., a bon vivant and pioneering businessman from Park City, Utah. Film About a Father Who is her attempt to understand the web that connects a child to her parent and a sister to her siblings. With a nod to the Cubist renderings of a face, Sachs’ cinematic exploration of her father offers simultaneous, sometimes contradictory views of one seemingly unknowable man who is publicly the uninhibited center of the frame yet privately ensconced in secrets. In the process, Sachs allows herself and her audience inside to see beyond the surface of the skin, the projected reality. As the startling facts mount, Sachs as a daughter discovers more about her father than she had ever hoped to reveal.

When it came to diving into this tale and learning of her father’s web of secrets, Sachs didn’t view it as wanting to tell a story but would rather become engaged in the material in a “documentarian way” as she followed him around with a camera asking him questions.

“It sort of made that collaboration between me and my father more, in his mind, serious or professional or fun because it was like a creative thing that we were doing instead of just a home movie,” Sachs described. “Years later, once you’ve lived that life, it’s like the story becomes something that unfolds in a way that takes on the shape and the structure. But at the beginning, it was just that I had this very interesting dad that I knew from way back when, day one, and sometimes it was challenging to have a dad who’s so different from everybody else’s. But then, when I became an adult, I said ‘Hey, maybe I was lucky that I had a father who didn’t play by the rules  and that had an imprint on me.”

Sachs found that this not playing by the rules mentality her father had with life would sometimes bleed over into interviewing him on camera, as he was known to give pushback regarding certain questions she would ask.

“I’d say he was cooperative and he was a collaborator, but in a way, maybe I’d say he set up the rules,” Sachs said. “It wasn’t until much later that I kind of got the picture that my father was, in a sense, a performer or an actor on multiple stages. I just didn’t know how many stages he was being himself, but himself in various ways. I kind of realized that it was a bit like a Cubist painting, a Picasso painting, where you’re never really just looking at one façade, you have multiple façades, so it just took me years to understand that.”

RELATED: The Best of Slamdance 2020

Diving into her father’s life and secrets was a fairly emotional time for Sachs, learning about the multiple women he kept secret from her and her siblings, as well as him having fathered children with said women. Exploring this situation, Sachs describes, was essential to tying together the themes of how one’s place is tied to their connection to their parents.

“When you look at a photograph and you have the darkest blacks and you have these white, well-lit areas, and then you have all of the scale in between,” Sachs said. “I and my siblings, too, we had a lot of low moments because as a child or as an adult, you come to certain stages of your life where you think you might not understand who you are, at least as a child. Even if you’re 30 or 40 or 50, you’re still someone’s child and you understand it. If it keeps changing, it’s very unsettling, and it can be like a seismic reaction. So in some ways, the film helped me to kind of calibrate that and to work through it and to know that I’m my own person. So that’s a very mythic thing to say, I am separate from my parents, I know he or she is there, but I am separate. So then, if I can find that, and maybe I found that through the making of the film, then I could move on. It’s been very interesting to see how many people, no matter what age, are still trying to reckon with who they are in relationship to where they came from.”

Having started the documentary in ’84, Sachs began shooting it on 16 mm film and as technology evolved over the years she would eventually transition to 8 mm film for some of its filming but found herself returning to the older tech frequently.

“The only kind of camera that is consistent throughout the whole film is 16 mm film, the only really stable material is 16 mm film,” Sachs said. “Even knowing this from being in the film business or industry, everybody keeps saying film is dead, we can now say tape is dead but film still exists. That material to most people’s eye looks the most beautiful, so even as the technology becomes more and more sophisticated or state of the art, there is a kind of lushness and a kind of aesthetic pleasure that you get from film. There is a scene in the film where I do these interviews with my father’s second wife and one of his girlfriends, and that was shot in 16 mm with sound. That is a lot of equipment because I was using a big 16-mm camera and this kind of very professional audio and then video came in and we were all saying, ‘Oh, now it’s easy, now it’s all in one camera, sound, and image.’ But the problem is you compromise the quality of the image and the beauty of it for the ease of it, so I was always going back to 16 mm because I was really drawn to the texture of the image.”

With a lot of material and different styles of shooting over the years, Sachs took her time pouring over everything and putting it all together, finding that even some of what she considered flaws actually translated into a very helpful style of filmmaking for her themes.

“When I was watching the material, it took a year to really watch all of it and I transcribed everything,” Sachs recalls. “I was very, very critical of some of my shooting because I said, ‘Oh, the camera was shaking or why was I paying attention to what was being delivered to the table rather than what the person who would be —all these things that one does when in real life. Then I thought, maybe it becomes more personal — it’s not that I was trying to make excuses, but maybe it brings this connection between the person behind the camera and the person or whatever’s happening in front of the camera.”

The post CS Interview: Lynne Sachs on Personal Journey in Film About a Father Who appeared first on ComingSoon.net.

The Best of Slamdance 2020

The Best of Slamdance 2020

The best of Slamdance 2020

The annual film convention Slamdance, held by filmmakers for filmmakers, is currently underway in Park City, Utah and is seeing the premiere of many highly-buzzed about short films, features and documentaries. ComingSoon.net got the chance to watch a large portion of the catalogue of the films screening at the festival and below we’ve gathered our favorites!

RELATED: The Turning Review

Shoot to Marry

  • Director/Star: Steve Markle
  • Rating: 8/10

The dating world is one of the most challenging things humanity has to deal with, from online dating to trying to figure out how to strike up a conversation with someone in person to the dreaded blind date a friend will set up. In his poignant and intriguing documentary, Shoot to Marry, filmmaker Steve Markle takes his disillusionment with being single and turns his lens to explore the facets of the dating world in the wake of a major breakup and journeys around the country meeting various women and interviewing them about their experiences with dating and in hopes of even meeting someone he can connect with. The plot of the documentary might sound familiar for some Japanese horror fans, and the film does frequently stray into very uncomfortable territory in moments as viewers want to sympathize with Steve and root for him in his search for romance, but his narration reveals some questionable methods and intentions on his behalf. Some of this awkwardness and uncomfortable nature works well towards the documentary’s more comedic nature, and Markle shoots it with a skillful eye, but it sometimes distracts from helping this film soar to the heights it certainly could have reached.

Film About a Father Who

  • Director: Lynne Sachs
  • Rating: 9.5/10

The love between a father and his children may often be seen as unconditional for both parties involved, but there are many circumstances that can challenge that love, including a testy divorce between parents. In Lynne Sachs’ Film About a Father Who, she takes her camera and the changes in technology from 1984 to 2019 and focuses it on her father Ira Sachs Sr, a pioneering businessman from Park City who hid a large web of secrets from her mother and her siblings, including a number of relationships with other women and even spawning children with said women. While it may seem easy to paint her father as the villain in the documentary, Sachs takes a more intimate approach by letting the audience decide how they feel about his transgressions, including interviewing the women themselves. The changes in technology over the years also helps to provide a more artistic style to the storytelling, with the various interviews filmed in 8 and 16 mm proving compelling to watch.

RELATED: The Gentlemen Review

Residue

  • Director/WriterMerawi Gerima
  • Rating: 7.5/10

The subject of gentrification in the United States is one of the most important topics many filmmakers aren’t taking the time to delve into, with last year’s The Last Black Man in San Francisco being one of the most notable projects to do so and now Merawi Gerima tries to capture its spirit in the form of Residue. Set around an aspiring screenwriter returning to his hometown, the film follows him as he finds his neighborhood becoming drastically gentrified, with his old friends having to turn to crime to continue living in the area or selling out to the rich white people looking to turn the area around. Gerima directs with a very artful eye and his cast all deliver sound performances in their roles, but the film’s faults lie in the mixed bag of storytelling in trying to deliver its prevalent themes, occasionally feeling as if it’s contradicting its own messages or not knowing how it wants to tell them in a manner that is both realistic and satisfactory to audiences wanting a more hopeful conclusion.

Tahara

  • Director: Olivia Peace
  • Rating: 9.5/10

The coming-of-age genre has seen many fascinating subsections, with one of the most timely and compelling of late being that of the coming-out variety, and while films such as Love, Simon has handled the material in a respectful but more happy-go-lucky manner, Olivia Peace’s Tahara tackles the issue in a way that feels wholly original and true to reality. The film follows two Jewish classmates Carrie and Hannah, who have been inseparable for as long as they know, but when a classmate of theirs commits suicide seemingly linked to her sexuality, it brings out a lot of complicated feelings between the two, especially after a kissing exercise awakens something in Carrie. Setting the film in a Jewish high school helps explore themes of questioning faith as well as a burgeoning sexuality and it’s handled in a truly fascinating manner, from its tighter aspect ratio creating more intimate character work to its script handling the ups-and-downs of coming out affecting friendships. This is truly one of the most original films in the coming-of-age subgenre in a long time and one that should be discussed and revisited time and again going into the future.

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CS Soapbox: Will Doug Liman’s Chaos Walking Ever Be Released?

CS Soapbox: Will Doug Liman's Chaos Walking Ever Be Released?

CS Soapbox: Will Doug Liman’s Chaos Walking Ever Be Released?

Author Patrick Ness’s Chaos Walking trilogy follows Todd Hewitt, who grows up in a dystopian future where there are no women (or so he believes). A supposed pathogen whipped out all of the women in his colony world and released Noise—the ability to hear the thoughts of every living being. *Spoiler alert* Women are not gone; Hewitt runs into Viola Eade, who is not only a girl but a source of silence. Together, Hewitt and attempt to figure out the true nature of their world.

The first book in that trilogy, The Knife of Never Letting Go came out in 2008, Lionsgate bought the distribution rights in 2011 and in 2016 they announced they were ready to adapt the popular young adult novels into a series of films. Doug Liman was on hand to direct and Tom Holland and Daisy Ridley were set to star as the main protagonists. It was a picture-perfect investment for Lionsgate, a YA film the likes of The Hunger GamesThe Maze RunnerTwilight, and Divergent starring two immensely popular up and coming thespians—dollar signs laced the eyelids of everyone involved.

Related: CS Soapbox: Supernatural Will Do What GoT & Star Wars Could Not—End Well

The first film in their planned series, appropriately titled Chaos Walking, filmed way back in 2017. At the time, it was scheduled to release in theaters on March 1, 2019. Had Chaos Walking released last March, just think about the year Holland and Ridley would have had (assuming the movie was any good); Holland’s Spider-Man Far from Home and Spies in Disguise released last year as well as Ridley’s final entry in the Skywalker saga. Chaos Walking was/is presumably their next big franchise—job security—a firestorm of bottle rockets lit beneath the rear of their careers. Unfortunately for them (and everyone else involved), Chaos Walking’s post-production schedule derailed.

In April of 2018, The Hollywood Reporter reported that the movie had been scheduled for “significant reshoots.” While reshoots are not uncommon, Holland and Ridley’s busy schedules made those reshoots particularly difficult. On top of that, the film was deemed “unreleasable” by studio executives who had watched an initial cut. The high-anxiety reshoots ended up occurring in early 2019 and the studio announced vague plans to release Chaos Walking sometime in 2020. 

Even if Chaos Walking doesn’t release this year, it will see the light of day…eventually. It cost over $100 million to make, that’s not an investment thrown in the draft pile. In an interview with The Wall Street Journal, Lionsgate’s chief executive Jon Feltheimer has stood behind the film in the past, saying, “we [wouldn’t have shot] more if we didn’t think we could make it work.” Director Liman appears to be just as passionate about the project as Feltheimer, calling it his most creatively challenging film to date and stressing the fact that the reshoots were not a complete restructuring of the film, focusing only on key moments. This is good news for anyone worried that the novel’s mind-reading element might have appeared disastrous and schizophrenic on screen.      

There has been no word on Chaos Walking since last summer. Liman, who is no stranger to problematic productions— having been fired from The Bourne Identity and shooting Edge of Tomorrow without an ending—is most likely hard at work in the editing room. Will we see something this year? A trailer maybe? A better question is whether or not all of this trouble will be worth it. YA films are not as hot as they used to be. All of the promise Chaos Walking had in 2016 may not have survived the last 4 years.

Related: CS Soapbox: How Bad Should Adam Sandler’s Revenge Movie Be?

Back in 2012, when The Hunger Games trilogy began its adaptations, YA films were all the rage. In the wake of the Harry Potter franchise, which single-handedly made set made YA films a cornerstone of theater-going, movies like The Hunger Games took up its mantle. Now, not so much. An argument can be made that the focus as shifted to superhero films; The Divergent Series (which felt like a blatant rip-off of The Hunger Games) isn’t even moving forward with Ascendant, the final film in the series. It was canceled due to a lack of interest from its cast. However, The Maze Runner film series has done well for itself, being a financial success. After acquiring 20th Century Fox, Disney has even said they have plans for more Maze Runner films. On top of this Suzanne Collins is writing a Hunger Games prequel called The Ballad of Songbirds and Snakes, set 64 years before the events of the original books (which will get made into a film).

YA films could make a comeback and hopefully, Chaos Walking paves the way. Audiences will always show up to watch stories they love and Ness’ novels are beloved. As long as Liman and company do the source material justice, they could/should strike gold with their new franchise. We just might not see it until 2021. If they don’t strike gold, well, then this 4-5 journey was all just a huge waste of time.

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Timmy Failure: Mistakes Were Made Review

Rating: 

6.5/10

Cast:

Winslow Fegley as Timmy Failure

Olivia Lovibond as Patty Failure

Craig Robinson as Mr. Jenkins

Wallace Shawn as Mr. Crocus

Kyle Bornheimer as Crispin

Ai-Chan Carrier as Corrina Corrina

Chloe Coleman as Molly Moskins

Kei as Rollo Tookus

Directed by Tom McCarthy & written by McCarthy and Stephen Pastis

Timmy Failure: Mistakes Were Made Review

It’s been five years since Tom McCarthy set the Oscars on fire with the Catholic Church/Boston Globe biopic Spotlight and we’ve all been curious as to what his next project would be and the time has arrived for said film: Timmy Failure: Mistakes Were Made, a Disney+ adaptation of the book series of the same name by Stephan Pastis, who co-wrote the film alongside McCarthy. Be it a product of its children’s novel source or the House of Mouse being involved with the project, there is a real charm and maturity that is seen in the film that also — unfortunately — finds itself thrown to the wayside in favor of more family-friendly material.

Much like the books, the film follows the titular 11-year-old as he runs a detective agency out of his mom’s closet with the help of his partner, a 1500-pound polar bear named Total and his best friend Rollo. While investigating the death of his class’ hamster, Timmy comes across his biggest case yet: the theft of the Failuremobile, his form of transport during investigations that really belongs to his mother and is getting him in big trouble.

Though the film’s plot has plenty of potential to offer a different kind of both private detective film as well as a children’s genre effort, it does, unfortunately, end up relying on too many tropes seen in the latter to make it intriguing or set itself apart. From the single mother who both wants to indulge her child in his wonderful imagination and needs him to see the real world as she struggles to support them both to the problematic child getting around town and getting into trouble because of said mother’s working all the time, the film drowns any genre-breaking with reliance on formula.

While the film’s story may find itself falling into many genre trappings, the humor at least feels fresh and rewarding for both younger audiences and their parents or older siblings. With plenty of deadpan delivery from both its younger characters and adults alike, as well as hilarious cutaways to situations the titular detective is conjuring in his head, most of the jokes stick the landing and will register a chuckle at the minimum when they’re not inciting gut-bursting laughter. Some of the best humor definitely spawns from Total, who proves to be a wildly adorable and clumsily lovable partner for Timmy and a joy to watch.

Though the plot and lead character might bring up themes often seen in family films, they are at least told in a fresh enough manner to keep reminding young audiences the always-timely message that it’s okay to be different, or as Timmy would say, “being normal is for normal people.” When I was just a couple years older than Timmy, my English teacher always posed the question to my class, “What is normal?” should someone be foolish enough to use the term in breaking down our readings and this film conveys this message in a way that even over a decade later I still need to remind myself of constantly. Whatever is considered “normal” is not in everyone’s wheelhouse and that’s fine, and while a movie with as odd a character as Timmy would typically see the message beaten over the viewers’ head, this one plays it up subtle enough to not treat its audience younger than its child characters.

The cast all prove to be perfect for their diverse characters, with Winslow Fegley proving to be plenty charming in the titular role and Ophelia Lovibond (Rocketman) bringing plenty of heart and dramatic heft to the role of his single mom. One of the shining lights from the cast proves to be Craig Robinson (Dolemite Is My Name) as Timmy’s counselor, Mr. Jenkins. While only appearing in a handful of scenes, Robinson finds a way to balance his always-reliable deadpan delivery with a more relaxed and caring tone that is perfect for his character as he finds a way to help teach Timmy some valuable lessons and keep him out of trouble in a way that suits the detective’s imaginative lifestyle.

Overall, Timmy Failure: Mistakes Were Made features a number of tropes from the family genre that drowns out much of its more original material, but thanks to a heartwarming tone, mostly funny humor and great work from its cast, young and “old,” the film proves to be a relatively rewarding experience for all viewers.

Timmy Failure: Mistakes Were Made will release on Disney+ on February 7!

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Owen Wilson Joins Loki Disney+ Series in Major Role

Owen Wilson Joins Loki Disney+ Series in Major Role

Owen Wilson joins Loki Disney+ series in major role

ComicBook.com is reporting that Oscar nominee Owen Wilson (The Royal Tenenbaums, Wedding Crashers, The French Dispatch) has joined the cast of the Disney+ series Loki in a major role. The identity of the character Wilson will be playing is being kept under wraps.

RELATED: Disney+ Announces Slate of New Nonfiction Projects

Wilson joins a cast that currently includes Tom Hiddleston reprising his iconic character, and Sophia Di Martino (Yesterday, Flowers, Into the Badlands).

Kevin Feige previously shared that the Loki series will also tie into Marvel Studios’ highly-anticipated sequel Doctor Strange in the Multiverse of Madness. He didn’t confirm whether or not Hiddleston will also be making an appearance in the Doctor Strange sequel.

RELATED: Disney+’s Short Circuit Trailer: Explore the Depths of Your Imagination

Rick and Morty veteran Michael Waldron is writing Loki, which also recently recruited Kate Herron as a director. Hiddleston has previously teased that fans will see his character use the Tesseract to cause more trouble. According to rumors, viewers will follow Loki as he travels through time and leaves his mark on various historical events. Plus, the series will reportedly have wide-ranging effects on the larger MCU. Kevin Feige confirmed earlier this month that it will also tie into Doctor Strange in the Multiverse of Madness.

Loki will premiere on Disney+ in spring 2021.

(Photo by Jackson Lee/GC Images via Getty Images)

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New Locke & Key Trailer for the Comic Book Series Adaptation

New Locke & Key Trailer for the Comic Book Series Adaptation

New Locke & Key trailer for the comic book series adaptation

Netflix has released a new trailer for the long-awaited series adaptation of Locke & Key! Based on Joe Hill and Gabriel Rodriguez’s fantasy horror graphic novel of the same name, the series will be making its debut on February 7. Check out the new Locke & Key trailer in the player below!

RELATED: Netflix Puts Mindhunter Season 3 on Indefinite Hold

In Locke & Key, after their father is murdered under mysterious circumstances, the three Locke siblings and their mother move into their ancestral home, Keyhouse, which they discover is full of magical keys that may be connected to their father’s death. As the Locke children explore the different keys and their unique powers, a mysterious demon awakens — and will stop at nothing to steal them. From Carlton Cuse (LostBates Motel) and Meredith Averill (The Haunting of Hill House), the series is a coming-of-age mystery about love, loss, and the unshakable bonds that define family.

The series will star Connor Jessup (American Crime) as Tyler Locke, Emilia Jones (Utopia) as Kinsey Locke, Jackson Robert Scott (It) as Bode Locke, Sherri Saum (How to Get Away with Murder) as Ellie Whedon, Darby Stanchfield (Scandal) as Nina Locke, Griffin Gluck as Gabe, Laysla De Oliveira as Dodge, Petrice Jones as Scot, Thomas Mitchell Barnet as Sam Lesser, Steven Williams as Joe Ridgeway, Kevin Alves as Javi and Asha Bromfield as Zadie.

RELATED: Locke & Key Trailer Previews Netflix’s Newest Horror Series

The IDW Publishing Locke & Key comic book franchise, co-created by Joe Hill and Gabriel Rodriguez, has garnered both awards and acclaim during its ten-year run. It has been translated into dozens of languages across the globe and has sold millions of copies worldwide.

Meredith Averill (The Good Wife) will co-showrun the series with Carlton Cuse. Cuse and series co-creator Joe Hill (the son of Stephen King) co-write the first episode with Aron Eli Coleite. Lindsey Springer for Cuse’s production company Genre Arts will executive produce alongside David Alpert and Rick Jacobs of Circle of Confusion. Andy and Barbara Muschietti (ITMama) will executive produce alongside Ted Adams and David Ozer from IDW Entertainment.


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The Crown Ending With Season 5, Imelda Staunton To Play Queen Elizabeth II

The Crown Ending With Season 5, Imelda Staunton To Play Queen Elizabeth II

The Crown ending with season 5, Imelda Staunton to play Queen Elizabeth II

Deadline brings word that Netflix’s drama The Crown will end with Season 5 with Oscar nominee Imelda Staunton (Vera Drake, Harry Potter franchise) set to play the final Queen Elizabeth II.

Creator Peter Morgan shared that “this is the perfect time and place to stop. I’m grateful to Netflix and Sony for supporting me in this decision.” Morgan will continue to develop projects with the streamer following his overall deal established last year.

RELATED: The Crown Season 4: Claire Foy Returning For a Flashback Scene

“I’m absolutely thrilled to confirm Imelda Staunton as Her Majesty The Queen for the fifth and final season, taking The Crown into the 21st century. Imelda is an astonishing talent and will be a fantastic successor to Claire Foy and Olivia Colman,” added Morgan.

Staunton said, “I have loved watching The Crown from the very start. As an actor, it was a joy to see how both Claire Foy and Olivia Colman brought something special and unique to Peter Morgan’s scripts. I am genuinely honored to be joining such an exceptional creative team and to be taking The Crown to its conclusion.”

Production on the fourth season is currently underway. The series tells the inside story of Queen Elizabeth II’s reign, as the fragile social order established after the Second World War breaks apart. Based on the award-winning play, “The Audience,” the series reunites creator/writer Peter Morgan (The QueenFrost/Nixon) with director Stephen Daldry (Billy ElliotThe Hours) and producer Andy Harries (The Queen).

RELATED: Adam Sandler Extends Deal with Netflix for Four More Movies

Seasons 1, 2 and 3 of The Crown are already available for streaming on Netflix.

(Photo by David M. Benett/Dave Benett/Getty Images)

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Adam Sandler Extends Deal with Netflix for Four More Movies

Adam Sandler Extends Deal with Netflix for Four More Movies

Adam Sandler extends deal with Netflix for four more movies

Netflix has extended its deal with Adam Sandler (Uncut Gems) and Happy Madison Productions to make four additional movies following the success of Sandler and Jennifer Aniston’s Murder Mystery comedy, Deadline has confirmed.

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“Whether you know him as Sandman, the Water Boy, Billy Madison, Happy Gilmore, Nick Spitz or simply Adam, one thing is clear: our members can’t get enough of him,” said Ted Sarandos, Netflix’s chief content officer. “They love his stories and his humor, as we saw with Murder Mystery. So I could not be more excited to extend our partnership with Adam and the Happy Madison team and deliver more laughs around the world.”

Sandler and the streamer have also previously collaborated on 2015’s The Ridiculous 6, The Do-Over, Sandy Wexler, and The Week Of. The actor and comedian also released his first stand-up special in 22 on Netflix. Happy Madison Productions also produced Father of the Year as well as the upcoming The Wrong Missy.

Sandler is set to star in the family film Hubie Halloween alongside Kevin James, Julie Bowen, Ray Liotta, Maya Rudolph, Rob Schneider, Kenan Thompson, Steve Buscemi, Michael Chiklis, Tim Meadows, Noah Schnapp, Paris Berelc, China Anne McClain, and Shaquille O’Neal.

The movie follows Hubie Dubois who, despite his devotion to his hometown of Salem, MA (and its legendary Halloween celebration), is a figure of mockery for kids and adults alike. But this year, something really is going bump in the night, and it’s up to Hubie to save Halloween.

RELATED: Narcos: Mexico Season 2 Trailer: No High Can Last Forever

Adding to his slate, Sandler has an untitled animated feature film coming up that he is set to star in, write, and produce.

(Photo by Matt Winkelmeyer/Getty Images for Critics Choice Association)

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Chilling Adventures of Sabrina Season 3 Recap

Chilling Adventures of Sabrina Season 3 Episode 3 Recap

Chilling Adventures of Sabrina Season 3 Recap

Sabrina Spellman had come a long way from the modest beginnings of Netflix’s Chilling Adventures of Sabrina. Where she had once hesitated to sign her name in Satan’s book, Sabrina was now entrenched in the politics of hell and magicks beyond Satanic in Season 3. To close out our recaps of Chilling Adventures of Sabrina Season 3, we are looking back at the storylines that drove Sabrina, her friends, and her coven.

Queen of Hell

Season 2 ended with Sabrina crowning Lilith Queen of Hell, and Lilith took Lucifer and Nick with her. However, the politics of hell was not quite so simple. Hell, led by the kings, did not see Lilith as a legitimate ruler. In exchange for Nick, with Lucifer still trapped inside him, Sabrina was forced to accept her birthright as Queen of Hell. However, she appointed Lilith as her Regent. Sensing weakness, the kings brought their own claimant to the throne, Caliban, who challenged her to a quest for the Unholy Regalia. Though Caliban used deception to win, Sabrina eventually turned back time to negate the win. She created a time paradox where two of her existed at the same time, and Sabrina used it as an opportunity to be a normal teenager but also rule hell as queen.

The Pagans

Chilling Adventures of Sabrina Season 3 Episode 4 Recap

Season 3 introduced the pagan witches and their centuries-old conflict with Satanic witches. They arrived in Greendale, offering the town a carnival. Robin showed up at Baxter High to recruit a virgin to be a blood sacrifice to the Green Man, but he ended up falling for Theo and finding a new home in Greendale. The Green Man caused the end of all flesh on Earth, but Sabrina and the coven fought the pagans and won after she went back in time.

The Hunt for Blackwood

Chilling Adventures of Sabrina Season 3 Episode 2 Recap

Ambrose and Prudence traveled the world to track Faustus Blackwood. He had taken Prudence’s baby siblings, Judas and Judith, with him. With Mambo Marie’s help, they found him in Scotland as he summoned a creature from Loch Ness who gave him a time egg. Blackwood and his children had experienced time differently during the month that he was gone. Fifteen years had passed to them, and Blackwood had become obsessed with the Eldritch Terrors. After housing Lucifer when Sabrina had freed Nick, Blackwood retrieved the time egg and performed a ritual that birthed the mysterious creature within it.

If you’ve missed a recap or want to revisit the entire third season of Chilling Adventures of Sabrina, check out our full list of recaps below.

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