vendredi 29 juin 2018

Yahya Abdul-Mateen II & Sara Vickers Join Watchmen Cast

Yahya Abdul-Mateen II & Sara Vickers Join Watchmen Cast

Yahya Abdul-Mateen II & Sara Vickers join Watchmen cast

Variety reports that Yahya Abdul-Mateen II (Aquaman, The Get Down, The Handmaid’s Tale) and Sara Vickers (Endeavour, The Alienist, The Crown) have joined the Damon Lindelof’s Watchmen pilot for HBO. The announcement comes after yesterday’s news that Sleepy Hollow’s Tom Mison had also joined the cast.

Originally published as a 12-issue miniseries beginning in 1986, Watchmen quickly become one of sequential art’s most acclaimed stories. The original story centers on a murder-mystery before unfolding into a planet-altering conspiracy that ultimately asks where the fine line is drawn between heroes and villains.

In a letter to fans, Lindelof made it clear that the Watchmen series won’t be an adaptation of the comics, but an original story with new faces and unknown characters introduced into the universe that he intends to remix.

The pilot is already made up of an ensemble cast that includes Jeremy Irons (Justice League), Regina King (The Leftovers), Don Johnson (Django Unchained), Louis Gossett Jr. (Hap and Leonard), Tim Blake Nelson (Colossal), Adelaide Clemens (Rectify), Andrew Howard (Bates Motel), Frances Fisher (Masters of Sex), Jacob Ming-Trent (White Famous), and Tom Mison.

Since the film’s release, DC Comics released an extensive “Before Watchmen” comic line, telling stories from the pasts of the central characters. More recently, DC Comics has made efforts to integrate Watchmen into the broader DC Multiverse with their Doomsday Clock series.

Lindelof serves as creator, writer, showrunner, and executive producer on the Watchmen series, with Tom Spezialy also executive producing. Nicole Kassell will executive produce and direct the pilot.

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Ant-Man and The Wasp Review

Rating:

6 out of 10

Cast:

Paul Rudd as Scott Lang / Ant-Man
Evangeline Lilly as Hope van Dyne / The Wasp
Michael Douglas as Hank Pym
Hannah John-Kamen as Ghost
Michael Peña as Luis
Randall Park as Jimmy Woo
Laurence Fishburne as Bill Foster
Walton Goggins as Sonny Burch
Tip “T.I.” Harris as Dave
David Dastmalchian as Kurt
Judy Greer as Maggie
Bobby Cannavale as Paxton
Michelle Pfeiffer as Janet van Dyne

Directed by Peyton Reed

Ant-Man and The Wasp Review:

Breezy, funny and frequently pointless Ant-Man and The Wasp is either a superhero comedy with action bits or an action film with comedy bits and no one seems sure which one it is. Authorial indecision fills every minute of the follow-up to 2015’s Ant-Man keeping the various entertaining pieces from ever gelling together into a complete whole. There’s a lot to like about the newest Marvel film – most of it circling around Ant-Man (Rudd) and Wasp (Lilly) themselves – but it takes a lot of work to dig it out from under two villains, four concurrent plots and a ton of ant puns.

Roughly two years after the events of Captain America: Civil War, Ant-Man and The Wasp picks up on what Scott Lang has been doing since then … namely playing drums and building elaborate mazes for his daughter to play in. Meanwhile former Ant-Man Hank Pym (Douglas) and daughter Hope have been on the run from the law while searching for the long lost Janet Van Dyne (Pfeiffer). Just as it looks like their quest is at an end a mysterious saboteur (John-Kamen) shows up looking for Janet herself. The only chance of beating her to the punch is if Scott and Hope can patch up their differences and turn themselves into a real team.

Also there’s a black market weapons dealer who wants Hank’s technology, Scott’s need to stay ahead of the government agents who want to arrest him for becoming Ant-Man again, Luis’ (Peña) upcoming presentation for a big client he and Scott need to land to keep their new business running plus a few more things. There is a lot going on in Ant-Man and The Wasp and most of it does not mesh together very well no matter how hard director Peyton Reed (and his five writers) try.

One big question the notably troubled production of the first Ant-Man raised was how much of the finished film was the vision of original director Edgar Wright and how much came from replacement Reed. With Reed returning for the sequel we start to get a lot more of an idea and it’s a mixed bag at best. On the one hand many of the individual bits – be they action or comedy – are excellent in and of themselves. He takes full advantage of Rudd and Peña’s skill with comedy, especially Rudd’s skill with self-deprecation. The filmmakers have also spent a lot of time thinking of more size changing gags and integrating them into the action sequences. When Ant-Man and The Wasp actually do get a chance to fight together it’s truly thrilling. Unfortunately it also highlights how out of balance much of the film is. It’s not so much that no one has any idea what exactly to do for Scott’s next act (the thunder of the Giant Man reveal having been stolen, albeit with great effect, by Civil War) as they have too many. Rather than winnow them down to a single focused narrative Reed has decided to use them all.

He seems to love nothing so much as to let Scott embarrass himself (actually, he just seems to like this kind of humor in general, and uses it liberally). It really is funny in and of itself (especially when combined with size malfunctions on Scott’s suit) but it’s the kind of joke that requires time to work, everyone has to stop while Scott squirms. In a pure comedy that’s fine, in an action film it stops momentum cold and it’s unclear if the reward is worth the cost. It also takes time away from the necessary storytelling needed to connect the bones of the film together leaving new characters underdeveloped and exposition rushed. New villainess Ghost, who has the potential to be new and interesting with a personal story that has nothing to do with destroying the world or the like, is left to get all of her backstory out in one terrible monologue which carries no emotional weight or connection for the audience, and she’s one of the lucky ones.

It also has a lot of the issues sequels always have, with elements carried over for no reason other than the appeared in the previous film, such as Luis’ various shaggy dog stories and the ex-cons they work with. It also reboots Scott and Hope’s relationship back to the status quo of the first film rather than think of a new way to develop it. Every so often all of these elements come together into something truly fun, but then they fly apart again leaving you wondering how much better this all would be if a few bits were lopped off it. If any word sums up Ant-Man and The Wasp it’s the one you never want to hear about a sequel: extraneous.

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The Star Wars News Roundup for June 29, 2018

The Star Wars News Roundup for June 29, 2018

Star Wars news for the week of June 29, 2018

The purpose of this roundup is to put all the Star Wars news from the week of June 8, 2018 in one location. If you read this each week, you should be able to converse fluently with any Star Wars fan on everything from the latest Star Wars developments to the latest toys. And maybe you’ll even share with them something that they might have missed.

Let’s get to it!


Solo: A Star Wars Story News and Rumors


Standalone News and Rumors


Episode IX News and Rumors


Television News and Rumors


Around the Web


Books


Comics


Video Games


Attractions


Collecting


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Father of the Year Trailer: David Spade Stars in Netflix Original

Father of the Year Trailer: David Spade Stars in Netflix Original

Father of the Year trailer: David Spade stars in Netflix original

Netflix has released a brand new trailer from their upcoming comedy, Father of the Year, a new original film starring David Spade. Check out the Father of the Year trailer in the gallery below along with the official poster and first photos!

RELATED: Netflix July 2018 Movie and TV Titles Announced

When a drunken debate between two recent college graduates about whose father would win in a fight is taken seriously by their idiot dads, jobs are lost, relationships ruined, futures destroyed, and best friends come of age as they come to grips with who their fathers really are.

The film stars Spade (The Do-Over), Nat Faxon (Tammy), Joey Bragg (Liv and Maddie), Matt Shively (The Real O’Neals), and Bridgit Mendler (Nashville). Spade is no stranger to working with Netflix having previously appeared in the original movies Sandy Wexler and The Ridiculous 6, plus the TV series Love and Lady Dynamite.

RELATED: Production Begins on Netflix’s Murder Mystery

Father of the Year hits Netflix on July 20. It marks the fifth original film as part of the streaming service’s collaboration with Adam Sandler’s Happy Madison production company.

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RELATED NETFLIX STORIES:
– Netflix Set To Adapt Midnight’s Children Into Series
– Disenchantment Trailer: Matt Groening’s Animated Fantasy Series
– Mark Wahlberg & Peter Berg Adapting Wonderland for Netflix

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Amazon Orders 3 YA Pilots Including College, Panic, and The Wilds

Amazon Orders 3 YA Pilots Including College, Panic, and The Wilds

Amazon orders 3 YA pilot series including College, Panic, and The Wilds

The Hollywood Reporter brings word that Amazon has ordered three YA (Young Adult) drama pilots as part of their effort to expand their YA selection. Jennifer Salke, the new head of Amazon Studios, had previously stated that the YA genre was one of her top priorities when she took on her new role. Now she has approved the pilot order of College, Panic, and The Wilds. You can read more information about the three YA series below.

Created by Marja-Lewis Ryan, College digs beyond the headlines that make college campuses ripe for drama and steps inside the shoes of six roommates as they hook up, mess up and grow up on their own terms. Producers Channing Tatum and Jill Soloway (Transparent) bring style and relevance to this unabashed peek into the lives of the next generation.

College is a joint production between Free Association and Topple Productions, with Tatum (6 Balloons), Soloway, Reid Carolin (6 Balloons), Andrea Sperling (Transparent) and Peter Kiernan (6 Balloons) as executive producers. The project falls under Soloway’s overall deal with Amazon Studios and comes as the showrunner is mulling the future of Transparent without fired star Jeffrey Tambor.

Based on Lauren Oliver’s New York Times best-selling novel, Panic brings viewers to a forgotten rural town where every year the graduating seniors risk their lives in an illegal, high-stakes game to win life-changing money — and a chance to escape. Anonymous judges force the players through a series of challenges that will compel them to confront their deepest fears and upend their ideas of who they are, who to trust and who they might become. This year, 47 players will compete for the biggest pot ever. All of them will be changed. Only one will win.

Panic is written and created by Oliver, executive produced by Joe Roth and Jeff Kirschenbaum of Roth Kirschenbaum Films (Maleficent 2) with Alyssa Altman serving as co-executive producer. Oliver will also be executive producing and Lynley Bird co-executive producing both for Glasstown Entertainment, and Elle Triedman (Siren, Revenge) also executive producing.

The Wilds follows a group of teenage girls from radically different backgrounds find themselves stranded on a remote island, unaware that they have just become the subjects of an elaborate social experiment. Part survival drama, part dystopic slumber party, The Wilds explores the past and present struggles of these young women, offering a vivid portrayal of what it means to grow up female in our time — whether you are lost in the wilderness or not.

The Wilds is a co-production with ABC Signature and is written and executive produced by Sarah Streicher and executive produced by Jamie Tarses’ Fanfare and Dylan Clark Productions.

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Fahrenheit 11/9 Release Date Revealed by Michael Moore

Fahrenheit 11/9 Release Date Revealed by Michael Moore

Fahrenheit 11/9 release date revealed by Michael Moore

Michael Moore has announced on The Late Show with Stephen Colbert the release date for his upcoming hot button documentary Fahrenheit 11/9, which focuses on the 2016 United States presidential election and the subsequent presidency of Donald Trump. The Fahrenheit 11/9 release date is September 21, which corresponds with the release of the Jack Black horror/fantasy The House with a Clock in Its Walls, the Oscar Isaac drama Life Itself, the indie crime thriller Assassination Nation and and the Keira Knightley biopic Colette.

Given that Moore’s 2004 documentary Fahrenheit 9/11 grossed over $222 million dollars, a release date in the height of election season with no major franchise tentpoles could give the film a major shot at finding a wide audience. Check out the video from the Colbert interview below, which includes a short clip from the movie featuring Moore at Trump’s Mar-a-Lago Club.

Michael Moore’s Fahrenheit 11/9 is a provocative and comedic look at the times in which we live. It will explore the two most important questions of the Trump Era: How the f**k did we get here, and how the f**k do we get out? It’s the film to see before it’s too late.

Moore, an Academy Award-winning director, is helming the film. The “11/9” in the title refers to the day Donald Trump was declared President of the United States, at 2:29AM in the morning of November 9th, 2016. But months before that infamous night, Moore had already begun ruminating on what could be done to stop the, according to him, “carnage Trump would inflict while president.” In June of 2016, Michael Moore famously and publicly predicted that Trump would indeed win the White House in November by winning the states of Michigan, Wisconsin and Pennsylvania. Trump won the presidency by just 77,000 combined votes from those three states.

Fahrenheit ‪11/9 will be presented with the mix of outrage and mischievous humor that has made Moore the most successful documentary filmmaker in the world. To make the Trump documentary, Moore has reunited with his acclaimed team from Fahrenheit ‪9/11 — Oscar-nominated documentary directors/producers Meghan O’Hara, Tia Lessin and Carl Deal.

Filming on Moore’s new Trump documentary has been done under a strict cloak of secrecy. “No matter what you throw at him, it hasn’t worked,” says Moore. “No matter what is revealed, he remains standing. Facts, reality, brains cannot defeat him. Even when he commits a self-inflicted wound, he gets up the next morning and keeps going and tweeting… That all ends with this movie.”

How do you feel about a Michael Moore-helmed Donald Trump documentary? Will you check out Fahrenheit 11/9 in theaters? Let us know your thoughts in the comments below!

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FOX Sets Premiere Date for The Gifted Season 2

FOX Sets Premiere Date for The Gifted Season 2

FOX sets premiere date for The Gifted season 2

Your favorite underground mutant group is coming back this fall. FOX has set the fall premiere date for The Gifted season 2, bringing back the X-Men spin-off series on Tuesday, September 25. Along with the premiere date, FOX has released some new psychedelic character posters which you can check out below! Season two has already seen some new additions and is expected to have a trailer shown during their panel at San Diego Comic-Con.

Details for the second season of the popular X-Men show have been shrouded in secrecy but what is for certain is the Mutant Underground is divided and everyone must deal with the aftermath of the season finale. New characters have been added and even creator/showrunner Matt Nix has also hinted at the Morlocks appearing in the show.

Produced in association with Marvel Television, and set in the “X-Men” universe, family adventure series The Gifted tells the emotional story of a suburban couple whose ordinary lives are rocked by the sudden discovery that their teenage children possess mutant powers. Forced to go on the run from a hostile government, the family seeks help from an underground network of mutants and must fight to survive.

Stephen Moyer leads the cast of The Gifted as Reed Strucker and is joined by Amy Acker as Caitlin Strucker, Sean Teale as Eclipse/Marcos Diaz, Jamie Chung as Blink/Clarice Fong aka Clarice Ferguson, Coby Bell as Jace Turner, Emma Dumont as Polaris/Lorna Dane, Blair Redford as Thunderbird/John Proudstar, Natalie Alyn Lind as Lauren Strucker, and Percy Hynes White as Andy Strucker.

The Gifted is produced by 20th Century Fox Television in association with Marvel Television. Matt Nix (Burn Notice), Bryan Singer (the X-Men franchise), Lauren Shuler Donner (X-Men: Apocalypse, X-Men: Days of Future Past), Simon Kinberg (X-Men: Apocalypse, X-Men: Days of Future Past) and Marvel’s Jeph Loeb and Jim Chory serve as executive producers.

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