mercredi 31 août 2022

Netflix September 2022 Schedule: New TV & Movie Release Dates

The list for the new Netflix September 2022 movies and TV titles has been revealed, which you can view below, along with the titles that are set to leave the streaming service next month. This includes the series debuts of new Netflix originals such as the teen crime comedy Fakes, the coming-of-age dramedy Heartbreak High, and biographical drama Thai Cave Rescue as well as the arrival of new seasons for Cobra Kai and Fate: The Winx Saga.

Next month will also see the world premieres of several Netflix films including the Marilyn Monroe biopic Blonde starring Ana de Armas, the dark comedy Do Revenge starring Maya Hawke, and Rob Zombie’s The Munsters reboot along with the Queen Latifah-led action thriller End of the Road and Allison Janney-led thriller Lou.

RELATED: The Umbrella Academy to End With Season 4, Showrunner Issues Statement

Here’s What Is Coming to Netflix in September 2022

What to Watch on Netflix on September 1

  • A Cinderella Story
  • A Clockwork Orange
  • A Good Old Fashioned Orgy
  • A Knight’s Tale
  • A Little Princess
  • American Beauty
  • Austin Powers in Goldmember
  • Austin Powers: International Man of Mystery
  • Austin Powers: The Spy Who Shagged Me
  • Barbie Mermaid Power
  • The Bridges of Madison County
  • Clueless
  • Despicable Me
  • Despicable Me 2
  • Dolphin Tale 2
  • Friday After Next
  • He’s Just Not That Into You
  • I Survived a Crime: Season 1
  • If Beale Street Could Talk
  • The Italian Job
  • John Q
  • Just Friends
  • Little Nicky
  • Morphle Halloween Candy Magic Pet
  • Next Friday
  • The Notebook
  • Resident Evil
  • Resident Evil: Apocalypse
  • Resident Evil: Retribution
  • Road House
  • Save the Last Dance
  • Scarface
  • Snow White & the Huntsman
  • Story Time Book: Read-Along: S1
  • This Is 40
  • Fenced In – NETFLIX FILM
  • JoJo’s Bizarre Adventure STONE OCEAN Episodes 13-24 – NETFLIX ANIME
  • Liss Pereira: Adulting – NETFLIX COMEDY
  • Love in the Villa – NETFLIX FILM
  • Off the Hook – NETFLIX SERIES
  • Samurai Rabbit: The Usagi Chronicles: Season 2 – NETFLIX FAMILY

What to Watch on Netflix on September 2

  • Buy My House – NETFLIX SERIES
  • Dated and Related – NETFLIX SERIES
  • Devil in Ohio – NETFLIX SERIES
  • Fabulous Lives of Bollywood Wives: Season 2 – NETFLIX SERIES
  • Fakes – NETFLIX SERIES
  • The Festival of Troubadours – NETFLIX FILM
  • Ivy + Bean – NETFLIX FAMILY
  • Ivy + Bean: The Ghost That Had to Go – NETFLIX FAMILY
  • Ivy + Bean: Doomed to Dance – NETFLIX FAMILY
  • You’re Nothing Special – NETFLIX SERIES

What to Watch on Netflix on September 3

  • Little Women – NETFLIX SERIES

What to Watch on Netflix on September 5

  • Call the Midwife: Series 11
  • Vampire Academy
  • Cocomelon: Season 6 – NETFLIX FAMILY
  • Once Upon a Small Town – NETFLIX SERIES

What to Watch on Netflix on September 6

  • Bee and PuppyCat – NETFLIX FAMILY
  • Get Smart With Money – NETFLIX DOCUMENTARY
  • Rodrigo Marques: King of Uncouth – NETFLIX COMEDY
  • Sheng Wang: Sweet and Juicy – NETFLIX COMEDY
  • Untold: The Race of the Century – NETFLIX DOCUMENTARY

What to Watch on Netflix on September 7

  • Chef’s Table: Pizza – NETFLIX DOCUMENTARY
  • Indian Predator: The Diary of a Serial Killer – NETFLIX DOCUMENTARY

What to Watch on Netflix on September 8

  • Entrapped – NETFLIX SERIES
  • Diorama – NETFLIX FILM

What to Watch on Netflix on September 9

  • Cobra Kai: Season 5 – NETFLIX SERIES
  • End of the Road – NETFLIX FILM
  • Merlí. Sapere Aude: Season 2 – NETFLIX SERIES
  • No Limit – NETFLIX FILM
  • Narco-Saints – NETFLIX SERIES

What to Watch on Netflix on September 12

  • Ada Twist, Scientist: Season 3 – NETFLIX FAMILY

What to Watch on Netflix on September 13

  • Colette
  • In the Dark: Season 4
  • Jo Koy: Live from the Los Angeles Forum – NETFLIX COMEDY

What to Watch on Netflix on September 14

  • Broad Peak – NETFLIX FILM
  • The Catholic School – NETFLIX FILM
  • El Rey, Vicente Fernández – NETFLIX SERIES
  • Heartbreak High – NETFLIX SERIES
  • The Lørenskog Disappearance – NETFLIX SERIES
  • Sins of Our Mother – NETFLIX DOCUMENTARY

What to Watch on Netflix on September 15

  • Intervention: Season 21
  • Dogs in Space: Season 2 – NETFLIX FAMILY
  • Terim – NETFLIX DOCUMENTARY

What to Watch on Netflix on September 16

  • The Brave Ones – NETFLIX SERIES
  • Do Revenge – NETFLIX FILM
  • Drifting Home – NETFLIX ANIME
  • Fate: The Winx Saga: Season 2 – NETFLIX SERIES
  • Gymnastics Academy: A Second Chance – NETFLIX FAMILY
  • I Used to Be Famous – NETFLIX FILM
  • Jogi – NETFLIX FILM
  • Love Is Blind: After the Altar: Season 2 – NETFLIX SERIES
  • Mirror, Mirror – NETFLIX FILM
  • Santo – NETFLIX SERIES
  • Skandal! Bringing Down Wirecard – NETFLIX DOCUMENTARY
  • This Is the End

What to Watch on Netflix on September 19

  • Go Dog Go: Season 3 – NETFLIX FAMILY

What to Watch on Netflix on September 20

  • Patton Oswalt: We All Scream – NETFLIX COMEDY

What to Watch on Netflix on September 21

  • Designing Miami – NETFLIX SERIES
  • Fortune Seller: A TV Scam – NETFLIX DOCUMENTARY
  • Iron Chef Mexico – NETFLIX SERIES
  • The Perfumier – NETFLIX FILM
  • The Real Bling Ring: Hollywood Heist – NETFLIX DOCUMENTARY

What to Watch on Netflix on September 22

  • The Dreamlife of Georgie Stone – NETFLIX DOCUMENTARY
  • Karma’s World: Season 4 – NETFLIX FAMILY
  • Snabba Cash: Season 2 – NETFLIX SERIES
  • Thai Cave Rescue – NETFLIX SERIES

What to Watch on Netflix on September 23

  • A Jazzman’s Blues – NETFLIX FILM
  • ATHENA – NETFLIX FILM
  • The Girls at the Back – NETFLIX SERIES
  • Jamtara – Sabka Number Ayega: Season 2 – NETFLIX SERIES
  • Lou – NETFLIX FILM
  • Pokémon: The Arceus Chronicles – NETFLIX FAMILY

What to Watch on Netflix on September 24

  • Dynasty: Season 5
  • Fullmetal Alchemist The Final Alchemy – NETFLIX FILM

What to Watch on Netflix on September 26

  • A Trip to Infinity – NETFLIX DOCUMENTARY
  • My Little Pony: Make Your Mark: Chapter 2 – NETFLIX FAMILY

What to Watch on Netflix on September 27

  • Elysium
  • The Munsters
  • Nick Kroll: Little Big Boy – NETFLIX COMEDY

What to Watch on Netflix on September 28

  • Inheritance
  • Blonde – NETFLIX FILM
  • Eat the Rich: The GameStop Saga – NETFLIX DOCUMENTARY
  • Inside the World’s Toughest Prisons: Season 6 – NETFLIX SERIES
  • Too Hot to Handle: Brazil: Season 2 – NETFLIX SERIES

What to Watch on Netflix on September 29

  • The Empress – NETFLIX SERIES

What to Watch on Netflix on September 30

  • Anikulapo – NETFLIX FILM
  • Entergalactic – NETFLIX SPECIAL
  • Floor is Lava: Season 3 – NETFLIX SERIES
  • Human Playground – NETFLIX SERIES
  • Phantom Pups – NETFLIX FAMILY
  • Rainbow – NETFLIX FILM
  • What We Leave Behind

Here’s What Is Leaving Netflix in September 2022:

What to Watch on Netflix Before September 1

  • Quantico: Seasons 1-3

What to Watch on Netflix Before September 2

  • Freaks

What to Watch on Netflix Before September 3

  • The Vampire Diaries: Seasons 1-8

What to Watch on Netflix Before September 9

  • Nightcrawler

What to Watch on Netflix Before September 10

  • How to Train Your Dragon 2

What to Watch on Netflix Before September 12

  • Offspring: Seasons 1-7

What to Watch on Netflix Before September 14

  • Saved by the Bell: Seasons 1-6
  • Saved by the Bell: Hawaiian Style
  • Saved by the Bell: The College Years
  • Saved by the Bell: Wedding in Las Vegas

What to Watch on Netflix Before September 17

  • Skylines

What to Watch on Netflix Before September 18

  • Dark Skies
  • Dark Matter: Seasons 1-3

What to Watch on Netflix Before September 25

  • Blade Runner 2049
  • Blade Runner: The Final Cut

What to Watch on Netflix Before September 29

  • Gotham: Seasons 1-5

What to Watch on Netflix Before September 30

  • 3 Ninjas: Kick Back
  • Argo
  • Boogie Nights
  • Catch Me If You Can
  • The Cave
  • Constantine
  • Dirty Harry
  • Dumb and Dumber
  • Full Metal Jacket
  • I Am Legend
  • Insidious
  • Made of Honor
  • Mean Girls
  • My Babysitter’s a Vampire: Seasons 1-2
  • Old School
  • The Perfect Storm
  • The Rite
  • Seven
  • The Sweetest Thing
  • Taxi Driver
  • The Talented Mr. Ripley

The post Netflix September 2022 Schedule: New TV & Movie Release Dates appeared first on ComingSoon.net.

The Lord of the Rings Character Featurette Introduces Arondir

Amazon Studios has dropped a brand new featurette for The Lord of the Rings: The Rings of Power, its upcoming fantasy drama that will be available for streaming this Friday, September 2 on Prime Video. The video highlights one of its main characters, Arondir, who’s an elf tasked to guard the Southlanders. The character is being portrayed by Ismael Cruz Córdova.

RELATED: House of the Dragon Promo: What to Expect in the Weeks Ahead

The high-profile fantasy drama is expected to cover multiple storylines, “from deep within the dwarf mines of the Misty Mountains to the high politics of the elven kingdom of Lindon and the humans’ powerful, Atlantis-like island, Númenor,” which will eventually converge on the creation of the titular powerful rings.

The Lord of the Rings: The Rings of Power features an ensemble cast led by Robert Aramayo as Elrond, Morfydd Clark as Galadriel, Maxim Baldry as Isildur, Nazanin Boniadi as human village healer Bronwyn, Ismael Cruz Córdova as the Silvan elf Arondir, Charles Edwards as elven smith Celebrimbor, Sophia Nomvete as dwarven princess Disa, Charlie Vickers as Halbrand, Sir Lenny Henry as Sadoc Burrows, Dylan Smith as Largo Brandyfoot, Sara Zwangobani as Marigold Brandyfoot, Megan Richards as Poppy Proudfellow, Owain Arthur as Prince Durin IV, Benjamin Walker as High King Gil-galad, Tyroe Muhafidin as Theo, Markella Kavenagh as Nori Brandyfoot, and Daniel Weyman as The Stranger.

RELATED: Peter Jackson Never Heard Back From Amazon on The Lord of the Rings: The Rings of Power

Additional cast includes Cynthia Addai-Robinson, Trystan Gravelle, Ema Horvath, Joseph Mawle, Lloyd Owen, Leon Wadham, and Benjamin Walker, who are the only ones not yet given character names.

The Lord of the Rings: The Rings of Power is developed and executive produced by J.D. Payne and Patrick McKay, who are serving as showrunners. Even before it went into production for the first season, Amazon Studios granted the project a second season renewal.

The post The Lord of the Rings Character Featurette Introduces Arondir appeared first on ComingSoon.net.

Exclusive Blind Ambition Clip Highlights a Passion for Wine

ComingSoon is excited to debut an exclusive clip from Blind Ambition, a documentary that follows a team of Zimbabwean refugees who become sommeliers. The film will premiere in theaters and through video-on-demand on September 2.

MORE: Exclusive Blind Ambition Trailer Previews Inspiring Wine Tasting Documentary

“An unlikely team of Zimbabwean refugees turned sommeliers shake up the international wine establishment when they compete in the World Wine Tasting Championships,” reads the documentary’s synopsis. “Blind Ambition is an inspiring underdog story for the ages.”

Check out the exclusive clip from Blind Ambition below:

MORE: Exclusive Our American Family Clip Previews Moving Documentary

Blind Ambition is directed by Robert Coe and Warwick Ross from a script written by Robert Coe, Paul Murphy, Madeleine Ross, and Warwick Ross.

The post Exclusive Blind Ambition Clip Highlights a Passion for Wine appeared first on ComingSoon.net.

Sam & Max Remasters Are Coming to PlayStation

Skunkape Games has announced that the Sam & Max remasters that have been released over the last two years will be coming to PlayStation consoles in September.

 MORE: The Last of Us Part I Review: A Classic That Has Endured and Survived

Set to debut simultaneously on the PS4 and PS5 on September 29, this new release marks the first time that Sam & Max Save the World (also known as Season One) will release on a PlayStation system.

Sam & Max Save the World and Sam & Max: Beyond Time and Space, previously known as Season One and Season Two, were originally released episodically. These remasters boast higher resolution graphics, improved lip sync, dynamic new lighting, remastered audio, and general QOL updates.

Check out the new trailer for the remasters below:

MORE: Marvel’s Midnight Suns Teaser Trailer Previews The Hunter

“Sam & Max, the self-proclaimed Freelance Police, are a dog and rabbity-thing team who fight crime … sort of,” reads the series’ synopsis. “Sam is a six-foot-dog in a suit with a nose for justice (just don’t call him McGruff, or he might bite you). Max is a hyperkinetic lagomorph with no internal filter and an insatiable hunger for chaos. Together they save the world — sometimes on purpose — in the weirdest, silliest ways possible.”

The post Sam & Max Remasters Are Coming to PlayStation appeared first on ComingSoon.net.

Harley Quinn Season 4 Announced With New Showrunner

Ahead of September 15’s Harley Quinn season three finale, HBO Max has finally confirmed that the popular DC adult-animated series has officially been renewed for a fourth season. Fans will be thrilled with this announcement, especially after the show’s future seemed to be uncertain following HBO Max’s recent controversial cancellations.

Harley Quinn season four will be featuring a new showrunner and executive producer in the form of Sarah Peters (Master of None), who will be taking over from Justin Halpern and Patrick Schumacker.

RELATED: Green Lantern Series Still in Development at HBO Max

“We are ecstatic that HBO Max wants the story of Harley and Ivy to continue,” Halpern and Schumaker said in a statement. “And we are equally thrilled that this next season will be in great hands with Sarah Peters as our showrunner and Ceci Aranovich overseeing animation production, as they have both greatly influenced the show with their brilliance since the beginning.”

The series follows Harley Quinn‘s adventures, which began after her break-up with the Joker. The story centers around Harley, Poison Ivy, and other DC castoffs, including King Shark, Clayface, and Doctor Psycho, as they try to help each other earn a seat at the biggest table in villainy: the Legion of the Doom. Season two ended with Harley and Ivy finally getting together, following Ivy’s failed wedding with Kite Man.

“The mayhem and madness continue in season three of this biting and uproarious adult animated comedy series,” reads the synopsis. “Wrapping up their ‘Eat. Bang! Kill. Tour,’ Harley Quinn and Poison Ivy return to Gotham as the new power couple of DC villainy. Along with their ragtag crew — King Shark, Clayface, Frank the Plant — ‘Harlivy’ strives to become the best version of themselves while also working towards Ivy’s long-desired plan of transforming Gotham into an Eden paradise.”

RELATED: Batman Azteca: HBO Max Announces Mexico-Set DC Animated Film

The voice cast includes Big Bang Theory‘s Kaley Cuoco as the titular villain, Lake Bell as Poison Ivy, Alan Tudyk as Clayface and the Joker, Ron Funches as King Shark, JB Smoove as Frank the Plant, Giancarlo Esposito as Lex Luthor, Natalie Morales as Lois Lane, Jim Rash as Riddler, Diedrich Bader as Batman, Tony Hale as Dr. Psycho, Chris Meloni as Commissioner Gordon, Rahul Kohli as Scarecrow, Sanaa Lathan as Catwoman, Vanessa Marshall as Wonder Woman, and Jacob Tremblay as Robin.

Based on the DC character created by Paul Dini and Bruce Timm, Harley Quinn is created and executive produced by Justin Halpern, Patrick Schumacker, and Dean Lorey. In addition to starring, Cuoco is also an executive producer through her Yes, Norman Productions.

The post Harley Quinn Season 4 Announced With New Showrunner appeared first on ComingSoon.net.

Trailer For Bear Grylls Young Adventurer: Endangered Previews Animated Film

Bron Releasing has put out a teaser trailer for Bear Grylls Young Adventurer: Endangered, an animated film that follows a young Bear Grylls as he goes on a crazy adventure.

MORE: Pinocchio Featurette: Go Behind the Scenes of Disney’s Live-Action Film

The film stars Sean Teale and Kevin Eldon and is developed at Pinewood Studios.

“The goal with this movie was always to make the ultimate animated adventure, brimming with courage, kindness, and a never give up spirit,” stated Bear Grylls. “This is the sort of stuff that I was hooked on as a kid — jungle missions, getting into endless scrapes and adventures with my best buddies, and trying to save and protect the world in the process! Endangered has it all, and it is incredible to see how the team has taken a young Bear Grylls and crafted this into such an inspiring, positive, fun adventure.”

Check out the teaser trailer for Bear Grylls Young Adventurer: Endangered below:

MORE: Exclusive Minions: The Rise of Gru Clip Highlights Belle Bottom

Endangered sees the animated 14-year-old Bear finding his feet amongst a five-strong energetic team of intrepid teens,” reads the film’s synopsis. “With the young adventurer exchanging his school classroom for the rainforests of Borneo and Sumatra, Endangered showcases the wonders of the natural world, shining a light on environmental issues like deforestation and species extinction. Above all, it’s a rollercoaster ride of daring rescues, edge-of-the-seat survival, and unbreakable friendships — everything that made Bear Grylls the adventurer we know today.”

The post Trailer For Bear Grylls Young Adventurer: Endangered Previews Animated Film appeared first on ComingSoon.net.

The Last of Us Part I Review: A Classic That Has Endured and Survived

When Joel upgrades his shotgun at any of the workbenches in The Last of Us Part I, he meticulously scrubs it, unscrews certain parts, and replaces others as he works to make it a more deadly killing machine. It’s an involved process that’s highly specific to each type of upgrade on every weapon, one that was merely a generic tinkering animation consistent across the game’s arsenal in the PlayStation 3 original and PS4 remaster. This painstakingly crafted upgrading mechanic is, coincidentally, symbolic of The Last of Us Part I’s many upgrades, as it gets the same job done, but does it with a heightened attention to detail and more impressive visual presentation. By carefully tending to the right parts, this remake makes one of the best games of all time even better.

The PS3 original came at the end of the console’s lifespan but was at the forefront of its most technically stunning games. Naughty Dog squeezed that aging console and constructed a gorgeous, post-apocalyptic world that outclassed nearly all of its peers. That context is important since the memory of its beauty is likely going to overwrite the reality of what it looks like two console generations later. The game and its PS4 remaster have excellent artistic direction and fluid animation, but it’s still of another era and looks the part; even technical showpieces age.

The many advancements in this PS5 remake make it look as good now as it did then relative to the technology, and that relativity demonstrates how much work was put into this project. Part I has fully shed its PS3 outer layer and looks like a native PS5 game in an almost uncountable number of ways and unequivocally outmatches the step up seen in the PS4 remaster.

The Last of Us Part I Review: A Classic That Has Endured and Survived

Lighting is much more realistic with noticeable god rays that pierce through foggy windows and blown-out walls in indoor structures and cut between the many moss-covered trees outside. Indirect lighting also means levels have a more authentic gradient of shadowed and lit patches, as there’s no longer an unrealistic, binary divide between dark areas and light ones. Dust and spores can also be seen sprinkled throughout these beams and add even more detail to its dirty, fallen world. And since this is a dirty, fallen world with very little artificial light bouncing around, its proficient and expanded use of natural lighting is even important since that is mostly how the game is lit.

The infected-ridden sections benefit from this new lighting but are also just exponentially more detailed because Naughty Dog has completely overhauled them. A greater number of disgusting pustules adorn the walls and floors and the aforementioned airborne spore effects are more understated, meaning these areas no longer look like they’ve been carpet-bombed with green fart gas to achieve the look of an infected hive. Dialing back this fog while upping the detail makes these segments creepier since these fungal caves are more effective when they’re not being cheaply concealed with thick gas.

RELATED: Sony Releases The Last of Us Part I Features Trailer Amidst Rampant Leaks

The contaminated zones are not the exception, as every other level has also been radically altered. Many pieces of the environment, such as cars, furniture, bodies, and the like, have been resized, reshaped, rearranged, or replaced to be slightly more believable or realistic. For example, a Firefly pendant that was randomly sitting in one of the sewer puddles last time around is now hanging off a new corpse. A formerly desolate room in the Boston museum has been made into a restoration workshop complete with all sorts of different hardware, dusty from the years of neglect.

There are hundreds, if not thousands, of instances like this spread across the scale from whole rooms to tiny individual objects, most of which now have physics and react to explosions and other disturbances. Putting up new art in the record store, placing a placard next to a restored statue, or transforming a nondescript room into a hideout that fleshes out the story of a collectible found inside aren’t sweeping transformations, but they’re all slight changes that do their small part in further enriching this lived-in world by making it denser. Naughty Dog had already nailed the atmosphere the first time around, so obsessing over the little details was a smart and subtle way to add to its wonderfully preserved texture without completely changing the foundation.

The Last of Us Part I Review: A Classic That Has Endured and Survived

Naughty Dog took a similar approach to the game’s dialogue and story. Part I reuses the same performances, but the team has touched up these scenes to dial up the immersion. These adjustments are small, yet still discreetly augment what was already there.

The upgraded character models have significantly more detail and wear (everyone looks so tired) that help them more properly convey a wider range of emotions. Characters can spray spit when they’re angry, visibly well up when they’re sad, give more piercing glares, or otherwise move their eyes to more accurately accentuate the spirit of the core performances, fine affectations that were lost on the hardware at the time. Ellie is the most convincing illustration of these upgrades, as she has the broadest spectrum of emotions that are now better realized and a new character model that no longer looks (comparatively) cartoonish. She’s even livelier during gameplay segments with more tonally appropriate body language in certain scenes and an expanded suite of facial expressions.

RELATED: Neil Druckmann Gives Update on The Last of Us Multiplayer Game

And while the cutscenes were always immersive, the transitions in and out of them were not since they were bookended by tacky black screens. These jarring jumps have been smoothed over, as the team has eliminated the nonsensical cuts and even added in new animations to more seamlessly blend everything together. Joel no longer suddenly appears after a blank screen and will instead naturally continue his animation from the cutscene when the player regains control or vice versa. Some minor interstitial parts have even been reshot with improved camera work.

These tightened transitions are yet another cosmetic enhancement meant to nudge the game into modernity. This whole remake is a vast collection of these types of modest revisions that only supplement the timeless story at its core that hasn’t lost a beat in the years since. The Last of Us’ commitment to Joel and Ellie’s arcs and the ways in which their relationship grows during cutscenes, incidental dialogue, and gameplay is still a masterclass example of building a bond between characters in a video game. Combined with some well-paced twists, compelling secondary characters, a truly unforgettable ending, and an Ellie-focused expansion that wonderfully inspects her backstory, The Last of Us’ narrative remains one of the medium’s finest and has only gotten better with these added refinements.

The Last of Us Part I Review: A Classic That Has Endured and Survived

The Last of Us’ gameplay, however, has not been tweaked as much as its visuals. Combat is still a tense bout of cat and mouse where players have to use their limited resources in order to outwit the cunning humans or relentless infected and survive. Unpredictable enemies, wide level layouts, and a liberating array of options mean fights are always dynamic and evoke the stress that’s crucial to the game’s atmosphere. Enemy intelligence reportedly uses the advanced systems seen in the sequel, but such degrees are difficult to notice since they were always formidable foes.

Joel and Ellie more noticeably don’t get the dodge button and crawl seen in the sequel. While the game’s environments would have to be overhauled to accommodate going prone, it’s hard to see how a quick sidestep would have been as disruptive of a change. Being able to more deftly avoid melee swipes and break free from a crowd of infected would have been a small, but welcome, quality-of-life improvement that likely wouldn’t have broken the game. Part I is still full of thrilling encounters with or without an evasive move, yet not having it at all seems like a bit of a missed opportunity.

Part I’s gameplay borrows from Part II in other ways around the edges. Players can now break glass to manipulate enemies and allies no longer sprint out in front of them during stealth, both of which are natural and more immersive inclusions. Joel and Ellie also more accurately grab supplies here and collectibles in this remake are physically visible in the character’s hand after being picked up instead of just being boring pictures on a menu. Menus in general are superior, too, and convey more information in a less intrusive way. Combined with button prompts that are consistent with its sequel and Naughty Dog has done an admirable job of blending these two games together to make a more uniform package, which is a luxury not many video game series get to have.

The Last of Us Part I Review: A Classic That Has Endured and Survived

While the myriad of tiny changes add to the experience, they pale in comparison to the glut of accessibility changes the team has carried over. The game lets players personalize their experience through a nearly overwhelming amount of toggles regarding its controls, audio, visuals, combat, and difficulty. Almost everyone — disabled or not — will benefit from something in here and the willingness to open up a game like this to a much broader base of players is a generous move that remakes almost always neglect.

These settings will allow some users to potentially experience the game for the first time, but Part I isn’t as geared toward The Last of Us veterans who have completed each release. Officially sanctioned permadeath and speedrun modes are decent additions, but they only act as surface-level modifiers on the same experience. A challenge mode or a remixed campaign that changes up enemy spawns and resource locations would have been an excellent way to breathe new life into the game for those who have unlocked the Platinum trophy twice over. New render modes, concept art, cheats, outfits, weapon skins, and a model viewer are nice additions, but only temporarily amusing.

A handful of extras and a graphical makeover don’t suddenly turn The Last of Us into a classic; it already was one because of its complex characters, gut-wrenching narrative, and nerve-wracking combat. This remake’s revamped visuals, sleeker transitions, and polished presentation only mean that its best parts are further emphasized and that it can not only stand up more confidently against its contemporaries but also better align with its sequel, even if it doesn’t carry over everything from it. The Last of Us has already endured for almost a decade and this thorough and loving restoration ensures that it will survive even longer.

SCORE: 9.5/10

As ComingSoon’s review policy explains, a score of 9.5 equates to “Excellent.” Entertainment that reaches this level is at the top of its type. The gold standard that every creator aims to reach.


Disclosure: The publisher provided a PlayStation 5 copy for our The Last of Us Part I review. Reviewed on version 1.001.000.

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Dream Scenario: Nicolas Cage to Lead A24’s Comedy Film From Ari Aster

According to Deadline, Nicolas Cage has signed on for the leading role in A24’s next comedy, titled Dream Scenario, which will be produced by Midsommar filmmaker Ari Aster. This marks the Oscar-winning actor’s latest comedy venture following his widely-praised meta performance in The Unbearable Weight of Massive Talent.

RELATED: A24’s The Front Room Stars Brandy, Directed by The Eggers Brothers

Dream Scenario will be written and directed by Kristoffer Borgli. Further details about its plot and characters are still being kept under wraps. The film will be produced by Aster and Lars Knudsen for Square Peg, along with Jacob Jaffke, Tyler Campellone, and A24.

The upcoming project will officially be the latest collaboration with Aster and the studio, who have worked together on all of Aster’s films, such as Hereditary,  Midsommar, and the upcoming Disappointment Blvd. starring Joaquin Phoenix. However, Dream Scenario marks the first project that Aster won’t be directing.

RELATED: Fred Durst & Phoebe Bridgers Join A24’s I Saw the TV Glow Cast

Following well-received performances in the drama thriller Pig and the action comedy The Unbearable Weight of Massive Talent, Cage will next be seen in the Western drama film Butcher’s Crossing and Universal Pictures’ horror comedy film Renfield, where he’ll appear as  Dracula.

The post Dream Scenario: Nicolas Cage to Lead A24’s Comedy Film From Ari Aster appeared first on ComingSoon.net.

mardi 30 août 2022

Thai Cave Rescue Trailer Teases Untold Stories for Neflix Miniseries

Netflix has dropped the official Thai Cave Rescue trailer for its upcoming biographical limited drama about the 2018 rescue mission of the youth soccer team in Thailand. The series will be available for streaming on September 22.

The video teases the untold stories revolving around the intense 18-day rescue mission of 12 boys and their soccer coach as they got trapped inside the flooded cave of Tham Luang Nang Non. It also highlights the challenges that the rescuers face including narrow passages, strong currents, and rising water levels due to the continuous downpours.

RELATED: Manifest Season 4 Part 1 Teaser Trailer Sets Netflix Premiere Date

Thai Cave Rescue is created by Michael Russell Gunn and Dana Ledoux Miller, who are also serving as showrunners. The series was filmed entirely in Thailand, with Crazy Rich Asians director Jon M. Chu executive producing.

“The world banded together in 2018 to watch anxiously and ultimately with relief as a dozen boys from youth soccer team the Wild Boars and their coach were rescued from a flooded cave in Northern Thailand,” reads the synopsis. “The untold perspectives of the boys on the team will take center stage in the new series, which follows their trip to the Tham Luang caves as it turns from a fun adventure into a massive and critical rescue operation.”

Set to portray the Wild Boars team are young local actors including Pratya “Tiger” Patong, Songpol “Pangpon” Kantawong, Chakkapat “Junior” Sisat, Thanawut “Bank” Chetuku, Teeraphat “Gun” Somkaew, Thanaphong “Pluem” Kanthawong, Thanapat “Utha” Phungpumkaew, Apisit “Fluke” Yukam, Watcharaphol “Kim” Puangsawan, Thapanot “Nam-Ning” Huttapasu, Apisit “Chit” Saengchan and Rattaphoom “Fluke” Nakeesathid.

RELATED: School Tales The Series Trailer Teases Thai Horror Series

Additional cast includes Papangkorn “Beam” Lerkchaleampote as Coach Eak, Thaneth “Ek” Warakulnukroh as Chiang Rai governor Narongsak Osottanakorn,  Urassaya “Yaya” Sperbund as Kelly, and Manatsanun “Donut” Phanlerdwongsakul as Pim.

Thai Cave Rescue hails from an international group of filmmakers consisting of directors Nattawut “Baz” Poonpiriya and Kevin Tancharoen, with John Penotti, John Logan Pierson, Lance Johnson, and Tim Coddington.

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JoJo’s Bizarre Adventure: Stone Ocean Part 2 Release Date & Time on Netflix

Netflix will release JoJo’s Bizarre Adventure: Stone Ocean Part 2 this week.

Following the success of the first 12 installments in December, the streaming service is dropping episodes 13-24. Highly popular manga JoJo’s Bizarre Adventure ran from December 1990-April 2003. Stone Ocean is one of the most successful story arcs of the manga. Briefly, the story focuses on Jolyne Cujoh, set up by her ex-boyfriend to serve a 15-year sentence in prison.

When to Watch JoJo’s Bizarre Adventure: Stone Ocean Part 2

JoJo's Bizarre Adventure: Stone Ocean Part Two Anime Gets Release Date

Netflix set the JoJo’s Bizarre Adventure: Stone Ocean Part 2 release date at 3 a.m. ET/12 a.m. PT on Thursday, September 1. Based on the original manga by Hirohiko Araki, the anime series has been on-air since 2012. It centers around the Joestars, a superpowered family taking down supernatural enemies.

“The legacy of the Joestar family continues with Jolyne as she and her companions take on new Stand users behind the bars of Green Dolphin Street Prison.”

RELATED: JoJo’s Bizarre Adventure: All-Star Battle R Gets Systems Intro Trailer

JoJo’s Bizarre Adventure: Stone Ocean is a production by David Production Inc. It hails from chief director Kenichi Suzuki together with director Toshiyuki Kato. Its creative team also includes Yasuko Kobayashi for series composition, Masanori Shino for character design, Shunichi Ishimoto for designer of the stands, sound director Yoshikazu Iwanami, and music by Yugo Kanno.

The Japanese voice cast features Fairouz Ai as Jolyn Cujoh,  Mutsumi Tamura as Ermes Costello, Mariya Ise as F.F., Atsumi Tanezaki as Emporio Alnino, Yuichiro Umehara as Weather Forecast, as well as Daisuke Namikawa as Narciso Anastasia, and Daisuke Ono as Jotaro Kujo.

The English cast sees Kira Buckland as Jolyne Cujoh, Matthew Mercer as Jotaro Kujo, and Tiana Camacho as Ermes Costello. Additionally, Brittany Lauda plays Foo Fighters, Stephen Fu plays Weather Forecast, Casey Mongillo plays Emporio Alniño, YongYea plays Enrico Pucci, Patrick Seitz plays DIO, Amber Lee Connors plays Gwess, David Matranga plays Johngalli A., Jas Patrick plays Thunder McQueen, Suzie Yeung plays Miraschon, and Clifford Chapin plays Romeo Jisso.

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Sydney Sweeney to Lead Sony Pictures’ Thriller Film The Registration

According to Deadline, Euphoria breakout star Sydney Sweeney has officially signed on for the leading role in Sony Pictures’ upcoming film adaptation of The Registration, based on Madison Lawson’s soon-to-be-published debut novel of the same name. The story centers around a woman, who discovers that somebody is planning to kill her in fourteen days.

RELATED: Report: Sony’s Madame Web Character Details Revealed

The Registration will be written by Ben Collins and Luke Piotrowski, who previously worked together on the screenplay for the psychological horror film The Night House. The novel is scheduled to launch on September 27 by CamCat Publishing.

“Imagine it’s legal to commit one murder in your lifetime—if you Register the victim and accomplish the kill within fourteen days,” says the synopsis. “So when Lynell Mize stands in line to Register the man who abused her as a child, she’s shocked to hear a stranger Register her to be killed. Why would anyone who doesn’t know her squander his one legal murder on her? Desperate to survive the next two weeks, she must find out who wants to kill her—and why.

“Easier said than done as Lynell soon discovers that multiple strangers have used their Registration on her. Along the way, she reunites with her estranged husband who is determined to dig up a past Lynell prefers to keep buried. With only days left to live, Lynell is determined to uncover the truth and survive a destiny not of her choosing.”

RELATED: The Woman King Featurette Highlights Film’s Historical Inspiration

The Registration will be produced by Sweeney for Fifty-Fifth films and Brad Fuller for Fuller Media Brand.

Besides her role as Cassie Howard in Euphoria, she’s also best known for appearing in last year’s The White Lotus series. The upcoming thriller marks Sweeney’s newest collaboration with Sony as she’s currently in production for the studio’s upcoming live-action Marvel film Madame Web.

The post Sydney Sweeney to Lead Sony Pictures’ Thriller Film The Registration appeared first on ComingSoon.net.

Interview: Andrew Santino & Ilia Isorelýs Paulino on Letting Loose in Me Time

ComingSoon Editor-in-Chief Tyler Treese spoke to Me Time stars Andrew Santino and Ilia Isorelýs Paulino about the upcoming Kevin Hart and Mark Wahlberg comedy. The film is now streaming on Netflix.

“When a stay-at-home dad finds himself with some ‘me time’ for the first time in years while his wife and kids are away, he reconnects with his former best friend for a wild weekend that nearly upends his life,” reads the logline.

Tyler Treese: Andrew, you’ve had so much success in both stand-up and acting, but few have found superstardom in both like Kevin Hart. So getting to work with him in this film, what were you able to take away from watching his method and how he does it?

Andrew Santino: I think I was able to take away that the best way to be a really good actor and comedian is the moment that they say, cut, you get on your phone. You’ve got to get on your phone and you’ve just got to ignore everybody. Work, work, work, work, work. And then, when they call action, you’re back in it. And when it’s cut again, you disappear into your digital pocket.

Ilia Isorelýs Paulino: That’s exactly what I took away too.

Santino: I think that’s where his process comes from. Speaking to his family and working super, super hard. But he’s great. Kevin was great to work with outside of when he would physically abuse us, which was, I think, part of the agenda, and that’s fine. We signed up for it. But other than that, great guy to work with.

Ilia, it had to be a blast getting into hijinks with Kevin and Mark Walberg. Does it even feel like work when you’re getting to get into so much fun onscreen?

Paulino: Oh my, no. That’s why I didn’t grow up to be like a barista. No shade to baristas everywhere. I love tea. It was such a pleasure to wake up and work with these people that I’ve seen on my TV, and just play and drive them around and do all kinds of really dumb, funny stuff.

Andrew, I love the dynamic you have with your wife and having this like secret party side to your character. How fun was it playing around with that dynamic in the film?

Santino: It was super fun. She was great too. She initially was not going to be in as much. They had talked about putting her in more because I was like, “I think we want to see her bully me more,” and she does, she bullies me a little bit throughout the film. So I think it was great because I’m used to that. That was kind of right at home. That’s what my wife does, so I just took what I know from the house to the screen. So getting bullied by women is just … that’s my thing. So I’m good at it.

Ilia, the director, John Hamburg, has made some real classics. What was it like getting to work with someone that knows comedy inside and out?

Paulino: Oh my God, a dream! He’s not only a comedic genius, but he trusts his actors in a way that I don’t think many directors do. To just give us license to just go out and play and find the scene with the people who are in the game, who are playing the scene and that amount of trust … as an actor, it inspires me to really go for it. So it was great, I love John.

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Operation Seawolf Trailer Shows Dolph Lundgren at Sea

The Operation Seawolf trailer has been released for the upcoming action drama film written and directed by Steven Luke. The movie debuts in theaters and through video-on-demand on October 7 and digitally on October 25.

MORE: Exclusive The Runner Clip Previews the Intense Action Drama Film

“In the last days of WWII, Germany, desperate for any last grasp to defeat the allied powers, looked to their last remaining weapons and soldiers,” reads the film’s synopsis. “The German Navy and the last remaining U-Boats formed together for one last mission to attack the United States Homeland. Captain Hans Kessler (Lundgren) a grizzled submarine commander from both world wars, is called into service to help turn the tide of the war. The mission was soon to be known as Operation Seawolf.”

Check out the exclusive trailer for Operation Seawolf below:

MORE: Exclusive Wolves of War Trailer Previews WWII Action Thriller

Operation Seawolf is written and directed by Steven Luke. It stars Dolph Lundgren, Frank Grillo, Hiram A. Murray, Andrew Stecker, and Apostolos Gliarmis.

The post Operation Seawolf Trailer Shows Dolph Lundgren at Sea appeared first on ComingSoon.net.

One Piece Episode 1031 Release Date & Time

The latest episodes focused on telling a bit more about Shanks, Uta, and their connection to Luffy. But now, One Piece returns to its regular programming. Finally, fans will get an update on the numerous fights going on around Onigashima. Here are all the details needed for One Piece Episode 1031.

When One Piece Episode 1031 Releases

One Piece Episode 1031’s release date in the United States is Saturday, September 3. Meanwhile, the episode will air in Japan on Sunday, September 4, at 9:30 a.m. JST.

For the international release, a simulcast is available on Crunchyroll. The episode with English subtitles will be available an hour and a half after its release in Japan. In the United States, the corresponding schedule on Saturday would be:

  • 10:00 p.m. ET
  • 9:00 p.m. CT
  • 7:00 p.m. PT

Where to Watch One Piece

Fans can catch the latest episodes of One Piece on Crunchyroll. As for the older episodes, they are available on Hulu. For the English dub, episodes are available on Crunchyroll/Funimation and Hulu.

MORE: Dragon Ball Super: Super Hero Sets U.S. Box Office Milestone

About One Piece

One Piece is a shonen manga series created by Eiichiro Oda. It began serialization on Shueisha’s Weekly Shonen Jump in 1997. Meanwhile, the anime adaptation produced by Toei Animation premiered in 1999. One Piece follows the life of Monkey D. Luffy, who dreams of becoming King of the Pirates. Along with his crew, the Straw Hats, Luffy and his friends embark on adventures around the world, looking for the legendary treasure called One Piece.

Currently, the anime adaptation is on its 20th season. Season 20 focuses on the series’ Wano Country story arc. The Wano arc revolves around the alliance and its goal to take down Kaido and free Wano. Unfortunately, Wano is currently occupied by Kaido, an Emperor of the Sea. To make matters worse, the current shogun, Orochi, is working with him. The season began airing on July 2019 with Episode 891.

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Netflix 2022 Movie Release Dates Set for Rest of Year

Netflix has unveiled its slate of upcoming films for the remainder of 2022, ranging from September all the way to December. It includes anticipated films like Glass Onion: A Knives Out Mystery and Guillermo Del Toro’s Pinocchio.

The full schedule of upcoming films can be seen below:

RELATED: Netflix Schedule Additions: New TV & Movies Arriving August 29-September 4

New Netflix Movies for the Rest of 2022

Available September

Fenced In – September 1
Love in the Villa – September 1
Ivy + Bean – September 2
Ivy + Bean: The Ghost That Had To Go – September 2
Ivy + Bean: Doomed To Dance – September 2
The Anthrax Attacks– September 8
End of the Road – September 9
Drifting Home – September 16
Do Revenge – September 16
Lou – September 23
A Jazzman’s Blues – September 23 (In select theaters September 16)
Athena – September 23 (In select theaters September 9)
Blonde – September 28 (In select theaters September 16)

Available October

Mr. Harrigan’s Phone – October 5
Luckiest Girl Alive – October 7 (In select theaters September 30)
The Redeem Team – October 7
The Curse of Bridge Hollow – October 14
The School for Good and Evil – October 19
Descendant – October 21 (In select theaters October 21)
The Good Nurse – October 26 (In select theaters October 19)
All Quiet on the Western Front – October 28 (In select theaters September 29 in Germany and October in select markets)
Wendell & Wild – October 28 (In select theaters October 21)

Available November

Enola Holmes 2 – November 4
Falling for Christmas – November 10
Is That Black Enough for You?!? – November 11 (In select theaters November)
Capturing the Killer Nurse – November 11
In Her Hands – November 16 (In select theaters November 9)
Christmas With You – November 17
Slumberland – November 18
The Swimmers – November 23 (In select theaters TBA)
The Noel Diary – November 24
My Father’s Dragon – November (In select theaters November)
Monica, O My Darling – November

Available December

Guillermo Del Toro’s Pinocchio – December 9 (In select theaters TBA)
The Volcano: Rescue From Whakaari – December 16 (In select theaters December 9)
Bardo, False Chronicles of a Handful of Truths – December 16 (In select theaters October 27 in Mexico, other regions November 4)
The Seven Deadly Sins: Grudge of Edinburgh Part 1 – December 20
Glass Onion: A Knives Out Mystery – December 23 (In select theaters TBA)
Roald Dahl’s Matilda the Musical – December 25 (In select theaters December 9)
White Noise – December 30 (In select theaters November 25)
Lady Chatterley’s Lover – December (In select theaters TBA)
The Wonder – December (In select theaters November)
Scrooge: A Christmas Carol – December (In select theaters November 18)
The Pale Blue Eye – January 6 (In select theaters December 23)

The post Netflix 2022 Movie Release Dates Set for Rest of Year appeared first on ComingSoon.net.

lundi 29 août 2022

Manifest Season 4 Part 1 Teaser Trailer Sets Netflix Premiere Date

Netflix has finally released the first Manifest Season 4 teaser for the highly-anticipated return of the popular sci-fi drama, which was saved from its NBC cancellation last year. The first half of the fourth and final season has now been scheduled to make its debut this coming November 4, which is a significant date in the series as it’s the day when the passengers of Montego Airways Flight 828 resurfaced after the plane went missing for over five years.

The Manifest Season 4 Part 1 teaser continues to tease the mystery behind the passengers’ disappearance. According to series creator Jeff Rake (via Tudum), fans should expect to see a two-year time jump in the new season which will feature Ben dealing with depression and trauma over the loss of Grace and the kidnapping of their baby daughter.

“As exhausting and crazy-making as these callings [are] and the responsibility of being an 828er is, it’s not just about them,” Rake said. “The interconnectedness of all of us, and how small actions can have implications that cascade outward and touch the whole world is what the show is about.”

RELATED: Resident Evil Netflix Show Canceled After Underwhelming Performance

Manifest hails from writer and executive producer Jeff Rake, who is also serving as the showrunner. Season 4 will feature the return of Josh Dallas, Melissa Roxburgh, J.R. Ramirez, Luna Blaise, Parveen Kaur, Matt Long, Holly Taylor, and Ty Doran as the new series regular.

The series centers around a commercial airplane that mysteriously disappears, only to reappear five years later. While no time has passed for those on board, the world has gone on without them, and new mysteries unfold for the passengers as they seek to find answers as to how and why their plane disappeared years ago.

RELATED: The Umbrella Academy to End With Season 4, Showrunner Issues Statement

Manifest is executive produced by Jack Rapke, Jackie Levine, and Len Goldstein. It is a co-production among Warner Bros. Television, Universal Television, and Compari Entertainment.

The post Manifest Season 4 Part 1 Teaser Trailer Sets Netflix Premiere Date appeared first on ComingSoon.net.

Exclusive The Mighty Ones Clip Previews Season 3 of DreamWorks’ Wild Cartoon

ComingSoon is excited to debut an exclusive clip from the upcoming third season of The Mighty Ones, the popular DreamWorks Animation series. Season 3 releases on Peacock and Hulu on September 1.

MORE: New Sing-Along Versions of Frozen & Frozen 2 Set for Disney+ Day

“In every backyard exists a secret world filled with tiny creatures, and The Mighty Ones follows the hilarious misadventures of the smallest of them: a twig, a pebble, a leaf, and a strawberry,” reads the show’s synopsis. “Living in the unkempt backyard belonging to a trio of equally unkempt humans — who they mistake for gods — these self-proclaimed Mighty Ones are determined to live large and have fun in their wild wonderland, despite their diminutive stature.”

Check out the exclusive clip from season three of The Mighty Ones below:

MORE: Interview: Meet the Robinsons Director Stephen J. Anderson Discusses the Classic Disney Film

The Mighty Ones is is created and and executive produced by ​Sunil Hall​ and ​Lynne Naylor. It stars Josh Brener, Alex Cazares, Jessica McKenna, Jimmy Tatro, and Fred Tatasciore. Season three releases on Peacock and Hulu on September 1.

The post Exclusive The Mighty Ones Clip Previews Season 3 of DreamWorks’ Wild Cartoon appeared first on ComingSoon.net.

House of the Dragon Season 1 Episode 2 Recap, Theories, and Thoughts

I’m really excited about House of the Dragon. There was trepidation on my part before the release of George R.R. Martin’s latest opus, but all my doubts were laid to rest after that terrific first episode. I won’t waste time recapping everything from the debut entry (you can read my analysis here), mostly because I want to jump into this!

RELATED: House of the Dragon Season 1 Episode 1 Recap, Theories, and Thoughts

What Happened in House of the Dragon Season 1 Episode 2

Okay, so Episode 2 opens with a grisly scene: the mutilated corpse of a man washed ashore after a shipwreck. Crabs feast on his flesh while smoke from a nearby vessel hangs in the air. Is this the work of Craghas Drahar, the Crabfeeder? 

We quickly cut to Viserys holding Small Council and discussing the passing of Ser Ryam, a member of the Kingsguard who died peacefully in his sleep. Our new heir to the Iron Throne, Rhaenyra, dutifully pours drinks for the men — shouldn’t she be preparing to, you know, rule the kingdom? Small steps, I suppose. The very bald Ser Harrold Westerling wants to replace Ryam as soon as possible and has a list of worthwhile candidates.

Suddenly, Corlys Velaryon bursts into the room to proclaim some news: “Four ships have now been lost,” alluding to the shipwreck we saw in the opening. The situation is getting out of hand and Corlys wants Viserys to get off his ass and do something about it. He doesn’t want compensation or apologies. He wants to go to war with the Stepstones (aka the islands the bad pirates inhabit) and “this Crabfeeder!” Viserys objects to war against the Free Cities since they, you know, outnumber Westeros and are important trade partners within the Seven Kingdoms. That’s just a short explanation of why war is a bad idea.

Corlys offers a few other important tidbits. One, Daemon has fortified Dragonstone with a number of Gold Cloaks; two, nearly half a year has passed between episodes, which is probably why our noble king looks much calmer than he did following his wife’s tragic (and horrible) death.

Viserys assures Corlys that he will take care of the Crabfeeder but then Rhaenyra steps up to the plate. “You have dragonriders, father,” she exclaims as the men around the table groan. “Send us. It would be a show of force.”

“At least the Princess has a plan,” Corlys says.

Otto intervenes and suggests sending the Princess off to help with the whole Kingsguard search. In other words: we won’t be seeing dragonriders today. The camera lingers on Rhaenyra who looks like she wants to dracarys the hell out of everyone in the room, including her father. Obediently, she sulks out of the room.

We cut to Rhaenyra checking out the various knights up for the new gig as a member of the Kingsguard. Her father has to urge her to thank each knight for their service to the crown. She’s still learning the ins and outs of the gig, but has enough common sense to ask, “How many of these knights have combat experience?” The knight will offer her protection, after all.

Ser Criston Cole steps to the plate. Son of the Steward of the Lord of Blackhaven. He’s all dark, wavy hair and he immediately locks eyes with our Princess. (Also, I love how there’s a chess piece for each House. Whose job is it to carve out those pieces? Would one be forced to retire after carving all the pieces?) Cole has a lot of fighting experience. The other knights look ashamed.

“I choose Ser Criston Cole,” Rhaenyra says whilst slipping off her stool presumably to vacate this far too formal meeting. Otto steps in before she can leave and offers a more diplomatic/political take on the situation as Rhaenys, aka The Queen Who Never Was, watches with amusement. The Hand thinks Rhaenyra should choose a knight based on what his House can provide the kingdom, while Rhaenyra believes her father deserves a capable fighter to serve as his protection. Westerling silently watches the verbal back and forth, his expression blank. Eventually, Otto gives in but not without casting a vague look of, “Oh shit, this Princess could be a problem.”

Meanwhile, Alicent spends some time with Viserys pretending to show interest in his extremely detailed model of the kingdom. The pair share a few awkward moments and eventually discuss Rhaenyra — Alicent gives some very, ah, motherly advice here. Viserys bids her not to share their conversations with Rhaenyra.

Speaking of which, Alicent wanders around with Rhaenyra and asks: “What if your father were to remarry?” The look on Rhaenyra’s face says it all. She’s not over her mother’s passing. Alicent beckons Rhaenyra to kneel at a flaming altar and speak/pray to her mother. (Hopefully, all this religious talk has a better payoff than it did in that other show.) Rhaenyra does as instructed but ends up lamenting that her father sees her only as the little girl he was forced to promote after casting out his brother.

Alicent previously told Viserys to go to his daughter, but he scoffed at the idea. Here, she offers the same advice to Rhaenyra who offers a warm, “Thank you.” It’s a tender mother/daughter, er, friend/friend moment.

Later, Viserys tries to smooth things over with Corlys and Rhaenys. Corlys is like, “I accept and sorry for speaking out of turn, but can I also speak out of turn again because I have some thoughts?” He then lays down his theory that bad things are happening/about to happen as a result of Rhaenyra being named heir to the throne, among other things. Basically, Rhaenys says, the crown is vulnerable. Tackling the Stepstones/Crabfeeder problem would, at the very least, make others more hesitant to attack.

Oh, and Corlys wants to unite the two Houses through marriage. “Wed our daughter Laena,” he says while Rhaenys looks on in approval. (The pair probably discussed and rehearsed this scene several times.) “Unite the two great Velaryon Houses.” In other words: THAT + Dragons = invincible.

It’s a solid proposal, but Viserys looks like he wants to puke.

We cut to a quiet dinner scene between Viserys and Rhaenyra where he reveals how much he loved her mother. “As did I,” Rhaenyra says. And that’s that. Rhaenyra then apologizes for her slip up at the Small Council, which he brushes aside. “You’re young and you will learn.”

Later that night, we see Viserys still dealing with that rotting wound. During the weird medical procedure, the King reveals to Otto the conversation he had with Corlys. (I’m not getting a lot of positive vibes from Otto. He looks like a man who thinks a lot but says very little. He’s a schemer.) Viserys comes across like a simpleton who has no idea he’s being played. I have no idea if he’s being played, but he doesn’t appear strong … he’s a nice guy who might be surrounded by some extremely ruthless enemies. Maybe Daemon was right?

Otto uses some cunning to gain the upper hand over the other members of the council who like Corlys’ plan. Basically, he tells Viserys that he’s a dick if he replaces his wife with another purely out of duty. At least, that’s how I took it.

The next morning, Viserys walks with Laena who is … ah … really young. I mean, damn. The young girl recites some gibberish her father forced her to memorize about the importance of the union. “What did your mother tell you,” Viserys asks. “That I wouldn’t have to bed you until I was 14.” I mean, okay.

Rhaenyra looks on like, “Goddammit, he’s still trying to find a male heir,” and bumps into Rhaenys. The Queen Who Never Was offers some slight council by pointing out there’s an order to things; the King will remarry at some point, so it’s just a matter of who. New children will arrive. Chances are, one will be male and the new heir. “That is the order of things.”

Boldly, Rhaenyra claims she will do away with such nonsense when she becomes Queen before Rhaenys reminds her that she’s still pouring wine for the Small Council. (We also get our first “bend the knee” proclamation.) Here’s the hard truth: men would rather see the throne destroyed than hand it over to a woman. “And your father is no fool.”

Great scene.

RELATED: House of the Dragon Season 2 Announced, HBO Issues Statement on ‘Epic Saga’

Viserys meets with Alicent who says all the right things whilst clawing at her own fingernails under the table. (I’m reminded of that scene in The Abyss where a psychotic Michael Biehn quietly sliced his wrist under a table during a meeting.) She presents a well-timed gift to Viserys — a figure for his model — before he is summoned out by Otto. (Father and daughter exchange pointed looks once Viserys leaves.)

The Small Council speaks with a dragonkeeper who explains that a dragon egg was stolen by Daemon. Why? The “true heir to the Iron Throne” — this statement causes Rhaenyra to flinch — is taking a new wife who will assume the title Lady Mysaria of Dragonstone. Lady Mysaria is also pregnant and will have a dragon’s egg “placed in the babe’s cradle in the custom of House Targaryen.”

Oh, and the King is invited to the wedding.

Daemon (whose absence in this episode is felt) is obviously provoking his brother. Viserys knows this. What can he do? Send him to the Wall? Kill him? The whole kingdom is watching, warns Corlys.

Rhaenyra can’t hide her anger. “Which egg did he take,” she asks, interrupting her father for the second time.

Dreamfyre’s egg, Princess. The same one she chose for Prince Baelon, or the brother who died during childbirth. Daemon gives no shits.

That’s it! Viserys stands to go to Dragonstone to drag his brother back to King’s Landing to face justice. Otto obviously can’t allow that to happen. It’s far too dangerous. He will go instead.

Later that night, Alicent helps her father with his armor. He notices her nails but then asks if she will go to the King that night. “If you want me to,” she responds. This is a healthy relationship between two stable people.

Ser Criston wanders in and interrupts the bizarre heart-to-heart. He has men at the ready.

We’re off to Dragonstone, a kingdom adorned in fog. Otto and his men wander the same walls we saw Daenerys and Jon Snow wander about in Season 7. (The production values on House of the Dragon are legit. Game of Thrones mostly looked great throughout its run, but at times the quality took a noticeable dip into SyFy channel territory.)

Daemon appears and welcomes Otto to Dragonstone. Otto replies by commanding the Prince to turn over the egg and relinquish the island by decree of the King, among other things. “Where is the King,” Daemon asks.

You’re not worth his time, Otto more or less replies.

Daemon sets his sights on Criston. The pair talk some trash. “I seem to recall knocking you off your horse,” Criston proclaims. Daemon laughs and probably locks away that insult for later.

Otto continues insulting Daemon and even calls his wife a “common whore.” This whole showing, he says, is pathetic. He also notes that Daemon doesn’t have the right to any of the Targaryen traditions, since he is not the rightful heir.

Basically, these guys don’t like each other.

Daemon holds out the egg. Come and get it, Otto.

“You would choose violence, even if it results in the death of your unborn child and its mother,” Otto asks.

He pressed too hard. Daemon draws his sword. Then everyone draws swords.

Suddenly, Daemon pressed “X” on his controller and summons Caraxes.

No matter, because Syrax leaps from the clouds carrying Rhaenyra. Everyone looks shocked. Like a boss, Rhaenyra lands her steed on the wall, calmly dismounts, cuts through Otto’s men, and approaches Daemon. She reminds her uncle that he’s living on her island and that he has angered his king.

Dameon objects. He’s merely celebrating a wedding.

“You already have a wife,” Rhaenyra says sharply.

Not of my choosing, Daemon snaps back. He only wants the egg for his kid.

“You’re going to have a child,” Rhaenyra asks.

He glances at his fiancé. “Some day.”

For some reason, Lady Mysaria storms off. Is she mad that he’s using her to get an heir?

Rhaenyra tells Daemon that he must strike her down in order to achieve his means. After some contemplation, he tosses her the egg and heads back to his fortress. Our Princess hands the egg over and then shoots Otto a “f*** you” look before hopping on her dragon and flying away. Damn.

Dameon heads upstairs and finds a very pissed-off Lady Mysaria. She’s mad that he basically threatened her with childbirth. He tries to diffuse the situation, but she’s not having any of it. Actually, she’s kinda scared for her life now that he’s basically painted a target on her back. (Matt Smith’s acting here is great.)

Back with the King, he oodles Alicent’s gift. Heads to his council chambers to ask Lord Lyonel Strong for some no-bullshit advice. Basically, Viserys wants Alicent, but knows marrying Corlys’ 12-year-old daughter is the right thing to do for the kingdom at large. What to do?

Strong essentially says, Well, Corlys is really strong, my Lord, and uniting with him would make your kingdom incredibly powerful. So, do that. (There’s more to it than that, of course, but this recap is getting really long.)

A knight enters to inform the King that the Princess has returned from Dragonstone. He looks shocked. He confronts his daughter and goes all Sarah Connor: “It was stupid of you to go to Dragonstone. You’re too important.”

Surprisingly, the conversation gets intimate. He apologizes for not comforting her more after her mother’s death. But he needs a new wife. She gets it. “You are my only heir,” he says. “Our line is vulnerable, too easily ended.” It is a fine match with Corlys, it will ensure their survival.

“Against who,” Rhaenyra asks.

“Against whoever chooses to challenge us.”

Rhaenyra understands that his duty is to the throne, the kingdom. “Mother would have understood this. Just as I do,” she says.

As the Small Council enters the room, Viserys looks like he wants to pull a Tommen and leap from the balcony. Instead, he addresses the room and announces that he will marry — Corlys has a smug look on his face, and Rhaenyra urges her father along until she realizes what is happening — the Lady Alicent Hightower.

What.

Everyone — except Otto, of course — looks shocked. Corlys angrily stomps out of the room. Rhaenyra follows after making brief eye contact with her friend. This didn’t go well.

We cut to Corlys speaking in a dark chamber complaining to someone about his lot in life. He worked hard to get to his position, see, and was passed over just like … Daemon. And wouldn’t you know, the dark Prince is the man seated opposite Corlys.

The discussion turns to the Crabfeeder who is backed by powerful entities that want to see Westeros weakened. (We get our first glimpse of the crab guy as he nails some poor bastards to a wooden post whilst thousands of crabs feast on nearby carcasses.) The King has allowed the Crabfeeder to gain strength. “If those shipping lanes fall,” Corlys says, “my House will be crippled.” He’s asking Daemon to step up and prove his worth. (Surprisingly, Daemon defends his brother here, whilst also admitting he’s not a very good king.)

“Our worth is not given,” Corlys says, “it must be made.”

We end with some creepy shots of the Crabfeeder who looks like the long-lost cousin of Leatherface. I’m not sure where all of this is going, but war seems like a foregone conclusion.

Final Thoughts on House of the Dragon Season 1 Episode 2

The interesting thing about Game of Thrones is how many people make bad decisions out of desperation to retain power. Shaky alliances were often forged in such a manner and many horrible people ascended the ranks simply because they were generally seen as the better option. Bad decisions and behind-the-back conspiring are what led to Cersei’s rise to power, which resulted in, well, nothing good.

We’re seeing a similar pattern emerge in House of the Dragon. Corlys has a problem and needs it solved quickly or must watch his House fall. He took steps to find the right solution, but when Plan A failed, he broke the glass and dialed up Plan B. Now, Plan A only failed because Viserys is a damned moron … unless there’s an ulterior motive to marrying Alicent Hightower that I’m not seeing. Viserys has a chance to make things right, and while the opportunity itself was a little weird, it seemed like the most sensible solution to his problems.

Or maybe it wasn’t.

Daemon doesn’t seem to think his brother is a good king, but won’t outright go to war with him. We saw as much when he tossed aside the dragon egg. He’s a dick, but not coldhearted. I think he truly wanted to help his brother, but his banishment left some deep wounds that may never heal.

Of course, I could be reading this all wrong. Is Daemon supposed to be the bad guy? Or is the Crabfeeder our de facto villain? To be honest, he looks more like a henchman than a villain. Someone is obviously controlling this pirate and telling him when and where to strike in order to bring down Westeros. At least, that’s my guess.

Anyways, another terrific episode in this already absorbing series. Everything from the production design to the special effects to the performances was right on the money. I’m fascinated by these characters. At some point, I’m sure the other shoe will drop — someone will make a power move for the throne. But who will strike first? And why?

Until next week!

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Disney+ Schedule Additions: New TV & Movies Arriving August 29-September 4

More adventures are coming for Jennifer Walters this week at Disney+.

On Thursday, September 1, the streaming service will release She-Hulk: Attorney at Law Episode 3. Emmy and Golden Globe winner Tatiana Maslany portrays the titular role. Avengers: Endgame star Mark Ruffalo is reprising his role as Bruce Banner/The Hulk. Additional cast includes Jameela Jamil, Ginger Gonzaga, as well as Renée Elise Goldsberry, and Josh Segarra. Megan Thee Stallion is rumored to also appear in the series. Among other surprises, Charlie Cox is reprising his role as Matt Murdock/Daredevil. Additionally, Tim Roth (The Incredible Hulk) is returning as Abomination.

She-Hulk hails from head writer Jessica Gao, the Emmy-winning scribe behind Rick and Morty‘s acclaimed Season 3 episode “Pickle Rick,” among other credits. Kat Cairo (Brooklyn Nine-NineDead to Me) and Anu Valia serve as directors and executive producers.

RELATED: Echo: Production Wraps on Upcoming MCU Disney+ Show

What’s Coming to Disney+ | August 29-September 4

What to Watch on Disney+ on August 31

  • America’s National Parks (Season 1)
  • Europe From Above (Season 2)
  • Secrets of the Zoo: Down Under (Season 3)
  • High School Musical: The Musical: The Series — Episode 306: Color War

What to Watch on Disney+ on September 1

  • She-Hulk: Attorney at Law – Episode 3

What to Watch on Disney+ on September 2

  • Al Davis VS. The NFL
  • Dickie V
  • Elway to Marino
  • Nature Boy
  • Run Ricky Run
  • Small Potatoes: Who Killed the USFL?
  • The Band That Wouldn’t Die
  • The Two Bills
  • Year of the Scab
  • Siempre Fui Yo, Detrás de la historia – Premiere
    • Siempre Fui Yo, Detrás de la historia is a special with exclusive access to the behind-the-scenes of the series and a look at how the cast built their characters. Karol Sevilla and Pipe Bueno talk about their on-screen chemistry and the challenge Pipe faced when taking on a lead role in his first acting experience, while Christian Tappan talks about the challenge of playing “El Faraón”.

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She-Hulk: Attorney at Law Episode 3 Release Date & Time on Disney+

The She-Hulk: Attorney at Law Episode 3 release is approaching.

After acquiring her mighty powers thanks to a freak incident, Jennifer Walters (Tatiana Maslany) is learning that superhero life isn’t as easy as it seems. One of the first tests she had to overcome was finding a job that would accept she could transform into She-Hulk at will in front of a live audience. Yet, this was just the beginning of a long road full of challenges.

When to Watch She-Hulk Episode 3

She-Hulk delay

She-Hulk: Attorney at Law Episode 3 will premiere on Disney+ at 3 a.m. ET/12 a.m. PT on Thursday, September 1. Kat Coiro directed the upcoming installment with a script by Francesca Gailes and Jacqueline J. Gailes. The series will wrap up with its ninth installment on October 13. So far, the eighth Marvel TV series has introduced the titular superheroine in the Marvel Cinematic Universe and brought back some familiar faces. The return list counts Tim Roth reprising his role as Emil Blonsky, a.k.a. Abomination, the villain first seen in The Incredible Hulk.

Many years have passed since Emil and Bruce Banner locked horns for the first time. Now, both have changed — in fact, one of them is a totally different person — and seem to have put the past behind them. Is Abomination really reformed and has abandoned the villainous way, or is it just an act? Episode 3 will bring more answers.

RELATED: She-Hulk Explained: Attorney at Law’s Place in the MCU Timeline Revealed

Avengers: Endgame star Mark Ruffalo is reprising his role as Bruce Banner/The Hulk. Additional cast includes Jameela Jamil, Ginger Gonzaga, as well as Renée Elise Goldsberry, and Josh Segarra. Megan Thee Stallion is rumored to also appear in the series. Among other surprises, Charlie Cox is reprising his role as Matt Murdock/Daredevil.

She-Hulk hails from head writer Jessica Gao, the Emmy-winning scribe behind Rick and Morty’s acclaimed Season 3 episode “Pickle Rick,” among other credits. Cairo (Brooklyn Nine-NineDead to Me) and Anu Valia serve as directors and executive producers.

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dimanche 28 août 2022

Florence Pugh Will Do Limited Press for Don’t Worry Darling

Florence Pugh has severely limited the amount of promotional press she will be doing for the upcoming film Don’t Worry Darling, according to a recent report from TheWrap.

RELATED: Don’t Worry Darling Trailer Shows Florence Pugh Questioning Her Reality

The report mentions that three executives to the film, as well an individual with knowledge of Pugh’s involvement, all wouldn’t confirm any press plans beyond Pugh’s planned attendance at the film’s premiere at the Venice Film Festival. Following her appearance there, she will fly back to Budapest, where she will continue filming Dune: Part Two with Denis Villeneuve.

While some executives say the move from Pugh was known ahead of time — one executive told TheWrap that Pugh would be “doing greetings for us from the set of Dune because she’s not doing press” — it does add fuel to the rumors circulating that Pugh and director Olivia Wilde had a falling out due to Wilde’s ongoing relationship with actor and artist Harry Styles.

These rumors date back to an initial report from Page Six in July, which noted that Pugh was not happy with seeing Olivia Wilde and Harry Styles “all over each other on set,” mostly due to the fact that Wilde was still with actor Jason Sudeikis at the time. The pair would later end their marriage in November 2020. According to the report, Sudeikis and the pairs two children would often visit the set of the film in its early production, a move that left people “uncomfortable” at the time.

RELATED: Florence Pugh to Lead East of Eden Series With Zoe Kazan to Write

Since the initial report, and compounded by smaller things like fans noticing Pugh did not engage on social media with any of Wilde’s posts on the film, fans have continued to speculate over the relationship between the two.

Earlier this week, things continued to spike up, as actor Shia LaBeouf and Wilde got into a bit of a back-and-forth after Wilde alleged that LaBeouf had been fired from the film, leading the actor to dispute that notion and release a video in which Wilde seems to acknowledge LaBeouf quit the film, while also calling out Pugh as “Miss Flo” and implying that she needed a “wake up call.”

While fans will unlikely ever know what really happened behind the scenes, the film and its stars will be at the Venice Film Festival for its premiere next week. However, it’s highly unlikely either Pugh or Wilde will answer any questions about their relationship.

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