lundi 31 août 2020

CS Interview: Kid Cudi Talks Bill & Ted Face the Music

CS Interview: Kid Cudi Talks Bill & Ted Face the Music

CS Interview: Kid Cudi Talks Bill & Ted Face the Music

Orion Pictures’ gave ComingSoon.net the chance to chat with Kid Cudi about his role in Dean Parisot’s Bill & Ted Face the Music and how the musician/actor became involved with the threequel. You can check out the interview below and click here to purchase Bill & Ted Face the Music!

RELATED: CS Interview: Director Dean Parisot on Bill & Ted Face the Music

Bill & Ted Face the Music centers on Bill S. Preston (Winter) and Ted “Theodore” Logan (Reeves), who are now fathers and have yet to fulfill their rock ‘n’ roll destinies. Their lives change when they are visited by a messenger from the future who warns them that only their song can save life as we know it.

Click here to own Bill & Ted’s Excellent Adventure!

Click here to own Bill & Ted’s Bogus Journey!

Joining Winter and Reeves are Samara Weaving (Ready or Not) and Brigette Lundy-Paine (Atypical) as Bill and Ted’s daughters, respectively. The film will also feature Anthony Carrigan (Barry), Jillian Bell (Workaholics), Kristen Schall (Toy Story 4), Holland Taylor (Gloria Bell), Kid Cudi, Erinn Hayes, Jayma Mays, and Beck Bennet. William Sadler is also set to reprise his role as Death alongside franchise returners Amy Stoch and Hal London Jr. Newcomer.

RELATED: Bill & Ted Face the Music Review: Nostalgia & Fun Outweigh Predictability

ComingSoon.net: This is such an iconic franchise to be a part of. How did your involvement come to be in this movie? Because I mean, they’ve had so many real-life musicians over the past, but how did you come to be a part of this one?

Kid Cudi: Well, huge “Bill & Ted” fan since I was a kid. I saw the movies when I was seven years old and became obsessed. And around 2013, I had read something that they were planning a sequel and that they were working on this project. And I was like, I called my agent and I was like, yo — well, actually, no. This is before I called my agent. I had just heard about it and I was like, yo, this is really cool. This seems really cool. Like I have to figure out how to be a part of this when it comes to life, you know?

So one day, 2013, that same year, I run into Alex Winter at Soho House in LA. I freak out and tell him how big of a fan I am and tell him I heard that they’re doing a new movie and if he needed anything from me — music, whatever, I would love to be a part of it. He said, for sure. We exchanged numbers. I actually sent him some music. And this was years ago, man. And I guess they had been working on it all this time, but I hadn’t heard anything about it for years. And then, when I saw that announcement that the guys had made, I hit up my agent and I was like, yo, this is something I’ve been chasing for years. I met Alex Winter at Soho House. He knows me. Just please tell them that I am totally interested to be a part of this movie in any way, shape, or form, right? So she reached out. I’m sorry this is such a long story.

CS: No, I love it. Go and tell all.

Cudi: So at that point, my agent Karina Manashil, she reaches out and just to see if there’s a part in the movie for me and see if I could be a part of it in some way. And I guess at the time, they didn’t have anything. They were still developing it and they said they would hit us back and let us know if anything came up. So I said like, maybe a couple of weeks went by, and then they hit up Karina and said, actually, we think we have a really dope role that we think Scott could play, you know? And we’re going to send you the script and let us know what you think.

CS: Yeah.

Cudi: So Karina, she calls me and she tells me all this. I’m freaking out because I’m like, holy shit, I’m about to get a script. Like this is crazy. Because in my mind, I’m just like, what do they sound like? What’s the whole like — what’s the thing, you know? And I get the script. I read it in under an hour. I’m like, totally like, I have to be in this movie. I have to be in this movie in some way. I have to do this role. The part that they had written in the movie for me was — well, not for me at the time, was just, they didn’t have a name in the character in the role. But like, I saw that I could do it, right? I was like, there’s no one on the planet that could play this role but me. This is destiny. This is the stars lining up. This is perfect, right?

So I hit Karina back. I told her I was like, I have to be a part of this. Tell them I’m totally in. Who do I have to meet? I’m down, right? So I met up with Dean, the director. I went to his house. We sat, we talked. We hit it off, you know? And the next thing I know, he asked me if I wanted to come join a day later, you know? We got the offer. So like, literally like the whole thing was, you know, fate, and everything happening, the stars lining up and just being like, the right time and the right moment, you know, and everything just working out. And it’s another one of those things where I can honestly say it’s a dream come true to be able to be in a “Bill & Ted” movie. Like this shit is like, the whole time I was on set, I was freaking out. Like I was like, having an out of body experience, like holy shit. I’m here. I have to be in this scene, I have to be focused, but it’s hard for me to focus because I’m looking at Alex Winter and Keanu Reeves playing these characters 30 years later. It’s fucking wild, you know?

CS: Yeah.

Cudi: So that’s my story.

 

CS: That’s an awesome story. I mean, it was wild just for me to watch them go back into these characters. So since you mentioned that it was a character that you knew you could take on that you wanted to take on, was it just like a present-day musician was how it was written? Or through talking with Dean and with the writers, did you guys come to the decision to have it be yourself?

Cudi: Well, I think it was written as an already like, established musician. That’s what they wanted.

CS: Okay.

Cudi: So it fit perfect. And you know, that was one of the first things they told me, it was like, we want you to play yourself, but with a little twist, you know? And I love that, you know? And I’ve been able to play myself in movies before and it’s always been different. And sometimes it can be hard, you know, to play yourself, because it’s like, what is my onscreen fictional persona like? What’s the difference between the real Kid Cudi and this movie Kid Cudi, you know? But this one was very like, first off, just the fact that I’m a fan of the franchise, it was really easy for me to just kind of dive in. And I kind of liked that — you saw the movie, right?

CS: Yes, yes.

Cudi: So yeah, I kind of liked that I’m like, in for the ride and I’m totally like, oh, I know what this is. Like maybe this is this and this is — and I’m not like, freaked out too much, so this is kind of like, what the hell is going on? I thought that was all dope because at first, I asked Dean. I was like, is he scared? Like am I freaking out, you know? He’s like, no, no, he’s kind of just going with it, you know? So I was like, okay. He’s just going with it. I’m with it.

CS: So I mean, he does go with it and he seems to be pretty knowledgeable about a lot of the science behind everything. Are you — were you pretty familiar with a lot of the science of time travel before? Or did a lot of that come from like, the script and research after you got the role?

Cudi: Yeah, it was mostly like, we had a quantum physicist on set, and he pretty much tried to break down the lines and he explained to me what I was actually saying.

CS: Okay.

Cudi: And I think maybe 10 percent of it made sense to me. But no, it was some really — everything in the script, it was like real things. It wasn’t like, something that the writers just made up. It was real science to the story. And so, there was a lot of, you know, information that the quantum physicist was giving me about like, you know, just time travel and what needs to happen and all these things and just all this scientific jargon that was like, making my mind melt. But no, it was cool, man. It was cool.

CS: So I mean, you talked a little bit about the challenges of playing yourself in different roles or different movies. But what would you say was your biggest creative challenge in portraying yourself in this one?

Cudi: I’d say it probably would’ve been the quantum physics stuff because the lines were so — you know, nobody really speaks in that way, you know? Unless you’re a quantum physicist, you know?

CS: Right.

Cudi: So that was the first day I was like, kind of like, it was intense because I was just having trouble like, getting the words out, you know? But after the first day, I had a rhythm and it was all good. It was cool after that. But the first day I had these really kind of like, weird lines and you know, it was kind of like one of those things that I just realized, because I’ve never had that happen to me before in my career, where like, I was reading lines and it was like, hard for me to process. Because half of the time, it’s like, you know, I don’t know what I’m necessarily saying, you know? But they had like, Dean, Ed, these guys were on set coaching me, guiding me through everything, you know? So I wasn’t completely in the dark. And after the first day, like I got my rhythm and we were taking off from there, you know?

CS: That’s good. That’s good you got that good collaborative attitude on set with everybody. What was it like then building — I mean, you only have a handful of scenes with everybody, but what was it like building that rapport with all of your fellow costars before the camera started rolling?

Cudi: Oh it was great, man. Like everybody was so cool and that’s the thing. It’s like, I’ve been blessed that every set I’ve been on has been full of love and everybody’s been cool and grounded and there’s no egos. And that’s exactly what this set was like, you know? Everybody was cool and chill and they were making these — because it was so fucking hot out there — they were making these icy, shaved ice little slushy things, like cones or whatever.

CS: Yeah.

Cudi: And we were turning those things up. That shit was nice. I was like, I feel spoiled. I was like, this is fucking cool…  But yeah, man, we all got along really well, and yeah, I still talk to Sam, Bridget. I talk to Alex. You know, I keep in touch with them, you know?

CS: That’s awesome. So then, did you find that you got to play around with your character a little bit in certain takes, do a little improv here or there?

Cudi: Yeah, definitely.

CS: Yeah?

Cudi: Yeah, I think Dean saw that I could do it and he leaned into that, you know? And I haven’t seen the movie, so I don’t know what he used. So it’s going to be exciting to see. But yeah, there was a couple of moments where he was just like, have fun with it, you know? This is what’s happening and just come up with something, just do it.

CS: Nice.

Cudi: And I love when directors give me that freedom.

CS: Yeah, it’s good when you get to have that relationship on set with them. So I mean, since you mentioned you haven’t seen it yet, it was supposed to be just theaters, but now with everything going on, it’s got this hybrid release. How did it feel for you, hearing that news, that it was going to get this simultaneous digital in-theater release?

Cudi: It made me feel good that the powers that be were thinking about the proper situation, you know, for people to be able to watch this safely. And it kind of gives people the option if you want to go to a theater, you can go and do that, too. But it’s really like, I encouraged everybody to stay home. That’s really what I’m going to do, because I usually like to rent out the theaters and watch the movies with my fans, you know? And that’s a bummer I can’t do that. That was something I was planning on doing. But you know, we’ll do something, where I’m watching the movie with the fans and I’ll just live tweet throughout it or something like that. But yeah, I think it’s going to be dope. I think we’re going to get a lot more eyes on it, actually, than we would’ve gotten if it had a theatrical release, I think.

CS: I couldn’t agree more. I think the simultaneous release is going to bring a lot more viewers to it, and I think they’re going to have a blast like I did. I really did. I had an awesome time with it.

Cudi: Nice.

CS: Thank you very much for taking the time to chat with me, man. I greatly appreciate it.

Cudi: No problem.

CS: I had fun seeing you in the movie, too. When you were going into the science stuff, even my mind was melting. I was like, oh.

Cudi: Oh man, this is so great to hear you talk about this, like I’ve kind of been not wanting to see it. I’ve kind of wanted to like, experience it with the fans a little bit, when it comes out. But no, it’s exciting to know that you saw it, and it’s dope. That’s, yo, nice.

CS: I think you’ll get a blast of it just like everybody else will.

Cudi: Oh dope, dope, dope. Thanks man.

The post CS Interview: Kid Cudi Talks Bill & Ted Face the Music appeared first on ComingSoon.net.

BritBox Unveils What’s Coming to the Streamer in September 2020

BritBox Unveils What's Coming to the Streamer in September 2020

BritBox Unveils What’s Coming to the Streamer in September 2020

BritBox, the subscription streaming service from BBC Studios and ITV offering the biggest collection of streaming British television in North America, has unveiled its September slate! Next month, the lineup includes the BritBox original McDonald & Dodds, starring BAFTA Award winner Jason Watkins (The Crown, Hold the Sunset) and breakout star Tala Gouveia, and the exclusive U.S premiere of dramedy Don’t Forget the Driver, starring and co-created by award-winning actor Toby Jones (Detectorists, The Hunger Games).

In honor of the 25th anniversary of the iconic BBC series based on Jane Austen’s most famous love story, Pride and Prejudice, BritBox will also unveil the world premiere of the Colin Firth and Jennifer Elhe headlined series in stunning 4K.

RELATED: BritBox Unveils What’s Coming to the Streamer in August 2020

Available September 1

McDonald & Dodds Season 1 | BritBox Original, Exclusive, North American Premiere

BAFTA-winning Jason Watkins (The Crown, Hold the Sunset) and breakout star Tala Gouveia lead in this two-part detective drama as the unlikely pair, DCI McDonald (Gouveia) and DS Dodds (Watkins). Featuring contemporary crime stories told with warmth and humor, the series follows this mismatched duo as they solve crimes in Britain’s historic city of Bath. Instantly locking horns over their different professional and lifestyle choices, the tough and driven DCI McDonald and the quiet, unassuming DS Dodds soon forge an entertaining relationship and grow to realize that their differences will be their strengths when solving these gripping mysteries.

Available September 8

Moving On Season 10 | Exclusive, North American Premiere

Created by Emmy winner and multi BAFTA award-winning writer Jimmy McGovern (Cracker, Hillsborough, The Street), this critically acclaimed anthology show returns featuring modern stories about characters who have reached a turning point in their lives and try to move on. In Season 10, we watch as a university cleaner masquerades as a lecturer and discovers a newfound confidence; a stressed-out teacher heads for a breakdown as he copes with an impossible workload; a hard-up single mother reconnects with the father of her nine-year-old daughter; a former homeless addict turns her life around and volunteers at the local shelter; and a couple who conceived through IVF are informed that they still have embryos at the local shelter.

Available September 12

Last Night of the Proms | Exclusive, North American Premiere

In the year that the Proms turns 125 years old, the 2020 season brings the spirit of the Proms to music-lovers at home with treasures from the archive and incredible live performances. In challenging times, the BBC Proms continues its annual festival consisting of 8 weeks of world-class performances by the world’s greatest classical musicians of the past, present, and future. The season terminates with two weeks of performances live from the Royal Albert Hall. The famous “Last Night of the Proms” can be streamed on BritBox, live with the UK.

Available September 15

Don’t Forget the Driver | Exclusive U.S. Premiere

Starring and co-created by award-winning actor Toby Jones (Detectorists, The Hunger Games), and co-created by Tim Crouch, this dramedy series set in Bognor Regis follows coach driver Peter Green as his seemingly meaningless life is thrown into chaos by a sudden change in the tide. Between the discovery of a dead body on the beach and a surprise stowaway onboard his coach, this series reveals how an accidental occurrence can change even the most ordinary of lives.

Available September 18

This Farming Life Season 4 | Exclusive, North American Premiere

This BAFTA-winning documentary series returns, following the ups and downs of new farming families in Scotland and Northern Ireland, as they face tough economic times and an uncertain future. This warm, compelling series weaves intimate personal stories with the dramatic events that make up life on a farm, with families carving out a living in some of Britain’s most beautiful landscapes.

Available September 22

Agatha Christie’s Partners in Crime | Exclusive, New to BritBox

Francesca Annis (Bancroft, Agatha Christie’s The Secret Adversary) and James Warwick (Agatha Christie’s The Secret Adversary, Iron Man) star as the famous crime-fighting duo, Tommy and Tuppence Beresford, as they solve mysteries and search for enemy spies in 1950’s Britain. Super sleuths Tommy and Tuppence are now married and established as secret agents under the eagle eye of Scotland Yard. Also starring Reece Dinsdale (Moving On) as Albert and Arthur Cox (Yes, Minister) as Inspector Marriott with guest stars including Graham Crowden (Waiting For God), Joan Sanderson (Please, Sir!), Liz Smith (The Vicar Of Dibley, The Royle Family), T.P. McKenna (Ulysses) and Anne Stallybrass (The Strauss Family).

Available September 25

Pride and Prejudice – Remastered | World Premiere

Critically acclaimed and famously adapted from Jane Austen’s iconic story, watch this six-episode television drama as you’ve never seen it before. In this performance that launched Jennifer Ehle (Zero Dark Thirty, A Quiet Passion) and Colin Firth (The King’s Speech, Bridget Jones’s Diary) to international fame, follow the beloved Elizabeth Bennet and Fitzwilliam Darcy as they overcome their differences in social standing.

RELATED: BritBox Announces Three Original Drama Series Including Jared Harris’ The Beast Must Die

BritBox is available for $6.99 per month—after an introductory free trial period—on Roku, Apple TV 4th Gen, Samsung, and all iOS and Android devices, AirPlay, Chromecast, and online at https://www.britbox.com/us/. BritBox is also available on Amazon Channels for Prime members and on Apple TV Channels on supported devices.

The post BritBox Unveils What’s Coming to the Streamer in September 2020 appeared first on ComingSoon.net.

CS Interview: Director Dean Parisot on Bill & Ted Face the Music

CS Interview: Director Dean Parisot on Bill & Ted Face the Music

CS Interview: Director Dean Parisot on Bill & Ted Face the Music

ComingSoon.net had the opportunity to talk with Oscar-winning filmmaker Dean Parisot about directing Orion Pictures’ Bill & Ted Face the Music, including how he stayed true to the already established characters and tone. Check out the interview below and click here to purchase Bill & Ted Face the Music!

RELATED: Bill & Ted Face the Music Review: Nostalgia & Fun Outweigh Predictability

Bill & Ted Face the Music centers on Bill S. Preston (Winter) and Ted “Theodore” Logan (Reeves), who are now fathers and have yet to fulfill their rock ‘n’ roll destinies. Their lives change when they are visited by a messenger from the future who warns them that only their song can save life as we know it.

Click here to own Bill & Ted’s Excellent Adventure!

Click here to own Bill & Ted’s Bogus Journey!

Joining Winter and Reeves are Samara Weaving (Ready or Not) and Brigette Lundy-Paine (Atypical) as Bill and Ted’s daughters, respectively. The film will also feature Anthony Carrigan (Barry), Jillian Bell (Workaholics), Kristen Schall (Toy Story 4), Holland Taylor (Gloria Bell), Kid Cudi, Erinn Hayes, Jayma Mays, and Beck Bennet. William Sadler is also set to reprise his role as Death alongside franchise returners Amy Stoch and Hal London Jr. Newcomer.

RELATED: Exclusive: Chris Matheson & Ed Solomon on Their Bill & Ted 3 Cameos!

ComingSoon.net: You have actually been attached to this project for a long time, at least since 2012.

Dean Parisot: That is unfortunately so, yes.

CS: Yeah. How precarious was it? Like did you lose out on other work while you were waiting? Were there times when you almost had to bail?

Parisot: Yeah, you know, Ed and Chris wrote this on spec. They were not commissioned by anyone, so it was a labor of love for sure. And it happens a lot, where you try to get a project going and it’s up, it’s down, we’re doing it, we’re doing it, oops, oh, we’re not doing it. So it does occasionally get in the way of trying to actually do any jobs, yes. But I don’t know. It felt like this moment in history, and this is pre-COVID, could benefit from “Bill & Ted”. I always loved the themes of it, and I love those characters and their unbridled optimism. And yeah, what can I say? It’s a long time.

CS: When they first announced you, I thought that you were a perfect fit because Ed and Chris’ domain is absurdism and you’ve done a lot of that in your early shorts and the movie you did with Vince Gilligan and in “Galaxy Quest”. You fit right in.

Parisot: Well, first of all, I’m glad you know that much about me, but I guess you can’t hide everything. I’ve known Ed since the early 90s and we both share a sense of humor. And so, that helped, obviously. We worked together on other projects and have kept trying to work together. This is the first movie we’ve actually completed from the beginning to the end. But yeah, that sense of humor is for some reason built into my psyche and I can’t get rid of it, so there you have it.

CS: I’m just curious, what were some of the other projects that you tried to work on with him?

Parisot: “The BFG”. I wanted to do a Marc Davis book Called Dirty Money. He did a rewrite on “Fun with Dick and Jane”. And I brought him on other things where I thought something was going to happen. I mean, we share a sensibility.

CS: Right, exactly. That’s interesting that you almost did “BFG” because I remember talking to Frank Marshall about that in 2005. He was trying to get that off the ground for a long time. Was that the same iteration over at Amblin?

Parisot: Yes, yes, it was. Yeah, when I was doing it, first it was Terry Jones from Python and then I brought Ed on. And then, I ended up leaving that project for “Fun with Dick and Jane”.

CS: Getting back to “Bill & Ted”, but I was told it was your idea to have hell be modeled after that Zdzisław Beksiński painting.

Parisot: Yes. I guess it was my idea. Well, you know, as you’re trying to find an aesthetic, you’re tearing through magazines and you’re grabbing stuff off the internet and for whatever reason, that grabbed my attention. And there’s a collection of them, too.

CS: Yeah, no, I’m a huge fan of his paintings. They’re very surreal. They’re very expressionistic and quite scary. But it was funny that you picked probably the scariest painter of all time to put in this light, frothy comedy.

Parisot: Well, hell has to be scary and bad down there. I love putting ludicrous characters in seriously dangerous places because it’s more fun I think to make a believable setting as you can in comedy world rather than a goofy one where you know everything is going to be successful. So yeah, I mean, it also was based on some of the photographs by Sebastião Salgado, a Brazilian photographer of the gold mines in Brazil. There’s a giant open pit mine in Brazil with literally tens of thousands of people covered in mud carrying bags of mud up and down ladders into this pit.

CS: I also noticed in that sequence when they go into Death’s office, there’s a game of Battleship in the background. Are there any other fun Easter eggs like that that people should look out for?

Parisot: Yeah, well, spoilers, but yeah. Search the frames. You’ll find things.

CS: This film feels very much of a piece with the other two. What were the biggest guiding rules you felt you had to adhere to in order to sort of stay true to the characters and the tone that was already established by the other two directors?

Parisot: I mean, you can’t get around the things that were established in the first two. Rufus was there in the future, but I had the challenge of trying to make it feel contemporary. It was made easier by the fact that it was 29 years ago, so I could change the future. I could create a new time traveling booth. I could elaborate on hell. And so, it allowed me to create a more grounded environment for this time. But you couldn’t lose those characters. That’s the key to “Bill & Ted” is how they deal with each other and the world. And that’s still the same. It’s just addressed by the fact that they’ve been trying for 29 years and they’re middle aged now. So they have the problems of middle aged relationships, children, you know, not fulfilling their destinies, all of those things. But it’s still in context of an absurdist comedy.

CS: What I think this movie really slams home is even though it goes to some dark places with the characters, the fundamental thing is these guys don’t want to live without each other. And even when they’re at their darkest, they’re still together.

Parisot: I think that friendship is never in question. But Alex and Keanu just wanted to be able to… really all I had to do was watch. I didn’t do anything. I just gave them a nice environment to play in.

CS: Alex has become a very accomplished director in his own right in the intervening years, and he’s credited as an executive producer. How did you collaborate with him specifically, as an executive producer?

Parisot: Alex is a brilliant filmmaker. When they asked me to do this, I said, “Why doesn’t Alex direct it?” No, seriously. It seemed like it would be a perfect fit. He said, “Dude, I can’t. It’s like, I can’t. I need to be in it and concentrate on being those characters. I can’t do it.” But it was really fun with this group of people because they’re all incredibly collaborative. They’re all filmmakers. Even Keanu made a movie. Alex has made movies. They’ve all produced. They’ve all directed. They know it backwards and forwards. We were all like a band that kept making this thing together. And it was quite fun to make, actually. I have a big place in my heart for this group of people.

CS: This was not your first sequel. You’d also done “RED 2”. What do you enjoy about coming into a franchise that’s already established?

Parisot: Well, I actually don’t. You know, sometimes, you don’t think about that. For the most part, I don’t think I’m somebody who wants to do a franchise. But in this case, it wasn’t really a franchise. It’s 29 years later. It’s a continuation of a story. And I had the room to create a new thing. In “RED”, it was a franchise, and that was a little more difficult.

(Photo by Steve Granitz/WireImage via Getty Images)

The post CS Interview: Director Dean Parisot on Bill & Ted Face the Music appeared first on ComingSoon.net.

HBO’s The Third Day Key Art & Episode Details Released

HBO's The Third Day Key Art & Episode Details Released

HBO’s The Third Day Key Art & Episode Details Released

HBO has released the official The Third Day key art and episode details for the upcoming mystery miniseries starring Naomie Harris (Moonlight) and Jude Law (The New Pope). The miniseries is set to debut on HBO on Monday, September 14 at 9 p.m. EST and will be available to stream on HBO Max. You can check out the full key art below!

RELATED: HBO Unveils The Third Day Trailer Starring Naomie Harris & Jude Law

Created by Felix Barrett and Dennis Kelly, the six-part limited series is a psychological thriller set on a mysterious British Island where all is not as it seems. The six episodes are divided into “Summer” and “Winter.”

Along with Jude Law and Naomie Harris, The Third Day also stars Katherine Waterston (Fantastic Beasts franchise), Emily Watson (Chernobyl), and Paddy Considine (The Outsider).

Told over the first three episodes, “Summer” stars Law as Sam, a man who is drawn to a mysterious island off the British coast where he encounters a group of islanders set on preserving their traditions at any cost. Isolated from the mainland, Sam is unable to leave the idyllic and dangerously enchanting world he has discovered, where the secretive rituals of its inhabitants bring him to grapple with experiences of loss and trauma hidden in his past through the distorted lens of the present. As boundaries between fantasy and reality fragment, his quest to unlock the truth leads the islanders to reveal a shocking secret. “Summer” is written by Dennis Kelly and directed by Marc Munden.

“Summer” characters include:

SAM (JUDE LAW) Sam, a kind family man from London, is brought to the island after helping one of its young residents. He finds himself drawn to the Island, however, it begins to take a psychological toll on Sam, as he begins to relive trauma from his past.

JESS (KATHERINE WATERSTON) Jess is an American historian and frequent visitor to the island. She is fascinated by the island’s history and culture and is keen to share what she knows. She has a forthright, but comfortable nature about her, and becomes a confidant to Sam.

MRS. MARTIN (EMILY WATSON) Mrs. Martin runs the local pub, The Oyster, with her husband. Brash and foul-mouthed, her bark is worse than her bite. She and her husband are respected pillars of the community, who proudly uphold the island’s traditions.

MR. MARTIN (PADDY CONSIDINE) Mr. Martin runs the local pub, The Oyster, with his wife. He is a fastidious, cheerful man who always looks at the bright side of things. He is quick to help Sam and welcomes him to the island with open arms.

LARRY (JOHN DAGLEISH) Larry is a violent local, keen on causing trouble. He is a close friend of Jason’s who wants Sam off the island, and he will stop at nothing to see him gone.

JASON (MARK LEWIS JONES) Jason is a local, and father to Epona, the young girl Sam helps. He is a troubled man who is suspicious of Sam and is unhappy with him staying on the island.

After “Summer,” comes “Fall,” a theatrical event broadcast online where viewers who seek more will be immersed in the world of The Third Day. Featuring members of The Third Day cast including Jude Law and Katherine Waterston, viewers will follow the events of a single day in real-time. Florence Welch will also feature in an acting role. Capturing events as live and in one continuous take, this cinematic broadcast will invite viewers deeper into the mysterious and suspenseful world of The Third Day, and blur and distort the lines between what’s real and what’s not. It is created by theatrical innovators Punchdrunk and co-directed by founder and artistic director of Punchdrunk Felix Barrett and “Summer” director Marc Munden.

“Winter” unfolds over the latter three episodes and stars Harris as Helen, a strong-willed outsider who comes to the island seeking answers, but whose arrival precipitates a fractious battle to decide its fate as the lines between fantasy and fact are distorted. “Winter” is written by Kit De Waal, Dean O’Loughlin, and Dennis Kelly and directed by Philippa Lowthorpe.

“Winter” characters include:

HELEN (NAOMIE HARRIS) Helen, strong-willed and pragmatic, comes to the island with her daughters, Ellie and Talulah. She soon finds herself caught between the opposing factions on the island and must quickly determine who can be trusted.

ELLIE (NICO PARKER) Ellie comes to the island with her mother and sister to celebrate her birthday. Quiet and considerate, Ellie has been having trouble at school and finds solace in religion. She takes a liking to the island and befriends a local girl, who introduces her to the Island’s culture and traditions.

TALLULAH (CHARLOTTE GAIRDNER-MIHELL) Tallulah, bright and opinionated, is Helen’s youngest daughter. She is less taken by the island than her sister and is keen to get back to the creature comforts that await on the mainland.

COWBOY (PAUL KAYE) Though not being an island native, the Cowboy is a true believer of the island’s customs and traditions. Ready to assist a fellow outsider, he helps Helen navigate the fractious battleground the island has become.

RELATED: We Are Who We Are Trailer for Luca Guadagnino’s Coming-of-Age HBO Series

Episodes include:

Episode 1: “Friday – The Father”

Debut date: MONDAY, SEPTEMBER 14 (9:00-10:00 P.M. ET/PT)

After Sam (Jude Law), a London family man in crisis, rescues a troubled young girl in the woods, he brings her home to the ominous Osea Island, where inhabitants are preparing for a curious annual festival involving the island’s history. As he meets Osea’s secretive locals, Sam grows increasingly desperate to return to the mainland to make an important call – but the island proves difficult to escape.

Written by Dennis Kelly; directed by Marc Munden.

Episode 2: “Saturday – The Son”

Debut date: MONDAY, SEPTEMBER 21 (9:00-10:00 P.M. ET/PT)

Plagued by a disturbing dream, Sam (Jude Law) awakes to find himself in a compromising situation and, having missed the morning crossing to return to the mainland, spends the day trying to learn more about the islanders’ beliefs. After a series of confusing and terrifying events leaves him shaken, Sam quickly plots a way off Osea with Jess (Katherine Waterston), but is convinced to stay put as the islanders prepare for a dry run of their big event.

Written by Dennis Kelly; directed by Marc Munden.

Episode 3: “Sunday – The Ghost”

Debut date: MONDAY, SEPTEMBER 28 (9:00-10:00 P.M. ET/PT)

Sam (Jude Law) is shocked to learn the truth about his connection to Osea and the islanders’ intentions for his future. Later, in a fight for his life, Sam tries desperately to escape their clutches and make it back to the mainland in one piece.

Written by Dennis Kelly; directed by Marc Munden.

Episode 4: “Monday – The Mother”

Debut date: MONDAY, OCTOBER 5 (9:00-10:00 P.M. ET/PT)

Winter. Helen (Naomie Harris) surprises her two daughters, Tallulah (Charlotte Gairdner-Mihell) and Ellie (Nico Parker), with a trip to Osea Island for Ellie’s birthday. After finding that the cottage she booked is suspiciously no longer available, Helen scours the island for a place to stay, but finds resistance at every turn.

Written by Kit de Waal, Dean O’Loughlin and Dennis Kelly; directed by Philippa Lowthorpe.

Episode 5: “Tuesday – The Daughter”

Debut date: MONDAY, OCTOBER 12 (9:00-10:00 P.M. ET/PT)

As the islanders prepare for a fateful birth, Helen (Naomie Harris) reveals her true intentions in coming to Osea and, after joining a search party, is pressed on her past. A peculiar girl befriends Ellie (Nico Parker) and offers to take her to a mysterious place closed off to outsiders.

Written by Kit de Waal, Dean O’Loughlin, and Dennis Kelly; directed by Philippa Lowthorpe.

The Third Day is a co-production between Sky and HBO. It is the first original drama to be produced by Sky’s new production house, Sky Studios, in conjunction with Plan B Entertainment, the world-renowned immersive theatre company Punchdrunk and writer Dennis Kelly (Utopia, Pulling). Dede Gardner, Jeremy Kleiner, Felix Barrett, and Dennis Kelly executive produce.

The post HBO’s The Third Day Key Art & Episode Details Released appeared first on ComingSoon.net.

NOS4A2 Showrunner Confirms AMC Has Canceled Series After Two Seasons

NOS4A2 Showrunner Confirms AMC Has Canceled Series After Two Seasons

NOS4A2 Showrunner Confirms AMC Has Canceled Series After Two Seasons

NOS4A2 showrunner Jami O’Brien posted the news on Twitter that the horror series has been canceled at AMC after two seasons. O’Brien called the news “a bummer,” but said she was grateful they were “at least able to finish adapting the storyline from Joe Hill’s terrific novel.” You can view O’Brien’s tweets below:

RELATED: CS Interview: Creator Jami O’Brien on AMC’s NOS4A2

NOS4A2’s second season picks up eight years after the events of season one. Vic McQueen (Ashleigh Cummings) remains more determined than ever to destroy Charlie Manx (Zachary Quinto). Charlie, having faced his own mortality, emerges desperate for revenge against Vic. This time, he sets his sights on the person who means most to Vic — her eight-year-old son Wayne. The race for Wayne’s soul sends Vic and Charlie on a high-speed collision course, forcing both to confront the mistakes of their pasts in order to secure a hold on Wayne’s future.

The series stars Emmy nominee Zachary Quinto (American Horror Story, Star Trek franchise, Margin Call), rising star Ashleigh Cummings (The GoldfinchHounds of LoveMiss Fisher’s Murder Mysteries), Jahkara Smith (Into the Dark), Ólafur Darri Ólafsson (True DetectiveThe BFGThe Dark Crystal: Age of Resistance), Ebon Moss-Bachrach (GirlsThe PunisherTokyo Project), Virginia Kull (Big Little LiesThe Looming TowerBoardwalk Empire), Jonathan Langdon (No TomorrowUtopia FallsSpecial Correspondents), Ashley Romans (Shameless, I’m Dying Up HereHermoine Granger and the Quarter Life Crisis), Jason David (For All MankindRoom 104Grey’s Anatomy), and Mattea Conforti (The SuperPowerViper Club).

RELATED: Watch AMC’s NOS4A2 Comic-Con@Home Panel!

Based on Joe Hill’s best-selling novel of the same name, NOS4A2 is executive produced by showrunner Jami O’Brien (Fear the Walking DeadHell on Wheels), and Hill. The series is produced by AMC Studios in association with Tornante Television.

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Martin Freeman’s Breeders Returns to Production in England

Martin Freeman's Breeders Returns to Production in England

Martin Freeman’s Breeders Returns to Production in England

Following a 16-week suspension due to the ongoing global pandemic, the second season of FX and Sky’s acclaimed comedy series Breeders has resumed production. Shooting adhering to strict protocols begins today in Greater London, England.

RELATED: Fargo Season 4 Sets New Premiere Date For September

In Breeders, Martin Freeman (Fargo, Sherlock, Black Panther) stars as “Paul,” a caring father discovering he’s not quite the man he thought he was. His partner in this impossibly steep parental climb is “Ally” (Daisy Haggard), who runs a recording studio, makes Paul laugh and has the ability to read a story to their children while she’s technically asleep.

In the first season of this honest and uncompromising comedy, Paul and Ally are juggling fulltime careers, aging parents, a mortgage, upheavals in their relationship and the unenviable curveballs of parenting their young children, “Luke” (George Wakeman) and “Ava” (Jayda Eyles). When Ally’s estranged father “Michael” (Michael McKean) appears on their doorstep, the family essentially takes on a third child but this one comes with baggage and opinions. Paul’s own parents, “Jackie” (Joanna Bacon) and “Jim” (Alun Armstrong), are on hand to help out, but their generation does parenting a little differently….

RELATED: Chris Rock Leads the Future in New Fargo Season 4 Teaser

Academy Award-nominee and double Emmy Award-winner Simon Blackwell served as showrunner and created the series with double Emmy Award and Directors Guild of America Award winner Chris Addison and Emmy and BAFTA-winning Martin Freeman. Executive producers are Blackwell, Addison, Freeman, Richard Allen-Turner, Rob Aslett, David Martin, Jon Thoday, Toby Welch, and Michael Wiggs. Ben Palmer is co-executive producer.

Breeders is produced by Avalon and FX Productions for FX Networks and Sky Originals.

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CS Plays: Vader Immortal Review & Walkthrough Video

CS Plays: Vader Immortal Review & Walkthrough Video

CS Plays: Vader Immortal Review & Walkthrough Video

As a long-time fan of the PlayStation’s VR offerings, such as Sparc, Beat Saber and PistolWhip, I was positively trilled at the opportunity to experience Vader Immortal: A Star Wars Series! Vader Immortal is a three-episode VR experience that blends immersive interactive gameplay with a brand new Star Wars story, written by David S. Goyer (The Dark Knight, Batman v Superman: Dawn of Justice). After its initial launch in 2019 on PC & Oculus Quest, Immortal is finally available on PSVR, and today we are going to take a quick look at episode one. Check out the Vader Immortal review and walkthrough video below!

Click here to purchase Vader Immortal for PSVR!

Click here to get your Playstation VR gear!

RELATED: Vader Immortal Coming to PlayStation VR This Month!

The game starts with the ten best words to kick off any space adventure, a long time ago in a galaxy far, far away… you begin as the captain of the Windfall, a smuggling ship, and you’re on the run from the Huts after making off with a little “spice” to, uh, smuggle… an all too common scenario we of course all can relate to. Your first mate ZO-E3, or Zoe to her friends, is voiced by SNL alum Maya Rudolph. Zoe gets you started by telling you how to flip the right doohickey and turn the right whatchamacallit and punch the Windfall into hyperdrive to make a quick getaway.

After a thrilling escape, you are free to move about the ship and explore a lot of really well done set design and artwork. Some of the objects you can interact with, which is a lot of fun, but it’s not long before you’re asked to spring into action once again when you are unexpectedly pulled out of hyperspace by Admiral Karius of the Galactic Empire, and an Imperial Interdictor vessel. You are led down to the planet Mustafar, where you are greeted by some very blaster-happy troopers, and Admiral Karius. Karius explains that you, smuggling scum, will be assisting our titular character, Anakin Skywa…I mean… Darth Vader…

Obviously I was really excited to see Darth Vader. It was a really really cool reveal and I got to say that when he does walk up to you it’s pretty imposing. It does present a little silly at times with some of the more mystical aspects of Vader’s history or character, but in this game he is nevertheless still a very threatening FORCE not to be reckoned with. Once you open the Tesseract or MacGuffin box or space Rubik’s cube …you meet Vylip Foma, an imprisoned Mustafarian and lore master of his clan. Vylip helps you and Zoe escape the holding cell and puts you on a lift, or as I called it the Darth-Ele-Vader, hehe, sending you deep into the Mustafarian caverns to find the Priestess, and get you off the planet.

This part of the game featured a lot of the aspects that I kind of loved and hated, while I will be talking about both things and why, first wanna talk about things that I loved. First being the interaction between you and some of the set pieces. There are a lot of unique and intuitive ways to twist knobs and turn dials to get you onto the next steps in the quest, After you spend some time learning the movement mechanics you do traverse the map pretty easily by point-and-click or grabbing handles and ladders and pulling yourself up this is one aspect of the game that I did really enjoy but I did notice a few glitches where you would kind of drift in and out of the geometry and also there were a few points where it was a little difficult to tell whether or not you were on the ground. But once you got the hang of it you did move through these obstacles fairly quickly with a little difficulty.

Zoe then leads you to what I consider my favorite section of episode one, the light saber room. Here we find a light saber sitting on the podium and when you pick it up you immediately feel this sense of childhood astonishment and wonder. It is at this point when we meet a training droid and the tutorial begins.

The fighting mechanics are actually really tight, and the Move motion controller is the ideal standin for this iconic weapon. With big wide swipes or quick blocks, you really do feel like no power in the verse can stop you. Er… did I reference the wrong space movie? Anyway… once you and Zoe climb and scale your way through more Mustafarian terrain, you come to another aspect I really enjoyed about this light saber, talk about machete order, this thing cuts through beams like vines in a jungle.

After some very chilling eavesdropping on Vader and his cloaked companion, you discover that you might be one of the last descendant of “Lady Corvax”, and that is why you could activate the artifact. You also learn that Vader is up to his old tricks again, trying to gain mastery over death itself.

After finding your way though more caverns you and Zoe are attacked by storm troopers with blasters! So be thankful that they couldn’t hit the broad side of a barn as you attempt to deflect the blaster fire back at the troopers. I enjoyed this fight from an arcade shooter perspective. The blaster deflections feel great and the artwork and animation work so well together that it makes this almost seamless.

You and Zoe find the priestess in a massive temple hidden in the caverns, and after a short conversation, she does the chosen one thing, and we are told the story of Lady Corvax. The actual backstory of Lady Corvax is fairly contrived and we’ve heard it 1 million times before in 1 million other stories, but that’s not the thing I want to pay attention to here. The thing that I really wanna focus on is the art. I really love this massive fully immersive 360° painting that is constantly flowing around you like water it feels like you’re in a planetarium made out of paint …like a paintarium… But the story itself is not the main focus.

I would argue that it’s told in a very interesting way, not fairly unique because we’ve seen very similar stories play out at the beginnings of lots of movies like black panther or even the latest Hellboy which if you didn’t see it on him that’s most of us… But just because it’s not refreshing doesn’t mean it isn’t perfect. I would say that this way to tell a story is a very nice break from the usual exposition from another character while you walk through the Corredor so thank you game for at least trying to be different.

RELATED: CS Plays: Studio71’s The Umbrella Academy Card Game

But all good things must come to an end as you wake up to find the Priestess trying to convince you to help Vader In his quest to find the bright star and master death itself.

The priestess is suddenly escorted out by her card and we are approached by none other than gasp Darth Anakin Vader Skywalker. A very temperamental Vader… who forces you to open the sanctum, triggering the temples safeguards, literally… an AMRY OF MUSTAFARIAN BATTLE DROIDS!

Hands-down my biggest complaint about this game is probably the segment. There’s just too much going on for you to really control the movement, and fight off all the robots very easily. You sort of have to click around a lot. It’s a lot of clicking with one hand and defending with the other. It just feels very repetitive in a way that can kind of take you out of what would otherwise be considered some pretty cool action so I do appreciate where this game is going this is probably my least favorite section. That being said you are rewarded at the end by Vader doing probably the coolest move I’ve seen which is force taking your light saber And just dual wield killing the last droid. It’s definitely worth the wait, and feels almost like a Mortal Kombat fatality… Almost.

Vader senses a latent force ability within you, and tells you that you will need the force if you are to survive the road ahead, so moving forward I am assuming that Darth Vader is going to train you and that is the coolest thing ever? But if you wanna find out what happens next you gotta play episode two. This is the end of episode one. Over all I really enjoyed the experience. I’m looking forward to checking out the other installments in the series and I look very forward to the future of VR storytelling in video games.

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